THE MORTUARY TEMPLE OF
QUEEN HATSHEPSUT AT DEIR EL BAHARI
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-Deir el-bahari is a complex of mortuary temples and tombs located on the west bank of the Nile opposite to the city of luxor.
-the main goddess of dier el bahari was {wrt mhyt} or the great flood, and it is considered to be one of the forms of goddess Hathor.
-she was represented as a cow with a speckled body with trio foils and quatro foils
-The name of dier el-bahari means "the northern monastery" .as there was a monastery built there during the Coptic period.
-The first monument built at the site was the mortuary temple of king "Mentuhotep II" of the 11th dynasty ,but during the 18th dynasty Amenhotep I and Hatshepsut built also extensively at the site. the most important monuments on this site are:
1-The mortuary temple of Mentuhotep II [nepheptre]:
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The scene here used as a model from Kom Ombo.
5** God Amun standing on a basis, right of it restoration remark from the time of Ramesses II, and far right the bow (shaped in form of an open Papyrus) of the Papyrus-boat. The background shows Papyrus plants. A Nile goose (smn), a symbol of Amun, is depicted standing at the bow.
6** On the stern which is also shaped as an open Papyrus umbel two figures are depicted which can not be identified anymore. One figure is standing at the far of the boat; the other is shown in front of it grasping Papyrus. The figure at the end of the boat most likely carried an offering-tablet from which an open papyrus umbel and a wAs-sign are shown hinging down.
7** This scene shows a cat-like predator most likely an Egyptian Mongoose = hunting in the Papyrus jungle. Below the predator a dragonfly rests on a Papyrus stem.
8** this scene shows a birds are hatching on Papyrus umbels, in the center of the picture a bird's nest, right above young
Yuny and his wife Renenutet Statue and The great Pyramids of Giza. Yuny lived in the city of Asyut and was a chief royal scribe and holder of many other offices. Yuny’s responsibilities were written on the base of the statue. Him and his wife Renenutet were members of Egypt’s nobility in the city of Asyut.
During the reign of the New Kingdom pharaoh Amenhotep IV, also called Akhenaten, the art of ancient Egypt underwent a considerable change. This is unsurprising given the fact that the shift throughout Egypt in culture and religion was so immense. So, logically, it follows that the stylistic choices in art during that time period would alter significantly. In order to fully understand the extent to which the artists active during the reign of Akhenaten revolutionized art, it is very important to compare the work of that time period with some of the art created during other prevalent eras in ancient Egypt.
This coffin once housed the body of a mummified man, and that man’s name is Nebnetcheru. In this paper, I am going to explore the role of coffins in Egyptian funerary culture by examining how and why this one spectacular coffin was made. By digging into
“Sticks and stones will break my bones, but words will never hurt me.” That phrase is common to many children in the United States; this phrase gives an empowerment to show that those who tend to tear you down with words will not be successful and makes it seem as if words are harmless. In the case of Dhabah “Debbie” Almontaser, the words were not harmless and they stripped her from the pinnacle of her career in education. The freedom of speech was overextended in favor of a practically libelous article by the New York Post damaging the reputation of Almontaser; the press should not be permitted to make malevolent claims without legitimate reason. New York City had numerous dual language schools, but one of the notable ones was the Khalil Gibran International Academy, which was the first Arabic-English dual language school in the United States (Bloomfield).
The Dier El-Bahari was built around the 15th century BC. 5.why was the Dier El-Bahari built The Dier El-Bahari was used for a temple to worship the god Amun, but it was also used as the funeral temple for Hatshepsut.
The expedition to Punt which is depicted on the wall of her temple Dier El Bahri, explores her domestic policies to extend trade where goods such like resin, wood, gold, animals were all imported. The reliefs in Hatshepsut’s mortuary temple portray celebrations in which Hatshepsut is standing before the tribute and weighing the goods that were to be offered to Amun. The
Introduction This paper will analyze and compare the Egyptian Standing Figure of Osiris with Egyptian Mummy Coffin of Pedusiri, visual elements of Ancient and Medieval Art and Architecture works from the collection of the Milwaukee Art Museum. By comparing and contrasting these two works, we will be able to see the salient parts of each of them more clearly and can better understand the relationship between their periods, cultures, or artists. This comparison will also reveal how these two cultures view the human anatomy and human spirit in different ways.
As I mention before, Inscription are located around the sculpture. The beach is divided into two scenes divided into two registers with Yuny and Renenutet making and receiving an offering. Also, the ground line is placed between the two registers. In both registers, all figures have a composite profile. Yuny and Renenutet are also seated on a similar chair like the one they are seated in with similar clothing.
Prior to his rule, Upper Egyptian nomarchs built monumental tombs for themselves. However, they soon cease to be built around the time of Senwosret III’s reign. Although it is not clear why this downward trend occurred, it may reflect a decrease in the power of the regional nomarchs and an increase in power for the pharaoh and the centralized bureaucracy. Since the nomarchs had authority and may have posed as a threat to the royal house, Senwosret III may have managed to strip them of their power during his reign. This change in the political climate is reflected in the lack of nomarch tombs during this time because the nomarchs no longer had the wealth and power to build elaborate tombs for themselves.
Queen Hatshsput was the royal consort of Thutmose II, who is considered a much lesser pharaoh compared to his father thutmose I who extended egypts borders significantl;y as well as building many temples and his own tomb Queen Hatshsput was married to thutmose ii her half brother most likely to secure his kingship she is considered to be the real power behind thutmose II because because of the similar domestic and foreign policies which were later pursued under her reign and because of her claim that she was her father’s intended heir. She is depicted in several raised relief scenes from a Karnak gateway dating to Thutmose II's reign both together with her husband and alone.[1] She later had herself crowned Pharaoh several years into the
Tiffany Phillips Humanities 1301.Section 192 Professor Jana Haasz February 18, 2017 1. The relief of the Victory Stele of Naram-Sin and the Narmer Palette are different; the Victory Steel of Naram-Sim is sculpted in a way that is protruding immensely from the palette while the Narmer Palette is very shallow in comparison (Cunningham, Pg. 16). 2. Each Palette is depicting a battle but they each have their own uniqueness. Victory Stele of Naram-Sin is showing the Pharaoh on an ascent through a battle ground towards the gods, his foes falling at his feet as he walks and others begging for mercy (Cunningham, Pg. 16).
Hatshepsut’s reign as pharaoh strongly emphasised her close relationship and devotion to the god Amun. According to Lawless, Hatshepsut did more than any other Pharaoh to raise the status of Amun beyond all other gods. She achieved this by emphasising her filial relationship with the god, most evident in the divine birth scene in her mortuary temple at Deir El Bahri and through the Oracle, which was later inscribed on the walls of the Red Chapel at Karnak. These pieces of evidence are vital in explaining Hatshepsut’s devotion to Amun. However, the relationship between Hatshepsut and Amun was a reciprocal arrangement as through the glorification of her father she promoted the priesthood and rewarded them for their support towards her legitimacy which led to their growth in wealth and political power during her reign.
In 1479 B.C.E. Thutmose II passed the power of Pharaoh to co-ruler Hatshepsut-his sister/wife-because his son, Thutmose III, was too young. During her reign, she proved she was worthy by becoming one of the “most ambitious builders in Egyptian history” (Cole and Symes 34). However, after ruling for 21 years her legacy was tested. Scholars found defaced statues and portraits of Hatshepsut. Some believed Thutmose III was slighted by Hatshepsut and he defaced her image.
The servant is holding the swing ropes and while looking at her. The big cupid statue on the right side of the painting you can see the big cupid statue also looking at her and he looks like he’s saying something to her. On the bottom of the picture on the left side of the servant is the statue of two little cupids the right one is hugging the left one, and the left one is the one looking at her while the other you can barely see his
Behind him, another man is holding some instruments. In the background, there are waves of blue. At the left side of the painting, there are lightening bolts. At the bottom left of the painting, there is a board connecting the ground to the boats, allowing some animals to enter. Behind that, there is a person on a ladder, carrying an item on their back.