Synchromy in Purple Minor in Blanton by Stanton Macdonald-Wright is an abstract painting with an intention of creating a new language of art to express the musical rhythms and depicting space and color through the uses of blocks of color rather than lines and modeling like that of the Renaissance and Baroque art. Stanton Macdonald-Wright applied thin layers of dry paint in wide strokes on the canvas to create flat surfaces of color. In some regions, the painter uses the technique of drybrush to create a scratchy texture that let the under layer of white paint to show through. This created the transition from dark and intense hues to lighter shades of that hue, giving the colors a transparent quality. Although chiaroscuro modeling is not used, …show more content…
The figure of the woman seems to be backed up by no background but a white void. This sense of emptiness distantly resemble oriental Chinese painting. The figure seems to dissolve into the void. The composition is integrated and the painting seems harmonious and dynamic due to the curvilinear lines formed by the edges of flat color blocks. There seems to be musical rhythm to the painting. Similar to Picasso’s Seated Woman, Wright is trying to depict the underlying substructure of the body instead of the form of the woman as seen by the eye. While Picasso’s work is comprised of cubic grids, Wright’s painting is more organic and comprises of curves formed by the boundaries of color. The title of the artwork---Synchromy in Purple Minor, shows the painter’s interest and focus on the exploration of color in an unprecedented way. He is using color to convey sense of space and create synesthetic sound and rhythm. Like Kandinsky, Wright is also trying to create sound and rhythm through abstract painting. They both seeks freedom from the traditional art’s narrative and description of the literal visual world. Trying to free painting from the limitation of representational association, Wright focus on the juxtaposition and reverberation of pure primary and secondary
The appealing factor of this paintings comes from its message and juxtaposition of colours and stroke
The balance in the painting is slightly skewed but balanced. With heavy furniture on one side, the other side was balanced by a group of people. In addition, the use of primary and warm colors creates a sense of balance, with warm colors dominating the composition but balanced by cool colors on the floor and ceiling. Next, there is rhythm in the painting. The painting has a strong sense of rhythm created by repeating shapes, such as lines on the chairs or around the light, and colors throughout the composition.
J’Lyrick Woods Writing Assignment #1 AR-170 2-D/3-D 2-D-P.50-Figure 1.4-Mel Bochner, Vertigo This conceptual artist has taken basic elements of art such as lines and color and has created this amazing two dimensional artwork, Vertigo. In this artwork the artist uses regular lines, a rhythm of diagonal lines, and a slight tint of an orange in the background of the actual lines. The different directions, overlapping, and crossing of the lines, help imply the chaos and disorder the artist is trying to reveal through this painting.
Melvin Williams Arth 1381 Professor Zalman 13 November 2014 Visual Analysis The painting, The Basket Chair c.1885 by Berth Morisot, and the painting The Orange Trees c. 1878 by Gustave Caillebotte, are both magnificent and interesting pieces that I got the opportunity to see. The paintings are both wonderful pieces and their composition overall is very impressive. Both paintings have different aspects in the way the artist displayed modernism, formal characteristics, class and gender, and the subject matter of the painting itself.
The painting is oil on canvas and contains an extensive amount of contrast. For example, the bright vermillion blanket against the dull eggshell colored door. The disparity between the colors used is prominent. Additionally, the fusion of ornate patterns and simplistic solids is evident. The tablecloth is a geometric mixture of cream and periwinkle.
The image of this milkmaid is an intricate symbol of her sexual availability1,2 (13) perceptible by several elements throughout the image. Milkmaid is an oil on canvas, Dutch painting done by Johannes Vermeer in 1657 and finished in 1658. It is a realism modeling painting of a woman, who is a milkmaid, standing around a still life image of a table of food in a kitchen pouring milk out of a pitcher into a bowl around the food. In this essay, I will explain my analysis and interpretation of this painting through describing elements and defining my own meaning from thoughts on research.
Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light.
Ted Hughes’s “To Paint a Water Lily” tells about an artist painting a scene of nature, and his choice to focus on a water lily. The poem also shows how the artist has two ways of thinking about nature. One way the artist thinks about nature is as a violent and scary thing. The artist also thinks of nature as a thing of beauty and grandeur. Though the artist acknowledges both of his views towards nature, he chooses to focus on the beauty.
There is a woman in the left and a man on the right with the artist face between the middle. The piece is abstracted and brings different views on the figures in the same picture. This is a cubism piece and it emphasizes the flat, 2D surface and
He had reached his goal, but he did not stand still: he continued to explore the relationship between lines and blocks of color, achieving an ever-increasing purity in his paintings.”
Her artworks often take the ordinary and make it into an almost dreamlike
This also found on some parts of the chair. Theses conflicting uses of lines give the audience a sense of chaos and confusion in the world around the man. Van Gogh, predominantly known for his color usage also
The Focal Point of the painting would be the three people at the table but mainly the woman and man sitting across from each other. There is no unity or variety that appears in the artwork. The artwork is in proportion. There is no movement in the picture considering the people are sitting down at the table. There is no rhythm or pattern in the artwork that is involved.
Comparing his palette for each work, he moves from lively, almost an optimistic mix of colors. In the Prodigal Son, the colors are high value, as Rembrandt style goes. The paints are almost glowing and support the appearance of movement. Furthermore, they establish presents and add to the energy of the painting. On the contrary, as the Apostle Paul, he has embraced a darker palette.
This first principal describes the vibrancy and power of the piece and the spiritual relationship that it has with the world. In a painting, spirit resonance is created through the expression of the artist’s balance in their energy and harmony, while in architecture the spatial vibrancy is established through the organisation of spatial sequences and experience when ‘delight’ is passed to the audience. Damian Chavez on Xie He’s principles, has said that “the most important principle of painting [spirit resonance] is the thing least guaranteed by the rules of art and design, yet instrumental for making