The Rise and Fall of Charles Foster Kane through Cinematographic Effects
Citizen Kane has been considered as one of the best films ever created. Since its release in 1941, the magnificent film is still influencing the movie world today and its infamous “Rosebud” quote is still one of the top film quotes of all time. Orson Welles was the director, producer, star, and co-writer of the film. He based a big portion of his protagonist, Charles Foster Kane, on the big time Newspaper Publisher William Randolph Hearst. When realizing what the film was based on, Hearst threaten movie theaters into not featuring the film and he greatly limited the advertisement of it. Thus, when the movie first appeared, it was not very popular. Also, due to this event
…show more content…
Towards the beginning of the film, Charles is seen playing in the snow with his sled. The lighting is deliberately put as bright, white, and radiant to show how happy Charles was in that. Also, that was the only moment he was truly happy in his whole life. A second example that then foreshadows and leads to the decline of Charles Foster Kane is when he was signing the Declaration of Principles. As he was signing it, Charles’ face was shrouded in a darkness, foretelling that he would later step all over his principles and go back on his word. A third examples that demonstrates Charles in his downfall, was when the lighting in Xanadu was intentionally put in a dark and eerie lighting. In the vastness of his mansion filled with all kinds of things, Charles never found the same true happiness he found when he was a little boy and everyone that truly loved him and cared for him had all left due his unintentional suffocating and controlitive behavior. All in all, the lighting used in Citizen Kane helped greatly depict the rise and fall of Charles Foster …show more content…
A first example of the use of this technique was used when was Thacher, Bernstein, and Charles were discussing a letter that said that Mr. Kane had to “relinquish all of his control” of the newspapers that he owned (it was during the Great Depression and Bernstein said they were “out of cash”). At this point the camera angle was in a position that made Mr. Kane, whom was in the back of the room, look very small. But as Mr. Thatcher signed a paper and put the situation under control, Mr. Kane came towards them and got bigger on the screen. Thus, showing how Mr. Kane started to become even more powerful in his early years with some help of Mr. Thatcher. A second example that starts to show the decline of Mr. Kane was when he and Jedediah were talking in the one of Charles’s newspaper buildings. While the camera was on a low camera angle, Mr. Kane was towards the front of the screen while Jedediah was towards the back, making Mr. Kane seem bigger than Jedediah. But as they spoke on the Declaration of Principles and on how Charles was going back on them, Jedediah switched place with Mr. Kane, making Jedediah seem bigger and Charles smaller. Thus showing that Jedediah stayed the righteous one and Charles in decline. A third example that demonstrates Mr. Kane in his decline was when he was talking to Susan in his mansion in Xanadu. The camera angle was is such a way that
Kane focused on his economic success in life. He did not care to get to know people enough to experience an emotional bond with them. This fact was evident in his second marriage to Susan Alexander Kane. As the movie developed, the relationship between Charles and Susan was visually shown through the staging in each scene. Near the end of the movie, the two were on opposite sides of their enormous living room.
One of the massive aspects of movie making is the movement and angles at which the camera is held. One film that does a great job of creating this form of cinematography is Raising Arizona, directed and produced by the Coen brothers. This fast paced crime comedy does an excellent job of capturing the audience’s attention by making them feel as though they are actually a part of the action. An example of the great camera movement is when the camera bobs up and down as it gets closer to the Arizona’s house, this creates the effect that the viewer is actually the person who is approaching the house.
Tim Burton uses many different cinematic techniques to achieve very specific effects in his movies. The most important cinematic techniques that he uses to create his unique style are Non-Diegetic sound, lighting, eye level, and zoom. These techniques that can be seen in the films Charlie and the Chocolate Factory, Edward Scissorhands, and Corpse Bride, create the effects of sadness, dark moments, express the feeling of other without telling. He uses Non-Diegetic sound when he puts a song, he uses sad songs, happy songs, and more to show the feeling of the character, to give us like a hint of something that is going to happen, if it’s going to be bad or sad. He uses lighting to make the moment or scene sad or mysterious.
The Film Citizen Kane was a groundbreaking film in the 1940’s, the way Orson Wells depicts his film with different lighting, cinematography, choice of camera shots and mise-en-scene throughout this movie truly showed the masterpiece that this film is. In the Film Citizen Kane, it was the first movie that went against true Hollywood cinema by introducing flashbacks throughout the movie to show us how Charles Foster Kane changes throughout the movie. Throughout this movie the audience can see how Charles Foster Kane undergoes a variety of physical and emotional changes from when he was just a young boy all the way until his unfortunate death. Power, that’s all that Kane wanted in the start of the film. In the beginning of the film Kane gets ownership of the struggling New York Daily Inquirer, Kane suggests that he wanted to use journalism to apply to the public and protect the interest of ordinary people.
(Citizen Kane, 1941) Kane’s parents used the power of money as an accessory for giving him away to a billionaire. Since that day, the protagonist went through a traumatizing experience, insecurity and redisposition due to his parents’ actions, which marked the beginning of his tortuous need, to be loved. This unreturned love created a sense of fear and mistrust to love something or someone, only to experience abandonment again was something Kane never got a chance to learn. Citizen Kane broke all the rules because of Welles, there were no
Directed by Orson Welles, the 1941 motion picture “Citizen Kane” is the story of the rise and fall of a great, influential man. The opening scenes of “Citizen Kane” are quite different from what follows during the rest of the film. Fading in and out of different landscapes instilled mystery. This mysterious vibe was carried on during Charles Foster Kane’s death through the use of shadows, quiet music, and close up shots. Isolated in his vast empire of a home, Kane uttered only one word before he passed: “rosebud.”
Citizen Kane challenged the traditional narrative and technical elements of classic Hollywood cinema mainly in the area of sound. Orson Welles was ahead of his time when he created his works of manipulating sound to transfer meaning in the film Citizen Kane. Welles used concealed hanging microphones to obtain different levels of sound throughout the film. The manner, in which the story was told, from Kane’s death flashbacked to his life of success and ultimate failure, was also a new style of storytelling for films. Welles also used symbolism with his last mumbling word “Rosebud.”
There are many things that make “Citizen Kane” considered as possibly one of the greatest films every made; to the eyes of the passive audience this film may not seem the most amazing, most people being accustomed to the classical Hollywood style, but to the audience with an eye for the complex, “Citizen Kane” breaks the traditional Hollywood mold and forges its own path for the better. Exposition is one of the most key features of a film, it’s meant introduce important characters and give the audience relevant details and and dutifully suppress knowledge in turn. “Citizen Kane” does not follow this Classic Hollywood style exposition, instead going above and beyond to open the film with revealing as little information as possible and confuse/intrigue
Ridley Scott’s film Blade Runner is known for its incredible use of very low key lighting, the dark appearance of the film not only exemplifies the futuristic L.A city but also ties the film in with a modernized film noir style. The low key lighting in combination with the neon lights and signs creates a correlation between the light and the dark, this represents the conflict throughout the film between humanity and the replicants. Investigating the lighting throughout the scene when Deckard, played by Harrison Ford, retires the replicant Pris, Played by Daryl Hannah; this scene incorporates a well placed combination of blue, white, pink, and green light to develop a dark but colorful environment. This mix between high key and low key lighting is vital to the visual development of the films central conflict and dangerous mood of the city. The scene opens with Deckard slowly moving through the doorway with his gun drawn as a light blue light rotates past in the background.
Citizen Kane by Orson Welles is a cinematic classic, released in 1941. Citizen Kane challenged traditional narrative and technical elements of classic Hollywood cinema. Kane was narrated by several people that include their take on Kane’s life. The story unfolds by many flashbacks and is told by different perspectives over the years through different narrations. Charles Foster Kane was a millionaire, head of newspapers and died saying “rosebud”.
Throughout his life in making films, Tim Burton has shown his unique talent and vision. He proceeds taking advantage of the cinematic techniques; lighting, sound, and camera movements creating a certain mood/tone. These three techniques are used numerous of times for the duration of each film. Although, many various emotions are constructed, there are feelings that anyone may connect to. Tim Burton is a successful filmmaker and has inspired many with the use of his cinematic techniques.
Shot Analysis: Citizen Kane Orson Welles, director of “Citizen Kane”, is well known for his unusual directing methods that defied conventional cinematic techniques. Welles provided his audience with original forms of cinematography, narrative structures, and music. The scene I chose to analyze is extremely important to the plot of the film because Kane begins to realize that he is going through some serious financial problems. During the scene, Kane maintains a sarcastic mood, until he finally decides to surrender and signs the papers that transfer the ownership of his media empire to Mr. Thatcher.
The Book Thief, directed by Brian Percival, is a film adaptation of a book by Mark Zusak centred around adolescent girl Liesel Meminger (Sophie Nelisse). Set in Germany during the early-mid 1940’s, leading up to the war, Liesel is sent away from her family to live with foster parents since she is at risk of being killed due as her parents are communists. Percival uses skilfully chosen aural and visual elements as well as cinematic techniques such as lighting and camera angles to communicate and explore the central theme to the audience: the power of human spirit, especially when dealing with adversity. Percival designs the aural elements in the scenes that make up the film The Book Thief to communicate and allow the audience to explore the power of the human spirit when dealing with adversity. Percival does this by using the aforementioned techniques to create juxtapositions, contrasting the power of the human spirit against adversity.
In this essay I will be comparing the themes and the narrative techniques used in both films. Starting off with the film “Citizen Kane” as mentioned it is a story of a millionaire, Charles Foster Kane. It begins with Kane’s death and speaks a single word: “Rosebud”. The reporters in the hunt to know
Citizen Kane is a 1941 American drama film directed, co-written, produced, and starring Orson Welles. The film, which is considered a masterpiece of American cinema, was Welles's first feature film and was released by RKO Pictures. It tells the story of Charles Foster Kane, a powerful newspaper publisher whose life and legacy are explored through a newsreel-style narrative and a series of flashbacks. The music for Citizen Kane was composed by Bernard Herrmann, who was an American composer known for his work in film and television. Herrmann's score for Citizen Kane is widely regarded as one of the greatest in the history of cinema.