Zhang Peilun Essays

The novel entitled Chinese Cinderella, written by Adeline Yen Mah can be considered by one as an autobiography. Adeline Yen Mah writes about her life during her younger years in this novel. Starting off with the author, Adeline Yen Mah was born in Tianjin in the Republic of China on November 30, 1937. Its whole title, “Chinese Cinderella: The Story of the Unwanted Daughter,” speaks literally of how the flow of the novel is. The novel introduces us to 4-year-old Yen Jun-ling, whose name was changed

style caused by globalization. Due to China’s globalization efforts and the blend of different era ideals, the movies that were made during that time showed a response to such occurrence. Crouching Tiger Hidden Dragon by Ang Lee and Crazy English by Zhang Yuan both are a response to that of globalization in China, and can be further

Heroes are often portrayed as being perfect and not similar to humans. This is not actually the case in which every hero has some kind of weakness or flaw. This is the reason that one feels connected to heros. In Robert Nye's Beowulf: A New Telling, the theme is that even heroes are not perfect. This applies to Beowulf because although he saves the Danes from Grendel, he still has imperfections. One thing that Beowulf does to make himself a hero is he uses his weaknesses as an advantage. Beowulf

Farewell My Concubine and To Live are two drastically different films that represented the Communist takeover as well as other major events of turbulence like the Japanese invasion. While Dieyi presented a life of hardships, through intense beatings and punishment by the troupe master, it was not the same with Fugui. Fugui began the movie as a rich gambler. However, when the Cultural Revolution surfaced in both films, the lives of both characters were under pressure. Dieyi had to live in a chaotic

Sorghum (Hong Gao Liang), this song in the film keeps haunting me. Red Sorghum is an emotionally powerful film. It is beautiful, romantic, as well as barbaric, and violent. As Zhang Yimou's directorial debut, Red Sorghum, released in 1987, with its lush and lusty portrayal of Chinese peasant life and culture, immediately put Zhang at the forefront of China's Fifth Generation filmmakers. The film is an adaptation of Nobel laureate Mo Yan's "Red Sorghum" and "Sorghum Wine" from his multi-volume novel