During the ancient times many cultures and races viewed art as something important for their lifestyles and part of their culture. Portraiture was one of the often used forms of art that either represented someone who once lived or a god that they worshipped. These forms of art were really important for various reasons, whether it was for worship, remembrance of the person or god, remembrance of an important day, tomb markers, etc. Three examples of portraitures made during the ancient times are: ‘Victory Stele of Naram-sin’, ‘Hatshepsut with Offering Jars’, and ‘Khafre Enthroned’. Each of these three pieces of art played a big role on the lives of the owners because it depicted them in the way that they wanted to be depicted. They all differentiate …show more content…
Some of the similarities is that they all depict or represent someone and their all powerful rulers. Both “Hatshepsut with Offering Jars” and “Khafre Enthroned” were made during the same era, Ancient Egypt, only one was made in earlier times during that era. They both unlike the stele were made as free standing statues while the stele was a made into a relief illustration. After all, they were all made and served for an important purpose for the owners and the people at that time. Some of their differences includes what they were made out of, the time in which they were made, and their purpose. The stele is made out of pink sandstone, Hatshepsut’s statue was made with red granite, and Khafre’s statue was made with diorite. The material with what these pieces were made was chosen by the ruler for reasons like durability and expression of his or her wealth. The purpose of the piece ‘Victory Stele of Naram-Sin’ was made do illustrate Kind Naram-Sin’s victory and conquer of the mountain, ‘Hatshepsut with Offering Jars’ was made to honor the gods, and finally, ‘Khafre Enthroned’ which was made to just simply depict him as an enthroned divine ruler. Thanks to the many portraitures found from the ancient times, such as these three, we are allowed in this point of time to familiarize with what our ancestors believed and how it all evolved over
While the exterior was made of red quartzite and sandstone, the inside walls were artistically ornamented with painted reliefs showing Hatshepsut offering sacrifices to Amun and other gods. The temple was greatly neglected after Hatshepsut's passing, and finally it was covered in sand. The Red Chapel served as a significant reminder of Hatshepsut's divinely ordained rule and a representation of her religious authority. Hatshepsut was able to establish her authority as a monarch and was viewed as a divinely approved leader by dedicating a temple to
While reading “The Trouble with (the Term) Art,” written by Carolyn Dean in the summer of 2006, we are taken through an array of different scenarios that lead us to questions what art really is. Dean explores the idea that the word “art” is used far too often and too habitually, and that as we study the non-Western cultures we need to use much more discretion regarding what we call the different pieces of their culture. Throughout the essay, Dean supports her thesis that we too often categorize non-Western pieces as art by using different examples of how certain non-art pieces were deemed as art throughout the course of their history. Dean does this by using four key examples of how these ancient pieces are inappropriately called art to successfully support her thesis and avoid biases.
Whether in the form of sculptures, paintings, or the written word art has been a way for the common and elite to share in the beauty of memories past. Art has played a key role in helping to explain the difference in personal morals and those placed upon an individual by a corrupt society. In Antigone, Beowulf and the Bayeux Tapestry the conflict of social and personal morality is subjected to both physical and spiritual trials. The battle that each man or women has to face elevates them into a man that is desired by others; either for their strength, heroism or beauty.
Introduction This paper will analyze and compare the Egyptian Standing Figure of Osiris with Egyptian Mummy Coffin of Pedusiri, visual elements of Ancient and Medieval Art and Architecture works from the collection of the Milwaukee Art Museum. By comparing and contrasting these two works, we will be able to see the salient parts of each of them more clearly and can better understand the relationship between their periods, cultures, or artists. This comparison will also reveal how these two cultures view the human anatomy and human spirit in different ways.
Roman portraiture based itself in the Etruscan art, it also had influences of the period of the Hellenistic Greek sculpture and “masks mayorum”; masks of wax applied to the face of the deceased. The materials used in the Roman portrait were typically bronze and marble. Roman portraiture can be described as alternately “veristic” commonly associated with the Roman Republic portraiture. It meant that there was an interest in a faithful reproduction of the immediate visual and tactile appearance of the subject. Or there was “classicizing”, a nod to the Hellenistic greek period.
On our field trip to the Getty villa this semester, we had to choose an art piece that stood out to us among the many there. The task at hand seemed easier than it was, as there were many art pieces that held my attention. One thing I kept in mind was that many of the Greek art pieces were either recovered from the bottom of the sea or were Roman duplicates. This meant finding background and details about them would be challenging. Of the art pieces, the Statue of Hercules or the “Lansdowne Herakles” was the one that I chose to write about.
The ultimate purpose of the art object until the Hellenistic period is to be a figure of human perfection and the Ideal, most commonly in the form of a ruler or a deity via body politics. Anatomy and physiology of the statue or relief is often used to further the pancultural concepts of the Ideal as opposed to the physical representation of a specific, imperfect person. The conept itself speaks volumes about the culture from which it originates, and what that culture valued most of its people and of their lives. However, as the centuries thundered by and civilizations rose and fell, there is a clear shift in the artist’s attitude towards his or her art, and the artist begins to wean away from an aesthetic realm of perfection to the portrayal of a specific
While art varies in many ways, one can also easily identify many similarities between cultures. These similarities and differences have been seen and identified throughout history as art has continued to evolve. Architecture is no different, meaning although two grand structures were built on different sides of the world, similarities can be drawn between them. These similarities are consist of symbolism, architecture, and materials used in the structures. For example, the Hagia Sophia and Charlemagne’s Chapel both share similarities and differences through their histories and the architecture and decorations that make these structures so grand.
Tiffany Phillips Humanities 1301.Section 192 Professor Jana Haasz February 18, 2017 1. The relief of the Victory Stele of Naram-Sin and the Narmer Palette are different; the Victory Steel of Naram-Sim is sculpted in a way that is protruding immensely from the palette while the Narmer Palette is very shallow in comparison (Cunningham, Pg. 16). 2. Each Palette is depicting a battle but they each have their own uniqueness. Victory Stele of Naram-Sin is showing the Pharaoh on an ascent through a battle ground towards the gods, his foes falling at his feet as he walks and others begging for mercy (Cunningham, Pg. 16).
The Victory Stele of Naram-Sin perfectly exemplifies the artistic expression of the time of its construction and the beginning of the innovation that would take place in artistic techniques. This piece is a relief sculpture and a relief sculpture is a sculpture in which the figures project from a supporting background, usually a plane surface . The artist chose to revolutionize the way art was viewed and made, by altering the creative methods used in
Even though these two iconic structures come from different cultures and times- they show some similarities in their construction and design elements.
It is initiate the innovate art style and help the next generation that how to continued to shaped western art culture, such as Rome period and Renaissance period. Every sculpture is a story about gods, heroes, religions and culture in general, Rome even actually copies some of the art works just for showing his respect and love. Some of the sculptures we can see right now for the ancient greek, it is actually the copies during the Roman period. The timeless idealized art work
They used to paint object and food on the tomb walls. Their aim of this was to show what the object clearly was and scenes of everyday life. In the 1800's was considered unimportant as it didn't contain any human subjects. Still life in the 1700s usually contained symbolism. Still life art gives the artist freedom of how to arrange their elements.
1.2 Statement of Significance Art can do lots of things that can create powerful and great changes in ourselves. Artist is someone that is so hard to read if we fail to understand them to interpret the underlying meaning behind their painting because it is their getaway to express their emotions and desires to the community. To accomplish this, the artists are communicating with the society by delivering their messages through their artworks.
These are my best tips to help you to improve your portrait photography but remember that these aren't rules, consider them more like guidelines. A great photographer always breaks a few rules once he knows them. High aperture & reduce clutter
 When you shoot a portrait you can make the photograph more focused by using a high aperture (small f-stop) like 2.0, 2.5 or 2.8. This will cause the focus to be on the person and in turn blur out the background.