According to Gould, the 1960s television show Batman was an unexpected cultural revolution because for children watching television in the 60s, the Batman TV series was a joyfully relaxing exercise for them. Also, this became a comedy classic and it was a cultural phenomenon in the 1960s. The Batman TV series was famous because this series has humor and a colorful cast of villains. As well, Batman have some aspect of popular culture, that he represents the reflection of society making him a superhero. In addition, Batman in the society wants to do justice on a bad attitude committed. He saw justice like fight a war on crime, and the goal was that the city does not belong to do criminal things and corruption. In fact, Batman has the ability
Batman, although he may seem childish, is a great example of grit. His parents were shot and killed in an alleyway one night while they were walking home leaving him all alone. The only other person he had in the world to care for him was his caring butler Alfred. RIght then he could have just given up and hid away in his enormous mansion never doing anything again. But he didn’t he got angry because at that point he realized that his city was being taken over by criminals and he wanted to start stopping them.
Batman Nightwalker, by Marie Lu, follows the story of a young Bruce Wayne as he transitions from a troubled teen to a hero determined to rid Gotham City of its villains. The hero archetype is evident throughout the novel, as Bruce undergoes a transformation that embodies the coming of age theme. This essay will explore how the hero archetype is portrayed in Batman Nightwalker and how it represents the coming of age theme. The hero archetype is often characterized by an individual who faces adversity and emerges triumphant, embodying noble qualities such as bravery, selflessness, and courage.
lthough heroic stories go all the way back to humanity's first writings, they are still being written today. Batman, for example, shares many of the same characteristics as Beowulf who was one of the first heros written about; therefore, making Batman an archetypal hero. A hero is figure larger than life who fights for the right reasons. Batman is a figure well known to many readers as a hero who defends Gotham City from the Joker. The Dark Knight includes many of the same archetypes found in Beowulf--such as, a hero, a outcast, symbols, and a quest.
Books, movies, and TV shows tell the story of heros that have gone through adventure, aid, trials, and defeat; they are the key to writing an epic Epic. But from looking at a glance, how could a Greek poem from thousands of years ago be relevant to a 2005 film about a billionaire's rise to fight crime and justice? Surprisingly, there are many connections between these two works of film and literature. What both two of these works have in common is that they use the Hero’s Journey plot circle.
The problem with sit-down activism In this time and age, when there is a social problem most of us take to social media to vent out. While this outlet does get the word out to the general public, nothing usually gets done. It usually becomes known as a “minute headline” meaning that people are riled up about that one particular thing for a moment or two before the next “outrageous” thing comes along and distracts us.
However, the most intriguing topic concerning Batman’s mental stability was the evaluation of Batman’s love life. Batman has fallen in love but he lives a life of mystery and interacts with a false identity. To keep Gotham citizens unaware that Batman is Bruce Wayne, Bruce wears a bat-suit which is a dark outfit that includes a night bat-like mask while fighting crime. To further conceal his identity from the world, Bruce gave his real name an alter-ego that has the personality of a wealthy playboy while he acts out his true identity as Batman. Thus, Batman is unable to maintain a romantic relationship with anyone due to intimacy and his alter-ego, regardless if Batman wants a love life or not.
Batman’s is obviously shown by the boy wonder, Robin. Robin first appearance in the comics was in April of 1940, just 11 issues after Batman was introduced. Audiences quickly reacted to the duo in a very positive manner, showing the world’s need of some sort of hero to latch onto. When the two were first shown as a pair, a sense of morality among readers spread across the world. Just as in the Epic of Gilgamesh, the titular character and Enkidu took the world by storm along with the aid of various gods, such as Shamash and Anu.
" Despite his desire to bring justice to Gotham, he is initially hesitant to take on the mantle of Batman. However, he ultimately realizes that his unique skills and resources give him a responsibility to protect the city from the Nightwalker's violent schemes. This sense of duty fuels his actions and
Batman also wears black because so no can see him plus he wants to dress like bat. Superman different from Batman because Superman can shoot lasers from his eyes and breaths out ice. Superman also wears blue and red and fights in Metropolis city.
Comics: Slide 1 Good morning Mrs O and class, the evolution of the tragic representation of batman. Slide 2 Batman was born in 1939 on the pages of dective comics #27 as a a steren devilish looking character. Then in the 1940 batman looks like he got a brighter outlook on life. The dective comics were renamed to Batman and the typical all grey bat suit accented with a yellow belt, blue underpants, socks and gloves was formed. Slide 3 1950s- Batman’s body became slightly block shaped (excuse the pun) and he became more science fiction orientated as he fought aliens from outer space.
Life is sacred to him, he goes out to save people in Gotham from danger. So using a gun(lethal) or killing people will violate the sacred and be a profane. You don 't see Batman using his gun to cause lethal wounds (which the comic 's versions do it a lot) and kill people, not even the criminal or Bane. It also have a totem which ties in well with sociologist Geertz. The symbol of Bat has been used in the movie for many purposes, to frighten the criminals, to restore hopes in the citizen, and to give him his identity.
Superman; the all-American hero who has lasted for over three quarters of a century (Impact of Superman). It’s nearly impossible for a comic book character to exist that long and not change, and Superman is no exception. In fact, from sporting a mullet to fighting Nazis, he changes a lot. These changes may seem random at times, but they make sense when put under this lens; Superman is just mirroring America. Superman comics have changed to reflect society most notably during Great Depression, WWII, and The Vietnam War.
This paper describes three particular scenes throughout The Dark Knight and elaborates on those scenes in terms of three specific psychological principles. The psychological principles discussed in this paper is Kohlberg 's theory of postconventional morality, the social trap theory, and antisocial personality disorder. One scene that illustrates Kohlberg 's postconventional morality is Batman 's rather rough interrogation of the Joker. In this scene, Batman is interrogating the Joker in order to receive directions regarding where Harvey Dent and Rachel were (they were strapped up to chairs surrounded by bombs in different locations).
Christopher Nolan’s Dark Knight Trilogy constitutes a rather contemporary manifestation of an extensive body of artifacts in media culture. Media culture, Henry Giroux holds, “has become a substantial, if not the primary educational force in regulating the meanings, values, and tastes that set the norms, that offer up and legitimate particular subject positions – what it means to claim an identity as male, female, white, black, citizen, noncitizen” (2-3). Being the most popular remediation of the Batman over the past two decades, the Dark Knight Trilogy reveals contemporary attitudes of mainstream Hollywood film to issues revolving around sexuality and gender as two of the core facets of identity. In particular, the representation of masculinity,
“As a man, I 'm flesh and blood, I can be ignored, I can be destroyed; but as a symbol ... as a symbol I can be incorruptible, I can be everlasting” (Batman Begins). Batman is one of the most popular superheroes of all time. Although he has no superpowers, his willpower and intelligence combined with his physical prowess, and ingenuity make him an incredibly dangerous opponent. In his secret identity he puts on the mask of Bruce Wayne, billionaire, playboy. In Christopher Nolan’s trilogy, Batman combats crime and faces several villains and their plots to wreak havoc and cause chaos.