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A Streetcar Named Desire Essay

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A Streetcar Named Desire

Althoughit seems like Blanche is the ultimate victim in the play A Street Car
Named Desire, Stella is just as much a victim because she has no mental escape from her abusive marriage. Respect is just as important to women as it is to men because women deserve to be treated like human beings not objects.

The media and the play show women as innocent and vulnerable. Anyone who watches network television can see this portrayal when women are shown as sexual objects. This is reiterated when used through marketing ads, television, film and news media where women are nearly always cast to be sexually attractive. As an example, the media shows an example of women with perfect bodies as young, skinny and showing a lot …show more content…

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By depicting women as objects, servants/sidekicks instead of humans the media creates the problem for the rest of society to also not treat them as humans. This all leads back to the ideas about relationships between men and women in general. Racial stereotypes are the driving force for both male leads’ attitudes in these plays. Stanley is seen as being a “different species” (Williams 18) or a “pollack”
(Williams 81) in A Streetcar Named Desire. Since Americans tend to think racist Polish jokes are funny, they seem to forget that those jokes can be converted into daily simple jokes. Stanley’s need to show people like Blanche that he is not unintelligent. He explains his hostility towards her because he is used to people trying to
“swindled” (Williams 32) him. Stanley’s masculinity is exaggerated and feels that he has to be the dominant habitant in the house. In the play, A
Streetcar Named Desire
Stanley hates the fact that Blanche is a woman who is better than him, more educated and is use to nicer things. In addition, Stanley cannot stand the thought of a woman who is not going to be

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In the play A Streetcar Named Desire by Tennessee Williams, the main characters, Blanche Dubois and Stanley Kowalski, share a great dislike and distrust towards one another, ultimately becoming the basis for the story’s conflict. Their common contemption stems from their contrasting personalities and backgrounds, their incompatibility of being able to function under the same environment, and inability to adapt to the situations they find themselves in. Although Blanche detests Stanley and the manner in which he behaves in, she realises that he is a necessary part for Stella’s life in New Orleans, an environment that greatly differs from the southern aristocracy that Stella and Blanche once lived in. Blanche expresses this idea by stating, “Oh,

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The tone seems to be compassionate in both of the plays. In A Streetcar Named Desire, Stella is constantly feeling sorry for her sister. Blanche is scared to be alone and she voices that in the play. The audience feels for her because she needs to be with someone in order to feel better. Blanche says “I never was hard or self-sufficient enough.

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A streetcar named desire was written by Tennessee Williams in 1947, in purpose to show the “declining of the upper class and the domination of the bourgeois middle class in the U.S.A. where the south agriculture class could not compete with the industrialization.” Blanche Dubois the protagonist of our story, a southern beauty that is trapped by the restrictive laws of her society. But she broke them, and eventually put herself in a state, where she had no job and no house. So she had to go to her sister, Stella and live with her and her sister’s husband, Stanley. While staying there, she created a façade for her to hide her flaws and kept acting as a lady, where she is anything but that.

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These rumors were a threat to what she has created in order to help her with the chaos in her life. Although she tried to build a new life with Stella, Stanley never gave in to her act and was constantly suspicious of her actions. Stanley's constant investigations and interrogations on Blanche’s old life. This is a representation of reality is starting to creep in of Blanche's newly created life. From the beginning Stanley has doubted Blanche, this is seen as he went through Blanche's things with Stella, questioning her belongings, “has she got this stuff out of teacher's pay?”(2.33).

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Gender differences take a big place in every story and can lead to some conflicts. According to Cliffsnotes,“Gender stereotypes are simplistic generalizations about the gender attributes “(Cliffsnotes 1). In other words, it exists some stereotypes that categorized people. In A streetcar named Desire written by Tennessee Williams, there is some conflictual situations based on gender differences between Mitch, Stanley, Stella and Blanche. Based on this idea, each character represents a specific type of gender stereotypes.

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The themes of violence and power in ‘A Streetcar Named Desire’ hold an important role in the criticism of 1940s American society. Conflicts perpetuated by violence and power, such as abusive relationships and violent oppression are projected through the characters within the play.  Williams uses these conflicts to highlight his criticisms of faltering values and social norms, from the perspective of an individual constrained by the expectations of a strict, Southern society. To begin with, there is an indefinite violence between men and women within ‘A Streetcar Named Desire’. Stanley Kowalski, a focal character, is the epitome of male dominance and primitive aggression.

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Tennessee Williams wrote “A Streetcar Named Desire” (Williams, 1947) It is based in New Orleans a new cosmopolitan city which is poor but has raffish charm. The past is representing old south in America 1900’s and present is representing new America post world war 2 in 1940’s. Past and present are intertwined throughout the play in the characters Stanley, Blanche, Stella and mitch. Gender roles show that males are the dominant and rule the house which Stanley is prime example as he brings home food and we learn of one time when he got cross and he smashed the light bulbs.

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he says: “not once did you pull any wool over this boy’s eyes!” Not only Stanley had broken her world of illusion, but also Mitch who is influenced by Stanley and destroys the protection of darkness by exposing her to the bright light. Stanley bringing up the past contributes to how Blanches ends up, alone and insane expressing the theme that what happened in the past determines the present, and illusion and fantasy directly correlate. Though reality triumphs over fantasy in A Streetcar Named Desire, when the truth comes colliding down on Blanche, she has no choice but to go insane ultimately avoiding the acceptance of

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Psychologist Sigmund Freud developed an idea that there is more than one aspect to the human psyche. The human psyche rather is structured into three separate parts including: id, ego, and superego. In a similar manner, Tennessee Williams has three main characters in his Southern Gothic play, A Streetcar Named Desire. In addition to the human psyche as the three mentioned categories, Freud introduced psychoanalysis, which is the belief that people could be cured through developing their unconscious thoughts or motivations into their conscious decisions, receiving insight (McLeod). Characters are shaped by their thoughts and actions, as this is present in A Streetcar Named Desire.

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The 1947 play “A Streetcar Named Desire” by Tennessee Williams tells the story of the sweet, polite, but willfully oblivious Blanche DuBois’ difficult relationship with her rough & tough brother-in-law, Stanley Kowalski. When Blanche loses the family plantation, she travels to the French Quarter of New Orleans, Louisiana, to visit and temporarily live with her sister, Stella. Blanche is in her thirties and, with no money, she has nowhere else to go. Problems arise between Stanley and Blanche when Blanche begins a series of lies and half-truths, and belittles Stanley, labeling him as “common” and “barbaric”. Things escalate between the two because of Stanley’s drunken rage taken out on Stella, but also because Stanley begins to become suspicious and aware of Blanche’s many lies and cover-ups.

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