Theme Of Appearance In Dorian Gray

The theme of appearance extends further in Dorian’s life. Dorian’s outer beauty allows him to get away with almost anything, due to the fact that people equals his outer beauty to him being a good person. In reality, Wilde makes it very clear that Dorian Gray is not a good person.
The theme of appearance is illustrated through underlying criticism within Wilde’s use of motifs and symbols. A main motif used by Wilde is the painting done by Basil Hallward. Early in the novel, the reader gets the impression that the painting is pervaded by the longing for the youth that one has lost as well as the frightening deficiency of human life. In chapter eight this painting is described as: “the most magical of mirrors.” (Wilde 98). The portrait works

Not one blossom of his loveliness would ever fade. Not one pulse of his life would ever weaken. Like the gods of the Greeks, he would be strong, and fleet, and joyous.” (Wilde 98). Through this scene, Wilde makes it clear to the reader how corrupt Dorian’s world perspective is. The reader gets the impression that Dorian will find pleasure in watching the painting being teared apart. Dorian has set all his conscience aside. He believes that the only things that truly have importance are the concepts of remaining youthful and

The reader gets the impression that the portrait is a representation of Dorian 's inner self, and how it becomes uglier and more disgraceful as time gradually passes and with every horrific crime that he commits, as can be seen in the following quote: “The picture had to be concealed. There was no help for it.” (Wilde 113). The portrait serves as an image of Dorian 's true nature and the relationship between how his soul progressively becomes more nefarious, and how the evil of his soul becomes visible on the painted surface of the canvas. The way Wilde uses the portrait as a motif throughout the story helps the reader to see and understand how Dorian himself is not yet entirely unfettered by the influence of the portrait. As the portrait significantly becomes more hideous, Dorian gradually loses his mind. The reader understands that what eventually leads Dorian to kill Basil Hallward, the only true friend he has, is the constant reminder of the evil found at the heart of Dorian’s nature, as represented by the portrait. In Dorian doing so, the reader realises that not only does Dorian kill Basil, he also kills his only chance of redemption of his soul. The reader realises that the statement that Dorian had expressed earlier in the story was the truth: “Yes, Basil could have saved him. But it was too late now.” (Wilde 109-110).