Last night, I watched the movie ‘Airlift’ and I have to admit that I thoroughly enjoyed it. The movie is gripping, the performances and direction were definitely above the average ‘Bollywood’ standard and Akshay Kumar gives one of the best performances of his career as Ranjit Katyal – the man who led 170,000 Indians stranded in Kuwait, to their homeland. Now if you are movie buff, that’s all you should know to enjoy the movie. A movie is meant to entertain and if entertainment is what you want, go get hold of a ticket now and enjoy the poignant story of the fictional Ranjit Katyal. Fictional? Oops! Now, you really didn’t think Ranjit Katyal was a real person (or based on a real person did you?). Hate to bust your bubble mate; he is absolutely fictional, as fictional as John Snow or Ned Stark, and so were his exploits. See, don’t get me wrong. I don’t mind a good movie, but unfortunately, the movie’s story was a bit different from the …show more content…
And on top of that, we were given Rs 500 per person (I remember standing in a queue in the airport for that) – a good number of us were penniless by the time we reached and Rs 500 was a big deal. Oh and one last thing, it was at the Bombay airport that I first saw and ate at a Sikh Langar (community kitchen). They did such an admirable job feeding all those who landed. Ok so that was the real story! May be not as romantic as Akshay Kumar made it out to be, but it was one hell of a life time experience. There was no Ranjit Katyal, but there were many people who stepped up to the occasion. And I remember the name of a man nicknamed “Toyota Sunny” – he was the GM at the Toyota Corporation and the guy everybody knew and he played a big role in helping others. But it was not a one-man show at all. I just simply don’t know the names of the many others who stepped
Chinque Thompson Professor Rai WRT 102.75 14 April 2016 The Past’s effect on the Present Lone Star directed by John Sayles is a film which follows a man’s journey trying to search for the truth in his mysterious town. Through the movie, Sayles intertwines many different backstories of various character’s lives, each of whom are dealing with their own issues of history.
The concentration is on comparing and finding the changes that history made to this movie genre, especially considering the gender roles. Results will clearly explain the psyche of society in two different periods, which confirms that people reflect the movies as movies have an impact on people. The Introduction It is often said that the element of surprise makes the movie more interesting and leads the plot. There are many masters of storytelling
Numerous screenwriters and directors have often dealt in their films with the theme of borders, whether literal and officially recognised, like military ranks or state frontiers, or abstract and metaphorical, like those of morality, justice, race, and gender, along with several others. As a consequence, as John Gibbs points out, one could assemble these movies, especially those taking place on the confines between Mexico and United States, under the label of ‘border films’ (2002: 27); thus contextualising them in a very specific tradition, which includes pictures such as Touch of Evil (Orson Welles 1958) or The Three Burials of Melquiades Estrada (Tommy Lee Jones 2005). Accordingly, another notable movie belonging to the ‘border film tradition’ is Lone Star: an acclaimed 1996 hybrid of western and mystery film conventions, directed and written by independent filmmaker John Sayles. The picture recounts the story of a murder investigation, which leads the main character, Sheriff Sam
Even where they appear as entirely nonpolitical, movies tend to inevitably have political messages. However, the notably evident aspect in numerous films is their tendencies to integrate liberal ideas. Using the film, Independence Day directed by Roland Emmerich, the current essay examines the themes related to conditions under which liberal ideals can influence elite policy-makers in achieving rational foreign policy decision-making. Several relevant themes are likely to emerge in films pointing towards the liberal tendencies or otherwise among elite policy-makers that contribute in promoting greater international experience. Even though in an indirect manner, it is common for American films to exhibit liberal ideals that are likely to provide
“Arrival” is a mystery, sci-fi drama directed by Denis Villeneuve in his wonderful betrayal of the unknown. ’Arrival’ digs deep into the unexpected, when a bunch of alien vessels land in 12 different spots on earth, leaving everyone curious about what their intent on earth is. With the military confused they pair together two scientists Louise Banks (Amy Adams) and Ian Donnelly (Jeremy Renner) who both study unique fields as Louise studies linguistics why Ian is a physicist, both are taken to a military base right outside of where one of the Heptapod’s (aliens) vessels have landed.
The film Glory, is a true story based on the diaries of Robert Gould Shaw. The movie is about the Massachusetts 54th Regiment. The first black regiment to fight in the Civil War. The army was made up of black soldiers both free men and escaped slaves. Men that did not have to fight volunteered to fight for many reasons.
Passchendaele takes place 3 years into World War 1, the Great War. Sgt. Michael Dunne is sent back to Calgary, Alberta after being diagnosed with neurasthenia due to the trauma he suffered during a fierce battle in the war. He meets Sarah Mann the nurse who is helping him recover. In the meantime, David Mann, Sarah’s brother, is desperately trying to get Cassie Walker’s father to accept his relationship with his daughter.
The show Band of Brothers was produced by Steven Spielberg and Tom Hanks who, at the time, recently had success with a World War II film entitled Saving Private Ryan. Spielberg and Hanks used their expertise on war films to craft the exceptional television series Band of Brothers which originally aired on HBO in 2001. The show follows “Easy” Company, 2nd Battalion, 506th Parachute Infantry Regiment, of the 101st Airborne Division, from the moment they begin their training to the moment their deployment ends. Throughout the show we see the men of “Easy” Company mature a thousand times over. The men experience love, loss, and death at rate that is inconceivable to someone that has never experienced the theatre of war.
The movie Flyboys is historically inaccurate with its props, characters, and events that used in the movie to portray the dogfights, lives, and situations of the pilots of the Lafayette Escadrille squadron during WWI. In the movie Flyboys the characters they use are based off of real life people that flew and fought in the war, but the characters do not have any relation to the where they are from in the movie to where they are at in real life. The main character who it is based off of was born in Phoenix, Arizona but in the movie it says he is originally from Aberdeen, Texas. The character that the movie is based off of his name is Frank Luke.
Lion, directed by Garth Davis, is a compelling interpretation of a remarkable true story of Saroo Brierley, lost as a child and reunited with his family 25 years later. Throughout Davis explores the unique circumstances under which Saroo is separated and reconnected with his family and his journey along the way. At some points of the film, I was confronted by how Saroo, a five-year-old boy, expertely navigates, with great instinct and genuine innocence, through an extended, yet life threatening ride. To put it in other words, Lion is a journey that grabs you entirely; whether you want it or not, and you are involved in each and every scene. I instantly fell in love with the connection and relationship between Saroo and his older brother
Even though the movie was different than the real event, it still delivered the same message of
O Brother Where Art Thou? is a film that will take you on a perilous journey with Ulysses Everett McGill and his simpleminded cohorts. This film may be set amidst the early 1930’s Great Depression era, but it still has a Homer’s Odyssey feel to it. Down in the dusty and highly racial south, Everett recruits a couple of dimwitted convicts, Pete Hogwallop and Delmar O’Donnell, to help him retrieve his lost treasure and make it back home before his wife marries another suitor.
Glory: Directed by Edward Zwick, Columbia TriStar Motion Picture Group, 1989. 122 Minutes Reviewed by Mike Edward Zwick’s Glory is a movie in which the balance between entertainment and history was perfectly managed. He uses the letters sent by contemporary Col. Robert G. Shaw to his wealthy family back in Massachusetts as the historical foundation of the movie while imagining conversations between characters. Through Col. Shaw’s eye, we are able to uncover the birth, the development, and the end of the 54th Massachusetts Regiment, the first colored regiment fought in Civil War. Just like any other war movie, Glory has several battle scenes that were unpleasantly bloody, yet they managed to stay authentic.
Breathless, originally titled ‘À bout de souffle’, made in 1960 is a movie about a small-time thief who steals a car and murders a policeman. The story is about authorities chasing him while he reunites with an American journalist and attempts to persuade her to run away with him to Italy. Jean-Luc Godard, the director of the movie often quotes, ‘To make a film, all you need is a girl and a gun.’, which is probably the inspiration behind this movie. Breathless was one of the movies that kicked off the French New Wave. Like several of his French New Wave members, Jean-Luc Godard started as a film critic, and wrote for the magazine ‘Cahiers du Cinema’ in the 1950s, when he was in his early 20s.
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