Widely discussed, war is one of the world’s most consistent troubles. Naturally, because it has existed since what seems like the beginning of time, it has changed in some ways, while also remaining quite the same. Over time nations have resorted to war because it was the only way they knew how to resolve conflict, but today’s society seems to be one of peace making and peace maintenance, ushered in and upheld by the action of the United Nations. Alternatively, there is an ignorance that is ever present in times of war, and this lack of knowledge has possibly existed from the beginning of time and always will, because war narratives always contain some level of untruth. Here I will discuss these changes as they relate to War and Peace over …show more content…
Prior to this conflict was often resolved by way of war, the U.N. helped to change all of this. In his book Winning the War on War, Joshua Goldstein discusses in depth the years following the United Nations creation. “The reduction in war over several decades suggests that the international community is doing something right in trying to tame war.” (Goldstein 7), he goes on to speak about how we are winning the “war on war”. The United Nations, since its creation has been doing its job and keeping war at a minimum. This is a time where nations are coming together to create treaties and pacts to minimalize the violence. It feels as though the United Nations is slowly, but surely teaching the world non-violence, and it is slowly being implemented. Mark Goulding’s The Evolution of United Nations Peacekeeping expands upon the United Nations’ efforts saying that “peacekeeping is a technique which has been developed, mainly by the United Nations, to help control and resolve armed conflicts” (Goulding 115). The United Nations is doing the work of world, controlling outbreaks of violence and keeping peace as best they can and thusly changing the attitude toward war. Alternatively, Page Fortna says that she is left “quite skeptical” of …show more content…
In war time, there is often so much that the public doesn’t know, but they maybe easily tricked into thinking that they know. Discourse, Reality, and the Culture of Combat in a novel by John A. Lynn where he analyzes the realities of war and the misconceptions of those realities. Lynn says that discourse “signifies the complex of assumptions, perceptions, expectations, and values regarding conflict, violence, and armed struggle.” (Lynn 475), meaning that discourse encompasses all the ideas that are true as well as the ones that are not. It is very easy for a government to only allow its citizens to know what they want them to know, and that is often lost on them. Kenneth Boulding says in National Images and International Systems that “we must recognize that people whose decisions determine the policies and actions of nations do not respond to the “objective” facts of the situation, whatever that may mean, but to their “image” of the situation” (Boulding 46). What Boulding is saying here is that ultimately be people up top are creating the narrative they want their habitants to believe or the “image” they want them to see as the truth. Countries would have far more difficulty maintaining war support if they showed the raw truth of what was going on behind enemy lines. This discrepancy is what Lynn was referring to, there is the “Discourse on War” and the Reality of War” happening
War. Is it a necessary injustice? Does it leave us in triumph or with shattered dreams? War can bring brutality and death to many innocent people, but it can also create unity and result in freedom. The repercussions of war rely on war itself.
In the context of this ambiguity, O’Brien introduces two perceived forms of truth he refers to as “happening truth” and “story truth.” Happening truth is a raw, unprocessed event whereas story truth is built upon the actual event but transformed by hindsight. By establishing a binary between happening truth and story truth, O’Brien prompts his readers to question the validity of writing as a whole. A deconstructionist would read Tim O'Brien's book and recognize that Vietnam, although a polarizing subject, is not the true center of the text; Vietnam is but a stage on which O’Brien’s binary
“How to Tell a True War Story” reflects this feeling of chaos and lack of control with jumps between war stories and existential commentary without a constant setting or a linear plot. “In the midst of evil” (77) everything is unexpected, unfathomable, and terrifying. By instilling in the reader questions about the factual reliability of the narrator with statements that denounce the importance of “that kind of truth” (79), the chapter expresses the “ambiguity” (78) that a soldier experiences, and communicates that reality lies in the experience rather than the facts. Moreover, during war there is the permeating and constant feeling of “a ghostly fog” (78) that clouds vision of anything new and undermines accuracy which parallels the fog of confusion that the narrator faces. Without any “clarity”, “chaos” becomes a constant and the “only certainty” (78) is that nothing is predictable, nothing is as it seems, since all is
Chris Hedges, a former war correspondent, has a memory overflowing with the horrors of many battlefields and the helplessness of those trapped within them. He applies this memory to write War Is a Force That Gives Us Meaning, where he tutors us in the misery of war. To accomplish this goal, Hedges uses impactful imagery, appeals to other dissidents of war and classic writers, and powerful exemplification. Throughout his book, Hedges batters the readers with painful and grotesque, often first-hand, imagery from wars around the globe. He begins the book with his experience in Sarajevo, 1995.
In a desperate attempt for peace, as ironic as it may be, we create chaos, resulting in the death of millions at a time. Firearms burn bright in the dim sun, exposing the vibrancy of blood-stained suits. As the bullets penetrate skin, the life of another innocent individual has already been lost. Families never to hear a last, “I love you” before their loved one tragically passes in a loud, chaotic mess. They run towards the danger, knowing exactly what result the soldiers might have gotten in the gamble of life or death.
If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie” (O´Brien 65). Wallace Stevens
The Undying Certainty of the Narrator in Tim O’Brien’s The Things They Carried, written by Steven Kaplan, questions if there is any sense or meaning derived from what happened during the Vietnam War and how that could be conveyed to those who have not experienced the war. Literary critic, Philip Beider’s, writes “most of the time in Vietnam, there are some things that seemed just too terrible and strange to be true and others that were just too terrible and true to be strange. ”(American Literature and the Experience of Vietnam 4). Kaplan believes that by destroying the fine line between fact and fiction, fiction can often sound truer being, presented as meaningful.
(page 68). This is why Tim O’Brien writes the way he does. He wants the reader to believe his story and get a sense of what war is truly
Knowledge of course, is always imperfect, but it seemed to me that when a nation goes to war it must have reasonable confidence in the justice and imperative of its cause. You can 't fix your mistakes. Once people are dead, you can 't make them undead” (38-39). Because O’Brien had witnessed so much death and destruction he knew how important it was to have all the facts first.
O'Brien shows us that "In many cases a true war story cannot be believed. If you believe it, be skeptical. It's a question of credibility. Often the crazy stuff is true and the normal stuff isn't, because the normal stuff is necessary to make you believe the truly incredible craziness." (pg. 71).
In some World Wars they threaten national survivals and therefore reports and photographs are released and published were they intended to create a sense of morale or to just keep the war effort going. For example, “One answer lies in the contemporary acclaim for photography as a truth-telling art”(Marwil,Jonathan). They say that because some photos of the war tells the truth as to what happen and some photos don’t and with photography you will always know the truth. Some reports and photos that are published from these photojournalists need to carry a certain amount of truth to inform the public in different places so people will know the truth instead of the lies. Some argue that reality is a like a videogame, but in this case it is not and people need to know about the war.
The absolute truth may not always be known. Another culture’s history may tell a varied version of an account that differs from the ones that exist in the textbooks in American classrooms. To every war, there is the triumphed and the defeated. Each side walks away with a drastically different outlook on what has occurred. By only hearing one side, individuals are there by limited and constricted to a less knowledgeable idea of the truth.
A better solution might already rest in our hands, just not used correctly. The current world organization, the United Nations already provides us with a basic concept and a theoretical solution to solve problems and negotiate terms without resorting to violence. Yet it is flawed; not in the minor details that could easily be fixed but, the sentiment and the structure itself. Although it tried to mend the problems of the previously unsuccessful world organization, The League of Nations, some of the problems remain with the latter. Flaws of both organizations include a certain slant in the decision making process which does not provide a fair share of power to everyone.
The International Structure have always been an anarchy and an example of this is the UN. This is conducted such that no one state will have the power and authority to enforce rules upon other States, all sovereign States are equal according to the international law. The first meeting in 1945, consisted of 51 States. The thought of ‘being neglected’ aroused among the relatively smaller, poorer and ‘powerless’ nations when the UN was founded, as it was feared that the ‘Big Five’ would not view the ‘weaker’ nations ‘issues’ to a certain level of importance or priority. The fact that the 51 States managed to co-operate together with the aim of creating peace, indicates that the UN is anarchic and hence, states attempt to keep their balance of power, despite differences of power within each States.
The Iraq War certainly serves as an example of a failure of international consensus to prevent a breach of the peace, and therefore is an indictment of the UN's ability to maintain global peace and security. Whether or not the Iraq War as a phenomenon merits the wholesale replacement of the UN apparatus with a “new, more democratic international institution” is questionable, however. The UN is a behemoth of an institution, with tentacles stretching much farther than the security realm; democracy is not necessarily desirable nor effective in regards to international relations. First and foremost, advocating for the dismantlement and replacement of the United Nations as an institution fails to take into account the major successes of the organization in a number of policy