Hollywood Fantasy films have unusual themes involving query, escapism, and the immoderate. Characters Roy, from Sunset Boulevard, and Max, from The Fall, create fantasy worlds through storytelling and lies in which their listeners can elude. Roy and Max endeavor different motifs to their fantasies. Overall their motifs are simulated from the same endeavor. Hollywood fantasy thrives off of lies, manipulation, and distraction, trying to overcome some sort of belief or evil person. Both of these films characters, Max and Roy, convey fantasy through the same reason, being a hopeless romantic and suicide, but for different objectives. Max and Roy have both ended in up in very unfortunate circumstances. They were once at their highest peak. Max used to be a successful film producer who discovered Norma Desmond and married her falling deeply in love. “That is my job. . . You must understand I discovered her when she was eighteen. I made her a star. I cannot let her be destroyed. It was I who asked to come back, …show more content…
Roy feels as though his life is over and he has nothing left to live for but because he is disabled he needs Alexandria. To get her to do his dirty work Roy tells her fictional stories that interest her but just as the stories gets exciting he stops and tells Alexandria the only way she can hear the rest is if she does him a favor. Roy has no concern for Alexandria wellbeing or emotions, he is selfish and only cares about getting what he needs. Unlike Roy, Max has all the care in the world for Norma Desmond. The fantasy life he portrays for Norma is all out of love and the will to keep her happy. Max’s fantasy comes from denial. One may say that Roy and Max use their fantasies as manipulation and that is a fair assumption to make. Even though the fantasies manipulate other characters, Roy’s manipulation comes from selfishness while Max’s comes from
so they became forever friends. In both the movie and the book Freak dies because his heart grew too big for his little body. Both the book and the movie are amusing. Both Freak and Max were bullied. Both in the book and the movie Max had a disorder with his body that prevented him from playing sports.
Walter ignored the teachings of the Nazi party because he knew that Max was a human being just like he was; no more and no less. 1. “Don’t go, Papa. Please...first we lost Max. I can’t lose you now, too.”
Leroy compares her to Wonder Woman while watching her lift weights, expressing his admiration and love for his wife (759). While Leroy claims to love Norma Jean, he only loves her in a superficial sense, only praising her appearance and the things she provides him with such as her terrific piano-playing. After playing with his miniature model kits, Leroy fantasizes about indulging Norma Jean with a log cabin. He incessantly tells her how much joy it would bring him to build her a “‘real home’” and is met with her
“The Hollywood Ten, McCarthyism, and the Witches of Hollywood” Back in 1947, when the Cold War with the Soviet Union had occurred, the House of Un-American Activities Committee was checking to see if any suspicious communists’ activity was going on in Hollywood. This event caused nine screenwriters and one film director (lvah Bessie, Herbert Biberman, Lester Cole, Edward Dmytryk, Ring Lardner Jr., John Howard Lawson, Albert Maltz, Sam Ornitz, Robert Adrian Scott, and Dalton Trumbo) to get arrested, and they were known as “The Hollywood Ten”. “During the investigations, HUAC coerced prominent people from the film industry to declare their patriotism and give up large names of colleagues suspected of having politically unfriendly tendencies”.
A major theme in Sunset Boulevard, is Reality vs Fantasy. One way the theme is portrayed is through its costuming and makeup, such as the clothes Joe and Norma are wearing when they meet, the lavish clothes the night of New Year’s Eve, and the extreme treatments Norma goes through on her face to make herself look younger.
Max has his meeting with the principle, then soon after Freak chokes on food. Also, the novel and the movie both have or show Max living with Gram and Grim. There is also Freak naming the elements of the fireworks show while sitting on Max’s shoulders. They find Loretta’s purse in the drain.
The film Sunset Boulevard, made in 1950 is a black and white film. The film is about Norma Desmond an old actor, who has issues accepting that she is becoming old. Gloria Swanson, the main character is Norma Desmond, suffers accepting that she is aging. Desmond has issues in her life regarding her age and does not accept that Hollywood does not want her anymore. Next, character Joe Gillis is William Holden, has financial problems and turns himself into a gigolo.
- Liesel, knowing the outcome of running through a stream of Jews, wanted to find Max and see him for the last time before he would disappear for years. She wanted to see him and thank him for everything he 's done for her; the stories, the fun times they 've had. She willingly put herself in a bad situation because she loves him, and she knows that he loves her too. She knew that if Max saw her, it would make him the happiest
Imagine that you were considered freaks like Kevin and Max because of your freakish attributes. One super tall, strong and dull and the other short, frail, and intelligent, as one they are Freak the Mighty. Throughout the story Max and Kevin show their individuality, but they are also similar in the fact that they are both considered freaks. Even though Max and Kevin have somethings that are similar they are different in strength, and personality. These differences help complete Freak the Mighty because they have things that the other one does not.
Max accepts Liesel’s child-like sense of entertainment. While Liesel loyally builds a snowman for Max. When the snowball scene turns out wrong, Liesel loyally tried to nurse him back to safety. Liesel had the courage to accept befriend Max and loyal enough to keep it a secret.
She wishes to be a star again and make a return. But, Norma is only lying to herself about the fact that she is still big; when in reality her time has passed her. She is leading herself to glide along the line of a lost career. In another way, Joe enters Norma’s home and sees that she has money and wants to use her delusions to his advantage.
In the film Sunset Boulevard many character struggled with wishes, lies and dreams of fame and fortune. The film states the corruption in hollywood and that people will do anything to get ahead. With hope and delusion each character tries to gain happiness, while only being self-destructive and isolating themselves. The characters ultimately deny their problems and confuse those around them. One character in the film who struggles with her wishes, lies and dreams is, Norma Desmond, a washed up actress.
She inspired him to use words and write “The Standover Man” which brought them closer. Max explained the story of his life to her in the book, and it was all because of the words she used. Throughout the novel The Book Thief there are instances where people used words to create new
There are many things that make “Citizen Kane” considered as possibly one of the greatest films every made; to the eyes of the passive audience this film may not seem the most amazing, most people being accustomed to the classical Hollywood style, but to the audience with an eye for the complex, “Citizen Kane” breaks the traditional Hollywood mold and forges its own path for the better. Exposition is one of the most key features of a film, it’s meant introduce important characters and give the audience relevant details and and dutifully suppress knowledge in turn. “Citizen Kane” does not follow this Classic Hollywood style exposition, instead going above and beyond to open the film with revealing as little information as possible and confuse/intrigue
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.