The statue is more than half the size of Yuny back in real life. The statue which is carved out of Limestone was found in the tomb of Yuny’s father, Amenhotep. There was at least two generations found within the single tomb. The height of the statue is 84.5 centimeters and it was consisted in the nineteenth dynasty. The statue represents Yuny seated next to his wife Renenutet.
Thi Vo Pre-Ap world history Mr.le 2nd p Hippo document Document 1 H- The map was illustrate from 1427 the reign of itzcoatl to 1520,reign of motecuhzoma I-this map intended to the future people to show the history of Aztec between 1427 to 1520 P-The Anztec was conquest all the land from itzcoatl start in 1427 to throughout the mid-south America P-The purpose of this map was to show what territory did Aztecs conquer the land from time to time. O-the warrior of aztec has conquered the land throughout 93 years,started from itzcoatl until to the reign of Motecuhzoma.
Jay Caspian Kang, the author of “Should Superstar Athletes Make More Money and Run Their Leagues?”, wrote a persuasive article on July 25, 2017, that superstar athletes should own a league. Therefore, Kang compared superstar athletes to world renowned leagues’ owners. As a guide to assist Kang in persuading the reader — athletes and fans — that are interested in investing leagues and superstar athletes salary income, the author applies imageries, em dashes, and logical appeals in the article. Henceforth, Kang’s attempt to appeal to the audience of the positive results from increasing the athlete's salaries strengthen his argument.
Also they could symbolize creatures of myths and legend. However in this particular sphinx it symbolizes the royalty and power of King Taharqo. This is not a typical sphinx because this one was build for a black man. King Taharqo was a powerful and a great leader of the Kush kingdom located in Sudan, Africa. He was so powerful that he was able to take over Egyptian ruling.
Both pieces are sculptures in the round, meaning they are not carved into a wall; they are freestanding. Both of the kings
Kangxi and Louix XIV were two outstanding rulers in the seventeenth century. They were both powerful to reign their dynasty by increasing military and economic power. In this essay, I will take about the similarities and differences of these two rulers and who is the greater to influence the world history. Both of them were applied “Absolutism” of Monarchy domination. They insist on belief to control the nation in political, economic and military ways.
For example, in a picture labeled “Sakyamuni (Buddha) Cutting His Hair” created during the Tang dynasty depicted a man in Chinese clothing with Chinese people around him in an environment full of mountains and trees that is usually favored by Chinese artists (Doc 3). The man represents Buddha if Buddha was a Chinese person, when he is actually an Indian prince who is named Siddhartha Gautama. The purpose of this painting was to show how Chinese artists blended Chinese culture with Buddhism in paintings to show how Buddha would be like if Buddha was a Chinese person. Another example is the Leshan Giant Buddha statue which is a statue that is 233 feet tall which is built during the Tang dynasty (Doc.4). Surrounding the statue of Buddha was statues of Chinese generals that were to “protect” the statue.
The Demonization of Empress Dowager Cixi Empress Dowager Cixi effectively ruled over the Qing Dynasty (modern day China) for 47 years, from 1861 until her death in 1908. In a time when the Celestial Empire was crumbling, she pulled the strings of her puppet emperors and held it together as best she could but has been made a scapegoat by historians for matters that were out of her control. Republicans have also used the Empress Dowager as a scapegoat to discredit the dynasty after its fall. In reality, the Empress Dowager had many successes during her reign; China had its first victory in modern diplomacy at the Treaty of Saint Petersburg in 1881, modernisation of the Imperial Army and founding a national naval force, she set out a plan to combat
The Chinese Paintings shows the Daoism/ Taoism in the people of China, especially, the famous landscape paintings such as “Along the River During the Qingming Festival” of Zhang Zeduan. Daoism is often interpreted as a person living a simply, honestly, and in harmony with nature. Along the River During the Qingming Festival captures the daily life of people from the Song period at the capital, Bianjing, today’s Kaifeng in Henan. The theme celebrates the festive spirit and prosperous street scene at the Qingming Festival, rather than the holiday’s ceremonial aspects, such as tomb sweeping and prayers (comuseum.com, chinahighlights.com). The scene from the collection of this paintings shows the simple and honest life in the capital by remembering
Introduction to Theme A theme is a meaning that goes beyond the plot, something less about events and more about significance, and it allows people to draw a conclusion from a book or story. The theme I will be focusing on is Monsters, which seeks to identify key data connected to the stories of monsters to identify characteristics of a monster within Greek myth. Monsters in Greek myth are often uncivilized, meaning that they exude behaviors which are savage and inappropriate. Monsters which are uncivilized are present in The Essential Homer, but I will specifically be focusing on uncivilized monsters in “Book 9” of The Odyssey.
We can also observe the incorporation of religion and politics on this map through number 2 (The Rubin Museum of Art). It shows that Kangxi emperor killed a ferocious tiger in Wutai Shan in 1683, thus liberating indigenous people from suffering. According to the website, Kangxi is the first Manchu emperor who was officially recognized as the emanation of Manjushri (The Rubin Museum of Art). The inclusion of Kangxi in this map confirms the importance of Kangxi himself as the emanation of Manjushri. The fact that he killed the tiger symbolizes “Manjushri’s subjugation of local poisonous dragons on Wutaishan, alluded to by the dragon’s tail which Kangxi grasps” (The Rubin Museum of Art).
Yet the vast majority of its bestiary depictions were not of large, scaly beasts breathing fire as we are so familiar with. The artistic depiction of the dragon differed greatly depending on the artist and the time period: some were huge, others breathed fire, some were shaped like humans, while others were long and slender like dragons from Asia. This is understandable since many bestiary and artistic representations of the dragon could nowadays be easily mistaken for other animals such as a snake or crocodile. The dragon, therefore, could be visually manipulated to suit not only the inclinations of the artist, but those of the viewer as
The artist Dieric Bouts painting is called Virgin and Child. This painting dates back to 1455-1460 and is drawn with oil on a wood panel 81/2 x 61/2 . The time period is Netherlands, Haarlem. The Virgin and child are paint about the Virgin Mary and her love for her son. The Virgin and Child coloring is mostly pale skin tone, with royal blues symbolizing royalty and, white symbolizing purity.
The painting Clearing after snow in a wintry grove of trees is a masterpiece of the Ming dynasty painter Wen Zhengming (1470-1559). This painting depicts a peaceful scene of mountains and trees after snow, with the inscription of Wen’s close friend, Wang Chong (1494-1533). By analyzing the imageries and allusions of the poem and the pictorial meaning of the painting, this short essay will interpret the identity of Wen Zhengming as a virtuous scholar, a hermit and an amateur painter. This painting was Wen Zhengming’s gift for Hua Xia, who was a philosopher and an art collector.
Always Expect More Fairy tales and parables are more puissant than any other speech or book, because of their impressive impact on people all over the globe. Not only do they teach many lessons, but they are also very entertaining. For instance, “The Emperor’s New Clothes” is a very famous folk tale about an Emperor who gets tricked into purchasing an invisible outfit because of his selfishness and pride. The Emperor also goes out in public “wearing” that outfit and, in result, embarrassed himself in front of his whole kingdom. To most people, this may seem like a worthless, little story; however, that is because most people nowadays never seem to look for more treasure or dig any deeper than what is on the surface.
