(O’Brien 107). The quote was significant at the time that Tim O'Brian was attempting to talk to Norman Bowker about his guilt over the death of Kiowa and to stop him from believing that he needed to continue telling war stories after the war. The letter O'Brien received from Bowker vividly depicts his struggles with depression and traumatic events. This demonstrates how the author is attempting to deal with the traumatic events from his time serving in the Vietnam War. Because this was the first war that America lost and because it can be used to illustrate how people suffered, it demonstrates how difficult it is for soldiers to talk about their experiences.
This chapter “The Ghost Soldiers”, showed us how Tim O’Brien and the other soldiers were dealing with the war both physically and psychologically. It also shows us how the Tim O'Brien behaved and felt when he was shot, wounded and had a bacteria infection on his butt and how the war changed the way he thought, and viewed the other soldiers around him. This chapter also contain a lot of psychological lens. From the way Tim O’Brien felt when he was shot and separated from his unit to a new unit to when he wanted revenge on Bobby Jorgenson for almost “killing” him.
Although the soldier he killed was an enemy soldier, instead of vilifying him he was able to humanize the man. O’Brien was able to describe the physical appearance of the soldier and imagine her life before war. The author was able to portray an emotional connection and made the line between friend and enemy almost vanish. This was able to reveal the natural beauty of shared humanity even in the context of war’s horror. O’Brien is able to find the beauty in the midst of this tragic and horrible event.
In this story O’Brien changes his memories from war into something different, because it is so hard to tell a true war story. For an example in pages 118-128, Tim told a story about how he threw a grenade just to scare away a young enemy soldier. Tim ended up killing the kid.
In the short story, “The Man I Killed,” O’Brien focuses on this to show that everyone fighting in a war has a story. He spends the story describing the man he killed and searching for justification of his actions. He carries around guilt with him because of it, and his fellow soldiers try to help him justify and come to terms with his action by saying things like, “You want to trade places with him? Turn it all upside down= you want that? I mean, be honest,” (126) and “Tim, it’s a war.
War is a topic most people have a strong opinion on. Most people clearly show if they are for a war or against it. Tim O`Brien the main character in the novel The Things They Carried by Tim O’Brien was drafted to fight in the Vietnam War. O`Brien view of war is very similar to Henry David Thoreau, the author of “Civil Disobedience ”, view on the war. O’Brien was against the Vietnam War and in his own words says, “ I was drafted to fight a war I hated (O`Brien 40)”.
Speaking of Life After War Veterans go through very traumatic events during war and for many, these events change their lives and perspectives. In the chapter “Speaking of Courage” from his novel The Things They Carried, author Tim O’Brien uses the third person point of view and the imagery of the cycle of the road around the lake to strengthen the impact and separation that veterans feel from regular life in the United States, letting the reader recognize the life-changing trauma that results from war and how it impacted many veterans, especially during the Vietnam war like the setting of most of the novel. Trauma can result from the death of a friend, dangerous and scary events, oppression, and more. Throughout the chapter, Tim O’Brien uses
O’Brien goes into great depth in this small quote on how loss of innocence and war can affect people in the war. The quote “Often the crazy stuff is true and the normal stuff isn’t” shows how war is so different from what any human experiences at home. After that small quote he follows it up by bringing up how you have to use normal stuff to show how crazy these things are and how much of a pole it can have on somebody during a war. The way that war is treated for many is mostly the mental part that is struggling. But for many "War is hell, but that's not half of it, because war is also mystery and terror and adventure and courage and discovery and holiness and pity and despair and longing and love.
O’Briens intended audience is people who have an interest in war, and uses mortality and death, along with morality to help the audience get a deeper understanding of what could possibly occur at war. First, O’Brien discusses how mortality and death greatly affected many of the men around him. In the chapter ” In the Field” Kiowa is gone and there is nothing they could do to save him. The
In the story, O’Brien exposes various forces of brutality from the soldiers, the main source of war, with the purpose of portraying a real and honest image of what war really is like in order for others to reflect on the cruelty of
O’Brien tells the readers about him reflecting back twenty years ago, he wonders if running away from the war were just events that happened in another dimension, he pictures himself writing a letter to his parents: “I’m finishing up a letter to my Parents that tells what I'm about to do and why I'm doing it and how sorry I am that I’d never found the courage to talk to them about it”(O’Brien 80). Even twenty years after his running from the war, O’Brien still feels sorry for not finding the courage to tell his parents about his decision of escaping to Canada to start a new life. O’Brien presented his outlook that even if someone was not directly involved in the war, this event had impacted them indirectly, for instance, how a person’s reaction to the war can create regret for important friends and
Although the real O’Brien and the character have some similarities, the difference is that the author never killed someone in war and does not have children (Sparknotes). In
Tim O’Brien in the short story, “The Things They Carried” used constant repetition in the story to communicate important literary themes to his readers. His narrative technique of repetition may have been interpreted to some readers as redundancy or rather strange obsession but this technique one believes is a technique he uses to show the reader how the soldiers or characters experiences the events in their mind through their memories as it was happening-which was sometimes constantly. Such example is the event of death throughout his short story. O’Brien repeatedly recounts the death of Kiowa and Lavender to the reader, each time adding and elaborating on the death in detail. The significance of Kiowa’s death is that is seems to be the pinnacle or center piece of the story to which the characters’s develop and most of the action of the story surrounds itself.
Tim O’Brien never lies. While we realise at the end of the book that Kiowa, Mitchell Sanders and Rat Kiley are all fictional characters, O’Brien is actually trying to tell us that there is a lot more truth hidden in these imagined characters than we think. This suggests that the experiences he went through were so traumatic, the only way to describe it was through the projection of fictional characters. O’Brien explores the relationship between war experiences and storytelling by blurring the lines between truth and fiction. While storytelling can change and shape a reader’s opinions and perspective, it might also be the closest in helping O’Brien cope with the complexity of war experiences, where the concepts like moral and immorality are being distorted.
He fought a war in Vietnam that he knew nothing about, all he knew was that, “Certain blood was being shed for uncertain reasons” (38). He realized that he put his life on the line for a war that is surrounded in controversy and questions. Through reading The Things They Carried, it was easy to feel connected to the characters; to feel their sorrow, confusion, and pain. O’Briens ability to make his readers feel as though they are actually there in the war zones with him is a unique ability that not every author possess.
