At some point of your life you meet very special people that carry very similar interests. This creates bonds that can be a very powerful and important part of your life. Some may say that bonds are created between a series of negative events that leads up to friendship. However, this is not true because in The Way, the main characters come together to walk the same path. Each character motivates each other to achieve the overall reason of why they wanted to walk The Camino De Santiago. Emilio Estevez’s purpose in creating this film was to show how different types of people with different backgrounds can mesh together and motivate each other. In The Way, Emilio Estevez uses the literary devices such as characterization and conflict to get …show more content…
In the movie the characters and their traits would significantly change due to characterization, they would gain attributes which would contribute to the overall purpose of the movie. Tom helped out Jack with writer’s block by telling him that not every piece of writing requires metaphors. Joost the Dutchman also offered Jack to walk with the other three characters which relieved him. Tom, Joost and Sarah also motivated him while walking the path. “‘Would it be alright if I walk with you for a bit?’ ‘Well, I don’t know about them.’ ‘Oh, okay. ‘But it’s okay. It’s cool with me, man.’ ‘Really?’”. This shows that Emilio Estevez created Joost the Dutchman to be a very friendly character to other people which also creates bonds. Specifically in this quote Joost is inviting Jack the Irishman to join their group in walking the Camino De Santiago to help his conflict with writer’s …show more content…
It is revealed that the son was walking alone on the Camino De Santiago. “‘And so we make pilgrimage. This is what your son Daniel was doing.’ ‘Why was he alone? Many people choose to make the trek alone. The way is a very personal journey.’” In the quote it shows that Tom had realized that his son has died on an individual journey since it was very personal. If Daniel walked with other friends on the trail he may have been able to open up his internal conflict and other’s may have been able to motivate him to achieve what he wanted to. Eventually this is what his father ended up doing while walking the
The Crazies to Say the Least “David leans on the sideline fence, sipping his coffee, watching the game. No one has yet noticed the dark figure walking out of the shadowy woods beyond the outfield. Weaving like a drunkard, he walks right onto the playing field, oblivious to the game. He is carrying a shotgun. Heads turn, mouths falling open in the bleachers and dugouts, everybody staring in collective disbelief.
Do not be told something is impossible. There is always a way”(Robert Rodriguez). In The Way, by Emilio Estevez,the main character Tom walks the path of Camino de Santiago, a path that his son, Daniel, died on. Some of the last things that Daniel said to his son was, “You don’t choose a life dad….. You live one”(www.imdb.com).
Santiago’s last step to completing his personal legend was walking through the desert, to find his treasure and completing it. Thus, showing the symbols and meanings behind these little puzzle pieces in the journey and being rewarded with love and treasure helping to support my thesis, through seeing and understanding symbols behind the world people can learn about their own personal legend and live life to the
By continuing he finds his true inner strength. In the story, the author shows the importance of perseverance, and how to face the many obstacles that people are presented in their lives to complete their goal. In Coelho's novel, Santiago faces many difficult challenges, but because of his courage and perseverance, he is able to face them head on. While in the town of Tarifa, Santiago meets
The following line from The Florida Project best sums up the film: “You know why this is my favourite tree? Cause it’s tipped over and it’s still growing.” Spoken by Moonee while eating jelly sandwiches with Jancey on the trunk of a lush, collapsed tree, the line draws a perfect similarity between the fallen tree’s continued growth and the motel residents’ efforts to trudge through poverty despite their representations in society. Sean Baker’s The Florida Project depicts Moonee, a six-year old living at the Magic Castle (a dilapidated motel just outside Walt Disney World) with her unemployed mother Halley.
The book begins with Santiago’s craving for love with a merchant’s daughter to whom he has only spoken with a few words. This “love” is what takes Santiago off track from his pursuit of his Personal Legend as Santiago refers to this love as his main goal in living. However, when Santiago meets Fatima, his true love, it presents a more difficult challenge as it convinces him to abandon his Personal Legend. However, his love with Fatima is acceptable since Fatima encourages him to pursue his Personal Legend. Fatima says, “If I am really a part of your dream, you'll come back one day” (97).
Individuality is unaccepted and isolated from our society that embraces conformed values. The Copy Shop and L’homme sans tete are examples of short films that reflect this ironic problem of society where individuals are not identified with their individual morals, but conformed morals enforced by society. The 2001 short film, Copy Shop by Virgil Widrich conveys the idea of conformity. This is done foremost through the metaphor of 'copies' that fill up the film's world that represent conformity, where the composer satirises our society which is filled up by 'copies' of individuals sharing conformed ideals.
Santiago's temptation is when he has the choice whether or not to stay with Fatima and abandon his Personal Legend. After leaving Fatima he has a difficult time coping with the separation, even if Fatima is a woman of the desert, who knows he will return. The Alchemist offers him a sole piece of advice, “love never keeps a man from pursuing his Personal Legend.” (120) Santiago’s heart is aching for the loving arms of Fatima. He realizes that he needs to focus on what he needs, pursuing his Personal Legend and not what he desires to be with Fatima.
In the wildly popular Mexican film, Los olvidados (1950), Spanish director Luis Buñuel exposes the harsh realities of life in Mexico during the 1950’s. Luis Buñuel’s work on Los olvidados portrays a societal loss for all hope due to crime and violence as an infinitely vicious cycle, coupled with addressing the lack of reform for dilapidated living conditions throughout Mexico. In Los olvidados, Buñuel follows Pedro (Alfonso Mejía) a neglected bastard, and El Jaibo (Roberto Cobo) the leader of a gang of homeless children loitering in vacant lots. For Pedro, and the rest of the cast, a series of unfortunate outcomes have been strung together though common ignorance and a lack of self-control. Luis Buñuel’s use of focal length, editing, and dialogue
DBA Student : Romeo B. Leneses Jr. Astrological Sign: PISCES Subject: Philosophy of Business Professor: Dr. Carlos Manapat The Book of Eli Superbly written and astonishing storytelling! At first, I thought the Book of Eli is just another ferocious film featuring what life would have been after the judgement day.
In the film Extreme Measures someone can find ideas of Secular Ethics throughout the film involving Utilitarianism and its basic tenets along with Kantian analysis. The basic tenets of Utilitarianism include the principle of utility, Hedonism, and the viewpoint of a disinterested and benevolent spectator. While the tenets of Kantian Ethics, which include good will, the formula of universal law, the formula of the end itself, and the categorical imperative. These basic ideas setup arguments for and against the Utilitarian ideas set up by doctor Myrick. In the film doctor Myrick makes the claim that it is worth the deaths of unwilling subjects in order to help/save the lives of millions.
In both my professional and personal life I am in relationship with immigrants, some legal and some illegal. It is through relationships and other storytelling methods, like films, that we can empathize and understand another person’s or a group of people’s plight. The city of Pittsfield, where I live, is currently in discussion about accepting around 50 Syrian refugees into the community. My first thought when I found out about this was “How can I help?” These are people who have survived war, traveled extensively, and have no belongings and no money.
A personal legend is not just the result found at the end of Santiago's life. It’s more than simply reaching final destination. Santiago personal legend is achieved when he completes what he is doing. “It’s true that everything has it’s personal legend ,but one day that personal legend will be realized ,so each thing has to transform itself into something better ,and to acquire a new personal legend, until someday, the soul of the world becomes one only thing.”
I’ve touched on it several times so far, but the use of shadows in Out of the Past stands out as a defining cinematic device employed by Tourneur. Obviously, shadows are ingrained in the fiber of any film noir. Deep focus, low key lighting, and expressionistic compositions are standard. But Tourneur goes above and beyond with his shadows. He creates beautiful compositions, but more importantly, he uses shadows to define and redefine the mood, and to tell the story.
Friendship has been a recurring theme in almost all type of literature and is probably one of the easiest themes to work into a story. Tolkien, creator Lord of the Rings, learned friendship differently than how people in the twenty-first century learned friendship. Tolkien learned it through the first world war, on the battlefield, and in the trenches, this form of friendship shows in Tolkien’s work when the audience sees how he developed the bonds between his characters and how through their cooperative work they can defeat their enemies (Doughan). Similarly, George Lucas, creator of Star Wars, started creating his story during a time when people started banding together against a deceptive government (“George”). Lucas created characters that