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Streetcar Named Desire Costumes

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The play A Streetcar Named Desire is one of the most notable plays of the late 1940s to early 1950s and is still prevalent in the theater community today. It originally opened on Broadway in a 1947 at the Ethel Barrymore Theatre, today more commonly known as the Barrymore Theatre, preforming for a little over a thousand patrons. The original Stanley was played by Marlon Brando, who would reprise this role in the movie adaptation. At the Barrymore Theatre, the set was quite complex with a full stairway and banister, a pallor with a 4-chair dinning set and all the dressings of a then modern, but lower-class apartment. The costumes were quite normal street clothes for that time-period except for Blanche 's extravagant wardrobe. For this time-period, the makeup and hair was quite common. Since Blanche was dressed to impress and find a husband she wore a full face of makeup. Since was not yet born in 1947, I am unsure what the sound and lighting designs were like.

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For 10 out of 12, all the wireless microphones that ran through the house system was probably difficult since not every show uses mics but for A Streetcar Named Desire there is no need for mics all off stage comments and sound effects can be done behind the set or by sound effects. For this show, there would be quite a few sound effects. Street noise of cars passing by is needed since they are in the heart of New Orleans. During Taming the Shrew, the sound engineer had the sound of cars run through each speaker to make it sound like the car is passing by and giving the Doppler effect. I would like to see that effect during this show as well. The Varsouviana polka which Blanche hears several times in the play, would be heard through one of the speakers near the upstage to give a distant

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Examining Marriage in Tennessee William’s A Streetcar Named Desire Tennessee William’s 1947 play A Streetcar Named Desire takes place in Elysian Fields, New Orleans, and portrays the marital situation of this time. This play illustrates conflict over the marriage of Stella and Stanley. This marriage can be seen as strict, and controlling but also full of lust.

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Thesis: Light is symbolic of realism or to put it cruder the ugly reality. Darkness is symbolic of fantasy or the fabrication created by characters. Introduction: Throughout the play and film adaptation of, A Streetcar Named Desire, we view the main characters progression throughout the thought provoking story.

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There are still much more symbolism in A Streetcar Named Desire. In the beginning of the play, it starts out with Stanley throwing meat at Stella (Williams 4). At first, I wonder why would meat be a symbolism. After reading over and over again, I figured out the meaning. It is sort of a sexual gesture that Stanley makes to Stella.

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How are dramatic elements used to convey and enrich meaning? In the play, A Streetcar Named Desire, the theme used throughout the work, is appearances vs reality. This can be considered a broad meaning, however in this case, the two main characters, Stanley and Stella, appear to have a loving, safe relationship. In reality, Stanley is quite abusive towards Stella.

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Playwright Tennessee Williams once said “a symbol in a play has only one legitimate purpose which is to say a thing more directly and simply and beautifully than it could be said in words”. He seems to take his own advice to heart when writing such a thought provoking play as A Streetcar Named Desire. While Williams makes extensive use of symbols in Streetcar, the use of animals and animal-like characteristics as a symbol are constantly used to define Stanley Kowalski’s character and convey his desires as primal and ferine. Stanley has the first line in the play and is immediately characterized by Williams with the use of his stage direction “bellowing” (Williams 244; sc. 1). Like a wild animal, Stanley has a desire for unrefinement and

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During the time period Tennessee Williams showed us men were generally acting as kings of the household. (Roudane, 1997) He showed us each characters in Streetcar Named Desire had different role in the society because in that time men and women had different gender role. Stanley, the protagonist in A Streetcar Named Desire, is a violent and cruel. He symbolizes a typical man in American Society in that time.

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A streetcar named desire was written by Tennessee Williams in 1947, in purpose to show the “declining of the upper class and the domination of the bourgeois middle class in the U.S.A. where the south agriculture class could not compete with the industrialization.” Blanche Dubois the protagonist of our story, a southern beauty that is trapped by the restrictive laws of her society. But she broke them, and eventually put herself in a state, where she had no job and no house. So she had to go to her sister, Stella and live with her and her sister’s husband, Stanley. While staying there, she created a façade for her to hide her flaws and kept acting as a lady, where she is anything but that.

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The themes of violence and power in ‘A Streetcar Named Desire’ hold an important role in the criticism of 1940s American society. Conflicts perpetuated by violence and power, such as abusive relationships and violent oppression are projected through the characters within the play.  Williams uses these conflicts to highlight his criticisms of faltering values and social norms, from the perspective of an individual constrained by the expectations of a strict, Southern society. To begin with, there is an indefinite violence between men and women within ‘A Streetcar Named Desire’. Stanley Kowalski, a focal character, is the epitome of male dominance and primitive aggression.

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A Streetcar named Desire written by American playwright Tennessee Williams is a Marxist play that depicts the socio economic status of the characters and people living during that time. The play was written in 1947, two years after the second world war. The historical time leading up to the Second World War known as the Interwar period from 1918-1939 was an era classified with economical difficulties for a majority of American citizens. After the new economic system based upon capital emerged succeeding the Industrial Revolution, the United States saw a massive prosperity in the early twentieth century only to be demolished by the stock market crash of 1929 also known as Black Tuesday (source). These unsuccessful stock markets were one of the signs that showed that the new system, which depended on an extensive labor force and an open and unregulated market, was not as reliable as previously thought, this period was known as the Depression.

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Williams uses the expressionist technique “The ‘Varsouviana’ is filtered into weird distortion, accompanied by the cries and noises of the jungle” to parallel Blanche’s inner mind and depicts Blanche’s deranged mental state after Stella’s betrayal. The imagery ‘Lurid reflections appear on the walls in odd, sinuous shapes’ highlights her mental turbulence and the stage directions ‘mysterious voices behind walls, as if reverberated through a canyon of rock…the echo sounds in threatening whispers’ heightens tension, positioning the audience to witness the overwhelming fear and exaggeration of her senses, further emphasising the detrimental impact Stella’s decision made. The Streetcar Named Desire also examines the influence that a person’s social standing can have. Stanley’s statement in scene 2 ‘The Kowalskis and Dubois have different notions’ indicates their social upbringing has influenced the way they think, hence disrupting their connection and loyalty towards one another. The use of their family name is metonymic for their ancestry and social standing, addressing the barriers derived from a social hierarchy which have affected their relationship.

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“A Streetcar Named Desire” is a very elegant film in which the Southern gothic culture is demonstrated profoundly. Tennessee Williams uses the characters in the play to bring about a sense of how corrupt society truly was in the 1940’s in the South. The 1940’s was marked by an immense amount of violence, alcoholism, and poverty. Women at the time were treated as objects rather than people. Throughout the play Tennessee Williams relates the aspects of Southern society to the characters in the play.

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