Typically, the actual crime and punishment itself are the focal points in most novels, but in Crime and Punishment, they are hardly mentioned compared to the rest of the novel. While the criminal’s motives and thought process behind a crime is important, the offender’s psyche after the deed is just as important as seeing an insight to the person as a human not just as a criminal especially in regards to Raskolnikov. The deteriorating state of Raskolnikov’s mind due to his stubborn ideologies of nihilism, utilitarianism, and rational egoism is a pivotal point Dostoevsky uses to emphasize how personally inflicted torment is worse than the lawful repercussions. Due to Raskolnikov’s obsession with justifying his actions with his ideologies, he …show more content…
Instead of being elated to see his mom and sister after three years, Raskolnikov faints and irritably cries, “I can’t bear this, I just can’t. Stop tormenting me! That’s enough, just leave…I can’t bear it” (Dostoevsky 183)! He does not care about the effect of his outburst on his mother and sister but rather be in silence and think more about his ideologies. He pushes his family away and gives up having that close family bond due to being absorbed in thoughts about the crimes, being caught, and justifying his actions that ultimately isolates him from a healthy friendship as well. Razumikhin pinpoints Raskolnikov’s disregard for others when he describes him as, “Sometimes, though…not hypochondriac at all, just cold and unfeeling to an almost inhuman degree…” (Dostoevsky 200). Razumikhin has been a very good friend to Raskolnikov by being there …show more content…
Raskolnikov is so preoccupied with protecting his ideologies that he mentally drives himself insane and physically gets himself sick. He is not concerned with his outward appearance but rather to avoid society and spend time thinking and justifying his rationale behind his crime. He is so poorly dressed and dirty that, “…[people] could very easily have taken him for a beggar, a real copeck collector…” (Dostoevsky 107). He hardly eats, which also adds to his frequent fainting. Also, Raskolnikov has many psychological breakdowns and is always tired. He also realizes his self-inflicted torture as he mutters to himself that, “I’ve tormented myself, torn myself to pieces, and don’t even know what I’m doing…Yesterday, the day before, all these days- on torment after another…” (Dostoevsky 104). Thus, he is very lost and his earlier conceptions about his ideologies might actually not be right. People also think he has gone mad with his temperament, incoherent, and emotional state. Raskolnikov is suffering a lot and beating himself up: “But as for that – well, he’d completely forgotten about that; yet not a minute passed without him remembering that he’d forgotten something that mustn’t be forgotten – and he went through agony trying to recall it” (Dostoevsky 111). This quotation
One notable quote on moral corruption in the novel is when Raskolnikov says "I did not kill a human being, but a principle!" It highlights his moral justification for the murder and how it led to his downfall. Another quote is "By nothing but a fantastic theory that you've made up, you've taken away the life of a poor, decrepit creature, the drunken brute," it shows how the moral justification led to a terrible crime. Another quote that highlights the moral corruption is "The more I think of it, the more plainly I see that I have been a fool, that I have been duped, that I have been utterly in the dark about myself. "
Even in the end of the novel Raskolnikov does not feel bad about the death of Alyona, the only problem his crime caused was the separation it put between him and the rest of humanity. “Now if the whole room had been filled, not with police officers but with those nearest and dearest to him, he would not have found one human word for them, so empty was his heart. A gloomy sensation of agonising, everlasting solitude and remoteness, took conscious form in his soul,” (Dostoyevsky 84) Raskolnikov makes this realization his first day after the murder. It’s the first moment he realizes to the full extent what murdering has done to him.
He is self-critical, and self-sadistic, and he likes to critique on others as well. “A decent man is bound to be a coward and a slave. It is the law of nature for all decent people all around the earth”. (The Notes from the Underground, Fyodor Dostoevsky, Part II, Book 1, page 32). It is well known that the society accepts people whom it can bind by its laws and rules.
Peter Petrovich, the fiancé of Raskolnikov’s sister, first meets Raskolnikov when Raskolnikov is ill in his apartment. Raskolnikov’s preconceived dislike towards Petrovich conveys the idea that Petrovich is not likeable. A reader could understand why Raskolnikov and Petrovich would not work well together; Petrovich carries himself well and is confident in himself while Raskolnikov has a lot of self-doubt and avoids socialization. Whether or not Petrovich is an enjoyable person, his thoughts about self-importance and self-love are easily extendable to outside the world of Crime and Punishment.
Raskolnikov 's act of violence is what causes him to go insane, impacts the lives of the people around him, and finally violence is Raskolnikov’s way of proving himself as an above-average individual. Dostoyevsky used violence to change the course of not only Raskolnikov’s life but also the lives of the people around him. The story shows how one man 's image of himself as a higher being can cause him to commit violent acts, which impact everyone around
Raskolnikov is a very intelligent, prideful man, So much so that the very thought of leaving his house in tattered clothes made him anxious. Raskolnikov also refuses to go to his tutoring job because of this. despite these facts, Raskolnikov has little care for the people and the world around him believing himself to be above them because of his intelligence.
Dostoevsky repeatedly refers to Raskolnikov’s apartment as a closet or other such small enclosure. As others learn of his crime, and guilt closes in on Raskolnikov’s conscience, his dwelling shrinks in proportion. For example, after Dunya receives a letter from Svidrigailov, Raskolnikov becomes paranoid that she
In the book Crime and Punishment by Fyodor Dostoyevsky, Rodion Raskolnikov is a complex character who often has conflicting tendencies, personalities, and choices. Raskolnikov’s internal conflict between good and evil is displayed in the contrast between two of the supporting characters in the story, Razumihin and Svidrigaïlov. Razumihin is a loyal and kind friend, while Svidrigaïlov is a twisted and wicked man. Razumihin and Svidrigailov are character foils for Raskolnikov that highlight the struggle he has between the two possibilities of the man that he could become, and eventually the man that he does transform into at the end of the book.
Raskolnikov confronts reality and can never again legitimize his activities in light of political perspectives. The writer of Crime and Punishment, Fyodor Dostoyevsky composed this book uncovering some of his own perspectives on legislative issues and consolidating them all through the story. Like Raskolnikov, Dostoyevsky was captured by the administration and punished for his offense. He was rebuffed for his radical communist positions, just to later reject these thoughts. Through the story, the creator fuses a solid message of exactly how intense the legislature is and the solid impact of governmental issues.
Saint Petersburg, the setting of Crime and Punishment, plays a major role in the formation in Fyodor Dostoyevsky’s acclaimed novel. Dostoyevsky’s novels focus on the theme of man as a subject of his environment. Dostoyevsky paints 1860s St. Petersburg as an overcrowded, filthy, and chaotic city. It is because of Saint Petersburg that Raskolnikov is able to foster in his immoral thoughts and satisfy his evil inclinations. It is only when Raskolnikov is removed from the disorderly city and taken to the remoteness of Siberia that he can once again be at peace.
In Crime and Punishment, the idea of existentialism is displayed in a multitude of ways but the most recognizable way includes the main plot with the main character Rodion Romanovitch Raskolnikov. In this story, Raskolnikov questions his very existence on many levels, specifically in part one. His guilt and fear overcome him at various points later in the novel, which develops an internal conflict between apathy and consciousness, but a large portion of the book includes introspection into Raskolnikov’s inner thoughts as well as the idea of him being socially unconscious for some time, and thus contributing to why he committed two vicious murders. Raskolnikov is introduced as a brilliant man, but a man who has lost his feeling of being. His existentialist properties are exhibited by Dostoyesky displaying to the reader
Violence is very emotional and can add a deep level of understanding. By understanding the reason for violence in a novel, the novel can be more fully analyzed. Violence is spread throughout the novel Crime and Punishment by Fyodor Dostoevsky. Raskolnikov commits an act of physical violence by murdering the pawnbroker, Alyona Ivanovna, and her sister, Lizaveta. Narrative violence is seen in Raskolnikov’s mental struggles.
In addition, Dostoevsky constructed Raskolnikov’s “extraordinary man theory” as an exaggerated form of nihilism. Raskolnikov views right and wrong as pure, distorted social constructs that are shadows of religion. He believes that those who are “extraordinary” have the right to violate the law, otherwise society would fall into stagnation; consequently, he murders the pawnbroker on the premise that this act will be beneficial to progress. However, after committing the crime, Raskolnikov
The theory of the character about strong personality right leads to a deadlock. Only Sonya's love arouses in him faith in God, and revivify his dark soul. Raskolnikov's personality includes opposite qualities. Indifferent, cruel murder give away his last cent on the unfamiliar man's funeral, intervene in the fate of a young girl, trying to save her from dishonor. Sofya Semyonovna Marmeladova - young unfortunate girl.
They believe that we should see Dostoevsky as a psychologist because of the way he understands human emotions. They think of him as somebody who has insight into how people react to uncomfortable situations. They tend look at the way that the characters are portrayed. His characters are known to be prone to psychological problems. They suggest that Dostoevsky’s works are a reflection of his own life.