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A literary criticism of a picture of dorian gray
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The picture of dorian gray lit essay
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Recommended: A literary criticism of a picture of dorian gray
Throughout this whole semester it seemed as if the all the novels that were assigned to read were, in some way, related to the nature of man. People would have thought about this topic before this prompt was issued because of the content, theme, and the morals each book offered their audience. They can give you enough examples in each book that they have read this semester to support the their claim, but they are only going to focus on the three most powerful examples. They would be most likely start with Macbeth. It is well aware that Macbeth was not meant to be read, so much as seen, but it could still be understood the lesson that it was meant to teach.
The researcher decides Oscar Wilde’s The Picture of Dorian Gray and Fitzgerald’s The Beautiful and Damned to be the objects of the study on inferiority and superiority complex causing hedonistic lifestyle in main character. The first reason, both of literary works cover the changing of each life of the main character, society and ultimately the individual. Second, they both share the same social background of the main character in The Picture of Dorian Gray, Dorian, displays a well-respected young man. He doesn’t recognize his own beauty until he sees it reflected in Basil’s portrait, and, once he does, it’s all too late. While Anthony in The Beautiful and Damned is illustrates reaching pleasure as the lifestyle and it becomes a habit.
Some feel very strongly about what they know to be certain. Some feel certain about religion, others about love. In Oscar Wilde’s book The Picture of Dorian Gray a character, Lord Henry Wotton, says this, : “The things one feels absolutely certain about are never true. That is the fatality of Faith, and the lesson of romance” (181). The truth one knows does not always prove to be certain.
‘The Picture of Dorian Gray’ is the title of this book which wrote by a great author named Oscar Wilde. Oscar Wilde had writing many books based on his experiences and most of his genre is quite dark and mysterious, same as this book he wrote which contain gothic genre. I found this story had gothic genre because the storyteller, which is Oscar Wilde illustrating supernatural event in this story such as the Dorian’s wish seem like coming true as the portrait was the one that kept aging instead of Dorian Gray himself. Thus, the portrait has reflected as Dorian Gray’s soul and his personality grew darker and more evil as his life continued. This book that I read has quite artfully as it is like engaging me to keep reading more to know the
His idolization of Dorian causes him to let Dorian dominate him. Small as it is, it shows Dorian for the first time what his beauty can do to people. The fact that people are willing to believe and do anything for him because of his beauty. This realization causes a lot of problems later on in the storyline. Lord Henry Wotton is another influencer on Dorian Gray.
The genre of the novel is a terror, drama, psychology, humanitarianisms, romance and paranormal components. The Picture of Dorian Gray begins on a beautiful season day in Victorian-era England where Lord Henry Wotton, a determined man, is observing the sensitive artist Basil Hallward painting the painting of Dorian Gray, a handsome young man who is Basil 's ultimate inspiration. Though sitting for the painting, Dorian listens to Lord Henry adopting his hedonistic worldview and begins to think that beauty is the only aspect of life worth trying. This encourages Dorian to wish that the painted image of himself would age in his stead.
As soon as Dorian enters in Chapter 2 of The Picture of Dorian Gray, Oscar Wildes’ one and only novel, its is evident that there will be a battle between who will have the most influence on his pure, untouched soul. Basil Hallward, a painter and worshipper of art is an optimist and sees only the good in even the wickedest of people, such as Lord Henry. Lord Henry is a charming, self-indulgent aristocrat that shapes and molds Dorian to lead a life devoted to pleasure. Both Basil and Lord Henry represent two important opposing forces in the novel, good and evil. The greatest struggle in The Picture of Dorian Gray is inside Dorian; he himself embodies both pure good and pure evil.
His words and painting influenced Dorian’s life immensely and this made him so determined to want to retain his youth after taking a look at his
Morality and The Picture of Dorian Gray “The pendulum of the mind oscillates between sense and nonsense, not between right and wrong.” C.G. Jung The Picture of Dorian Gray, by Oscar Wilde, was first published in 1890, right in the middle of the Victorian Era, an era that was characterized by its conservatism. Ever since, and due to the content of the book, it has been condemned as immoral. Furthermore, on 1891, Wilde published a preface protecting his book from public punishment in which he said “There is no such thing as a moral or an immoral book. Books are well written, or badly written.
Another theme illustrated through Wilde’s use of motifs and symbols is the theme of superficiality. The theme of superficiality can be understood as a sense of the superficial view of outer beauty that is shown in the work. It relates to the concept of remaining young, which is an important factor of what is shown in the novel. This is an important part of the novel because outer beauty plays a bigger role for Dorian, than inner beauty does. In the beginning of the novel, Lord Henry and Dorian have a conversation that focuses on the topic of youth and Dorian 's outer beauty – Lord Henry mentions the fact that Dorian has a beautiful face, and later during this conversation, Lord Henry states that: “youth is the only thing worth having…”
“” At least you are like it in appearance. But it will never alter,” sighed Hallward. “that is something.”” (Wilde 33) The reader begins to perceive that Dorian is both intrigued and disgusted by the never changing portrait of his innocence.
The Picture of Dorian Gray, one of Oscar Wilde’s masterpieces, portrays one of the most important values and principles for him: aestheticism. As a criticism to the life lived during the Victorian era in England, Wilde exposed a world of beauty a freedom in contradiction to the lack of tolerance a limitation of that era; of course inspired due to Wilde’s personal life. All the restrictions of the Victorian England lead him to a sort of anarchism against what he found to be incoherent rules, and he expressed all this to his art. His literature is a strong, political and social criticism. He gave a different point of view to controversial topics such as life, morality, values, art, sexuality, marriage, and many others, and epigrams, for what he is very well known, where the main source to the exposure of his interpretations of this topic.
Basil has come to ask Dorian about all the horrible rumors surrounding him, and hopes they turn out false. Basil also asks about the portrait and why Dorian hides it, so Dorian decides to show him his “to see your soul. But only God can do that—you shall see it yourself to-night!”. Dorian then takes Basil to see his picture, which at first cannot be recognized by Basil, but soon he realizes the true horror of the situation, “an exclamation of horror broke out from the painter’s lips as he saw in the dim light the hideous face on the canvas grinning at him” (Wilde 113). Dorians soul has become rotten to the core with selfishness and pleasure, mainly because of Lord Henry’s poisonous words.
As years pass the picture ages like a real person would age, but it not only grows older, but uglier because of his actions. The picture is the mirror of Dorian 's soul, as he commits terrible actions the picture becomes
The reader gets the impression that Dorian will find pleasure in watching the painting being teared apart. Dorian has set all his conscience aside. He believes that the only things that truly have importance are the concepts of remaining youthful and