Furthermore, Ronald Reagan started his argument with uses of word choices and appeals of emotions which creates strong feelings that effectively helps him to persuade the Soviet Union as well as the president Gorbachev. As he mentioned in paragraph two “standing before the Brandenburg gate, every man is a German, separated from his fellow man, every man is a Berliner forced to look upon a scar” here Reagan expressed the feeling of not being able to be connected to the other part of German. Those emotional appeal makes the Soviet Union to think about how the people were not connected to the other side of the berlin wall, which creates an eagerness inside them to bring down the
Due to France’s military successes in the war they soon became the richest and most prosperous country in Europe. This led to a growth in French culture with patronage being given to all art forms, and we can see how the French style of
The struggle wasn’t made any easier when there were debates over which style of art the museum should hold. “Some trustees strongly advocated continuing to collect the work of emerging contemporary artists while carefully culling the collection of its less outstanding holdings to finance new acquisitions.” The museum had to sell portions of their collection just to afford the new works of art, just in order to stay open. Faced with this same debacle, Mary Miley Theobald discusses a common business practice of museums that is essential to stay financially stable. Source D outlines the main source of income for art museums.
The Russian revolution resulted in the overthrow of the country’s monarchy and the establishment of the Soviet Union. It started off with many protests and strikes that forced Tsar Nicholas II out of power. As a result, a provisional government was put in place but it was weak and ineffective so the Bolsheviks took control and established a socialist government. The Bolshevik Revolution was caused by a combination of unstable and corrupt monarchies, unfair treatment of the populace, and a lagging industry, which eventually led to the creation of the USSR.
Peter the great transformed Russia into one of the most powerful states in Europe with a modern and efficient military. He also made several reforms to the domestic and political structures of Russia that is still influential till now. He is a visionary and is influenced by the western world. He organize a large embassy and went to a number of European countries to learn some skills and import ideas from the western world into Russian society. Thereby transforming Russia into a modernized country.
The article “whose culture is it?” written by Kwame Anthony Appiah published in 2012, contains factual and suggestive content towards the preservation and importance of historical antiquities. The author discusses the positioning of cultural antiquities based on the ability of civilizations to preserve them. As examples were revealed, various acts have been taken accordingly; to legally provide the antiquities the safest solutions to preserve them. Furthermore, Appiah also discusses that some artifacts that belong to the artist, or contributors should be considered as universal art. He also questions some of the decisions taken by UNESCO, if they were truly for the betterment of the antiquities.
The museum is not a wholly government-funded institution. While it may receive grants or some funding, it is ultimately another apparatus that is controlled by the supply and demand mechanism of the market economy that dominates the country. David Rockefeller (Source A) depicts the financial status for the Museum of Modern Art, or MoMA in his time. He further delineates the status of the museum by explaining what caused the financial distress. He writes, “Since no one wanted to antagonize important trustees, exhibitions and acquisitions were often approved without regard for overall policy”.
The Russians Fight Back Three outcome and causes of the Russian revolution were the large amount of peasant population, Russia joined the war when they knew that they couldn’t even pull their own weight, and communism took over Russia. The tsar joined the war thinking that he would gain nationalism and patriotism from the peasants.(doc.1).He thought that all the people would rush to sign up to fight for their country and support the tsar. The first months after joining the war were disastrous. The tsar had to steal from his people to give to the troops who had very little supplies.
1920’s Slang Language is important in everyone’s lives: from small talk, to speeches, to ordering food, to teaching, and everything in between. Language never stays the same, though, as it is constantly changing with every day that passes. The changes on language from the past have big effects on the language of the present. Slang from the 1920s has impacted language used in the current era.
And furthermore, recognize the symbolism documented in the painting for iconographic analysis. In doing so, this will highlight and comment on important characteristics of Omnibus Life in London as it yields new information regarding the emerging shift in social inequality. Through formal analysis, the visual characteristics of the work present an interesting insight into the painting. The first emotion that I experienced with this work was claustrophobia and crowdedness. Part of the feeling spawned from the three-dimensionality of the painting.
Imperialism established a framework for the conduct of international relations throughout the 19th and early 20th centuries all throughout Europe and then to America. As the Europeans were experience a massive growth in population, it brought the growth of nationwide economies, including the development in shipbuilding and navigation, so that they could compete more effectively in the mercantile trade, which was gaining momentum during the earliest 19th century. As we discussed in class, that the rebirth of commerce also gave a powerful impulse to the forces of centralization and nationalism, it also builds an authoritative new monarchic nations. These monarchic leaders tried to unite their claims by using power, thus encouraging and promoting the economic development of their nations. European nations involved in the trading system with the wealthy nations of Asia, Africa and the New World, wanted better and more effective routes of transportations.
The Surrealist movement first appeared in the early 1920s, and has shaped the course of art history significantly. The goal that many Surrealists share is to “resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality.” In other words, the purpose of Surrealism is to portray the imagination by revealing ideas and images from the unconscious mind. The movement occurred just after World War One, when many people were still coping with the grief and devastation that the war had brought. Many European countries were severely affected by the war as many economies were suffering a Depression. During this time, the Surrealists focused their energy on escaping from the devastation that surrounded
As Bela Lugosi once said, “People, chained by monotony, afraid to think, clinging to certainties…they live like ants”. The painting Over London by Rail, by Gustave Dore portrays a side of the Industrial Revolution that was disregarded by many during the time. The upper class often neglected the harsh working conditions in which most of the people lived in. This mechanism of change that the revolution had become drastically transformed people’s traditional lives that were once in a close to perfect harmony with nature. The fast moving industrialization of the world made individuality negligible as huge amounts of goods were made and thousands were made to work for the machines.
The urge to acquire and own art is a time-honoured one. From the grand patronage of Renaissance popes and princes (not to mention de Medici), to eighteenth-century British aristocrats, or the bulk buying of Europe’s cultural heritage by America’s J. Paul Getty, over the centuries art has been amassed for purposes of propaganda, prestige, intellectual enlightenment and sheer pleasure. Few activities run the gamut of human impulses more comprehensively than the acquisition of art. Yet, however lofty or ignoble the underlying motivation, the cultural significance of art collecting has always extended beyond individual desire.
This is why, many creative photographers have complained of not receiving the needed attention and recognition as is given to artists and architects. But the good news is that, as stated above, things have changed in this direction. Apart from its collection of photographs, the National Gallery of Art is now including photography in its major exhibitions, and bringing photographers together to exhibit their products as well. And according to Fiofiori, efforts have been made by private galleries and cultural institutions like Mydrim, Nimbus, Alliance Française and Goethe Institut to attract collectors by mounting photography exhibitions. Individual photographers have also done the same.
