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Dramatic devices in streetcar named desire
Literary analysis on a streetcar named desire
Literary analysis on a streetcar named desire
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What I think this quote means is Esperanza is trying to explain, how if the people in her neighborhood drive through a different neighborhood of another color, then she would be scared. Or if Esperanza goes through another neighborhood then her "knees go shakity-shake." Also there "car windows get rolled up tight and our eyes look straight." Esperanza is struggling to not be scared of another neighborhood. She's struggling to be bold and brave.
Williams is known for his powerfully written psychological dramas. Through the language used in this play one can easily recognize the conflict between the sensitive, neurotic Blanche Dubois and the crude, animalistic Stanley Kowaliski. By analyzing the dialogue of this text, the reader can easily understand the way in which the lines are meant to be projected and one can clearly see their emotions and feelings at any specific time of the events (Kolin 52). Concerning language, there are two levels of language are used in A Streetcar Named Desire, the words spoken by the characters in the play and the text of the stage directions. The dialogue is used to enable the reader to create an image of the characters, to decide if it’s
In literature, the presence the outsider can be traced from ancient Greek dramas to modern literature, from Medea to the Underground Man. Most of the literary works pertaining to the outsider focus on the conflict between the outsider and the insider, conflicts that arise from the Otherness of the outsider. For example, in Jane Eyre, the Otherness of the titular protagonist—her fiery spirit and her subverting idea of equality based on individual merits rather than social status—leads to her alienation and conflicts with the insider wherever she goes. However, Tennessee Williams, in A Streetcar Named Desire, explored a different dynamic—namely the conflict between two outsiders, Stanley Kowalski and Blanche DuBois. In the domestic sphere
Many literary criticisms have been written about Blanche and how she tends to lie about everything in her life. “Blanche disguises her desperation with lies- about drinking, her age, her reasons for coming to New Orleans, her sexual experience.” (Dace n.p.). Dace clearly describes Blanche as a liar and describes the fact how she lied about everything from the smallest thing, like her age to something as big as the reason why she went to New Orleans. “... in spite of the fact she’s somewhat older than I.
After having been performed at the Ethel Barrymore Theater in 1946, A Streetcar Named Desire brought about much controversy. At first it seemed that much of the controversy stemmed from the unpleasantness with which the subject was presented, such as the vulgar, unprecedented topics acted out on stage. George Jean Nathan, an original critic of the play, touched upon the vulgar manner of the drama, calling it “The Glands Menagerie.” (Bak, “Criticism on a Streetcar Named Desire”) Perhaps the more pressing reason as to why this play was received controversially, however, is a result of its cynical nature.
In the play A Streetcar Named Desire, by Tennessee Williams the character Blanche Dubois shows the characteristics of a tragic hero. In the play, Blanche is tested by suffering, forcing her to face the consequences of her actions. Blanche has many tragic flaws that can be shown through symbolism and themes throughout the play. Aristotle states that the protagonist must be of noble character - defined not by birth but rather moral choice. Aristotle also felt the best type of a tragic hero will fall somewhere between the two extremes - “... a person who is neither perfect in virtue and justice, nor one who falls into misfortune through vice and depravity, but rather, one who succumbs through some miscalculation.”
Tennessee Williams is acclaimed for his ability to create multi faced characters such as Blanche Dubois in the play, A Streetcar Named Desire. She comes to New Orleans after losing everything including her job, money, and her family’s plantation Belle Reve, to live with her sister Stella. During her time there she causes many conflicts with Stella’s husband Stanley and tries to get involved with the people there, all while judging them for their place in society, although she is imperfect too. Through her, Williams has created a complex character. She is lost, confused, conflicted, lashing out in sexual ways, and living in her own fantasies throughout the entirety of the play.
A Daily Joy to Be A Streetcar Named Desire Our identities can be limited by our past experiences. A Streetcar Named Desire is a southern gothic play by Tennessee Williams and “A Daily Joy to Be Alive” by Jimmy Santiago Baca has a dark but hopeful mood. A Streetcar Named Desire follows Blanche Dubois as she attempts to reinvent a new identity for herself when moves in with her sister and her husband, but she ends up making trouble for everyone down in New Orleans.
A Streetcar Named Desire Literary Analysis The late 1940’s were characterized by the emergence out of World War II that led to a dependence on the idea of The American Dream, which meant men were working harder to achieve a more comforting lifestyle and opportunity while women were still fighting the oppression of caused by unequal representation. This idealistic dream is illustrated throughout Tennessee Williams’ “A Streetcar Named Desire”, which has a rigid dichotomy between illusion and reality revealed throughout multiple characters and their dysfunctional lives that are a direct result between fantasy and actuality. Illusion is taken advantage of as an alternative to the unfair circumstances that the characters in “A Streetcar Named
The themes of violence and power in ‘A Streetcar Named Desire’ hold an important role in the criticism of 1940s American society. Conflicts perpetuated by violence and power, such as abusive relationships and violent oppression are projected through the characters within the play. Williams uses these conflicts to highlight his criticisms of faltering values and social norms, from the perspective of an individual constrained by the expectations of a strict, Southern society. To begin with, there is an indefinite violence between men and women within ‘A Streetcar Named Desire’. Stanley Kowalski, a focal character, is the epitome of male dominance and primitive aggression.
A Streetcar named Desire written by American playwright Tennessee Williams is a Marxist play that depicts the socio economic status of the characters and people living during that time. The play was written in 1947, two years after the second world war. The historical time leading up to the Second World War known as the Interwar period from 1918-1939 was an era classified with economical difficulties for a majority of American citizens. After the new economic system based upon capital emerged succeeding the Industrial Revolution, the United States saw a massive prosperity in the early twentieth century only to be demolished by the stock market crash of 1929 also known as Black Tuesday (source). These unsuccessful stock markets were one of the signs that showed that the new system, which depended on an extensive labor force and an open and unregulated market, was not as reliable as previously thought, this period was known as the Depression.
William’s play A Streetcar Named Desire presents a variety of perspectives on relationships, especially addressing the idea that bonds which aren’t bound by trust, loyalty and lust in an even balance will inevitably fail. Tennessee Williams uses the interaction between his characters, predominantly Blanche, Mitch, Stella and Stanley; to express a variety of ideas regarding relationships. These connections can be witnessed in scenes 2, 3, 6 and 11, through the use of stage directions, dialogue and expressionism to display different perspectives of character interaction. Trust acts as the foundation to any relationship, establishing a strong link between individuals and without it, the connection will eventually disintegrate.
Blanche is an old southern Belle who expects the man to be a gentleman and in her level of class, scene 10 “A cultivated woman, a woman of intelligence and breeding, can enrich a man’s life” (Williams, 1947) this is how Blanche intertwines the past and present as past women were only there to be seen, look after the house and provide children and present Blanche could be seen to be past her prime. Blanche is representing the past as she is still dress in grand dress white moth Ironically Blanche appears in the first scene dressed in white, “the symbol of
“A Streetcar Named Desire” is a very elegant film in which the Southern gothic culture is demonstrated profoundly. Tennessee Williams uses the characters in the play to bring about a sense of how corrupt society truly was in the 1940’s in the South. The 1940’s was marked by an immense amount of violence, alcoholism, and poverty. Women at the time were treated as objects rather than people. Throughout the play Tennessee Williams relates the aspects of Southern society to the characters in the play.
Smoking tobacco is one of the most dangerous habits to posses. Tobacco is accountable for just over eight million lives lost in just the past year alone; it has caused more deaths than car accidents, illegal drugs, AIDS, murders and suicides combined. Not only does it cause a slow and unavoidable death to the smoker, it also causes the same grueling death to those around them- friends, family, and colleagues through second hand smoke. Research has shown that “there is no risk-free level of exposure to secondhand smoke and even short-term exposure potentially can increase the risk of death. ”(Health Effects of Secondhand Smoke).
