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Ai weiwei essay
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cooked right, later Laila is sexually assaulted by rasheed, that is also when she got pregnant. This makes the book more engaging for readers for a lot of reasons. The one major reason is that all the readers want to see how they will get past this and succeed at life. Another reason why this part and or passage is engaging is because readers can connect and relate to what happens to the girls, and compare how they succeeded to the girls. "You try this again and I will find you.
Using a controlled and direct writing style Ha Jin have helped the readers to understand the theme of his short story more precisely. At the same time symbolisms used in the story conveys a direct approach to the theme. “In the center of the square stood a concrete statue of Chairman Mao, at whose feet peasants were napping with their backs on the warm granite and with their faces toward the sunny sky. A flock of pigeons perched on the chairman’s raised hand and forearm”, there are three symbolisms in these lines. First is the statue of Chairman Mao situated in the center of the city symbolizing the beliefs of Chinese people in communism.
Impressions: Yeng Jun Wu was found guilty of murdering Shao Qing Victor in a frenzied killing. He was found with 40 cute marks to his head and his brain was removed. Patrick Bourke, prosecutor, had told the jury a show print had been left behind at the crime scene that matched in size and style of Mr.Wu shoes. They were Australian Prada shoes that matched the shoe box in Wu’s home. They tested the shoe and found that it was a perfect match as well as there being the blood of Shao.
Xiong uses battles, executions, assassinations, and scandals to appeal to readers of any genre. Once a reader gets into the book they are hooked in the epic events of the book and the deep look into the ruling class. Unfortunately, Xiong’s novel might somewhat difficult to get into for many readers with no experience in Chinese history. Xiong also attempts to utilize dialogue that often comes off as underdeveloped or simplistic.
This statue was of a man who lived over two hundred years ago
This sculpture strived to make it as realistic as possible; soft yet strong features are represented. For example, Marcus face is stern yet shows emotions
Huang Ti is thought to have lived from 2697-2579 BC, before writing existed. He was described as a “true Renais-sance man.” He designed a cart based on the big dipper, designed a sequence of musical notes to be able to read and create music tones, but his great passion was medicine. Huang Ti is supposed to have been born about 2704 BC and ruled as emperor around 2697. His mythological independence is credited with the introduction of “wood-en houses, carts, boats, the bow and arrow, and writing.”
Fantastical Realization Fantasy and fiction flood most of our childhood but, the older a child gets, the quicker fiction turns to fact as slowly but surely, the rug of fantastical imagination is pulled out beneath them. This is exactly the case in Li-Young Lee’s short poem A Story. A Story is about a father who struggles to tell stories to his son, but as the boy grows older, his coming of age begins to make their relationship complex. Even though the complexity of the relationship is never directly stated, Lee shows this idea through point of view and literary devices. found in the poem.
One allusion in “Two kinds” and modern day society is Shirley Temple. She gives the mom the idea of making Jing-Mei a prodigy. She was known for singing and dancing. Jing-Mei says,” At first my mother thought I could be a Chinese Shirley Temple” (Tan 70). Her mother thinks she can be just like Shirley Temple except a chines version.
Stories are the foundation of relationships. They represent the shared lessons, the memories, and the feelings between people. But often times, those stories are mistakenly left unspoken; often times, the weight of the impending future mutes the stories, and what remains is nothing more than self-destructive questions and emotions that “add up to silence” (Lee. 23). In “A Story” by Li-Young Lee, Lee uses economic imagery of the transient present and the inevitable and fear-igniting future, a third person omniscient point of view that shifts between the father’s and son’s perspective and between the present and future, and emotional diction to depict the undying love between a father and a son shadowed by the fear of change and to illuminate the damage caused by silence and the differences between childhood and adulthood perception. “A Story” is essentially a pencil sketch of the juxtaposition between the father’s biggest fear and the beautiful present he is unable to enjoy.
“Money can’t buy happiness.” “Money isn’t everything, its just paper.” Anyone who has ever grown up without money and lamented about it has heard these kinds of phrases many times. In looking around our culture and society today it would be hard to say those statements are true. While everyone has problems, rich and poor alike, having money gives you access to more solutions to those problems.
Created Through the Eye Why do we all have different interpretations of art? Because we all are different in some way, our identity defines us and how we look at the world while our actions shape us and world around us. The works of Wenda Gu and Gordon Bennett both reflect aspects of their identity, whether that be personal, spiritual, cultural or psychological. Both artist are similar in many ways, notably for their reflection on personal experiences as cultural minorities. Gordon Bennett successfully portrays his personal experiences as well as the cultural influences in his artworks.
Ai Wei Wei’s politically fueled installation Remembering covered the façade of the Haus der Kunst in Munich, Germany in 2009, where he had a show titled, So Sorry. The work, Remembering, which measured one hundred meters by ten meters, was compiled of nine thousand children’s backpacks. Using simple colors and design techniques, Ai Wei Wei’s installation not only catches the viewers’ attention with sheer size, but also ignites a deeper emotional spark and fueled a lasting conversation whose reach not only initiated controversy with Chinese and German natives, Chinese governmental officials, and Ai Weiwei himself, but also internationally. Using five rudimentary primary and secondary colors: red, blue, yellow, green as well as white these uniform
Throughout the painting there is iconography and symbolism. To illustrate his authority, the Kangxi sits on a dragon throne, which raises him higher than his court. With Kangxi being the Emperor, his feet were not to touch the ground. The Dragon is thought to be the guardian and aide to the Emperor. In addition, the dragon is also repeated on his robe several times.
BOB VANASSEN ART 101/ELLIS THIRD SHORT ESSAY March 10, 2018 ART ANALYSIS/CRITICISM-THIRD SHORT ESSAY THE EMPEROR’S TOMB INTRODUCTION: Although there were a number of other art works that I found of interest, in particular works of the building architects, I was fascinated by the sheer size and detail of the tomb of Emperor Qin Shi Huang (fig 12-12, page 282 of “A World of Art”) which incidentally gives a slightly different spelling than all the other sources I investigated.