The author creates a sorrowful
Anaya utilizes Tenorio as a recurring motif embodying the theme of evil and revenge. Although Tenorio has good reason to despise Ultima, he casts a blanket of hate over many other characters. Throughout the novel, Antonio views Tenorio as the true essence of evil, while he views Ultima as the essence of good. Anaya provides the reader with reasonable proof of Tenorio´s despicable nature. Praying on the dormant fears of normal people, he manages to turn them against Ultima under false accusations.
In the poem, “For That He Looked Not upon Her,” the poet, George Gascoigne, communicates his fickle attitude towards his lover. With the use of standard Shakespearean sonnet form, exaggerated diction and vivid imagery he explains why the speaker is bound to avoid his ex-lovers eyes, since they can spell him to live a life with further deception and heartache. Gascoigne’s practice of sonnet form consists of the “ABAB” rhyme scheme, couplet, and four stanzas adding emphasis on the protagonists reluctance to see his lover’s face. As the poem progresses it becomes clear on why the speaker is warry. The poem includes paradoxing examples that elaborate his complex situation.
The short story “Section 8” by Jaquira Diaz is about a young adult, Nena, struggling to accept her feelings towards her friend Boogie. Further hindering the young woman is the unsupportive environment she finds herself in where just about everyone’s family has either physically or emotionally abandoned them. The story ends with Nena finally standing up the bullies who’ve been attacking Boogie- however Boogie herself rejects Nena, leaving her to imagine a life where the situation ended happily. Not only does the story leave a large impact on the reader, but it also leaves the music of poetry singing in one’s ears throughout the text by the use of consonance. The repetitive use of consonance and internal rhyme are scattered throughout the story, although the most impactful and noticeable would be the very first line of the text.
I love hatred. Imagine how it feels to face the volley of a thousand angry eyes, the bile of envy and the froth of fear spattering little drops about me, you, good nature all around you, soft and warm, you are like those Italians, in great cowls comfortable and loose, your chin sinks down in to the folds, you shoulders droop. But I, the Spanish ruff I wear around my throat is like a ring of enemies; hard, proud, each point another pride, another thorn, so that I hold myself erect perforce. Wearing the hatred of the common herd haughtily, the harsh collar of Old Spain, at once a fetter and, a halo!”’ (II.90).
Reverend Hale a villain? A villain- A antagonist in a story who has a negative effect on other characters. Reverend Hale
The ominous poem “The Raven”, written by Edgar Allen Poe, creates suspense throughout by using a combination of different literary devices, such as hyperbole, repetition and pathos. Although the use of literary devices helps create the mood, the way Poe incorporates a variety of structural elements, which include multiple stanzas, longer sentences and the similarities of structure between the poem and a story, help create a darker mood. The poem is set during the mid nineteenth century, at what is referred to as the witching hour, also known as midnight. The setting alone creates a very dark, suspenseful mood. “The Raven” crafts the idea of suspense by using a range of different types of literary features.
A villain's attitude shows what kind of person they are, for instance, Hitler was not seen as a nice person by his peers nor anyone for that
The Villain is the main force opposing the Hero. They are cunning and determined, going to great extents to achieve their wish. Mordred, King Arthur’s son, is the classic Villain. The illegitimate son of King Arthur born out of wedlock with his half-sister Queen Margawse of Orkney, Mordred’s existence was not known by King Arthur. Merlin prophesied that King Arthur’s kingdom would be razed to the ground by Mordred and that Mordred did after he became a Knight of the Round Table.
Furthermore, alliteration is used to emphasize the woeful fate of Romeo and Juliet, “From forth the fatal loins of these two foes”. The repetitions of the “t” and “f” sounds highlight
However, after reading the first stanza, it is evident to the reader that, there is oppression in the air. The first stanza reads that, “Dawn in New York has four columns of mire and a hurricane of black pigeons splashing in the putrid waters,” and this is clear to the reader that, the New York Dawn is not a normal dawn and that life in New York is despondent. According to the writer, the dawn does not come with something to smile about. After reading the poem, we realize the writer’s reason for entitling it as such.
“Do Not Go Gentle Into that Good Night” is a poem written by Dylan Thomas at the time when his father was at the brink of death. The piece is actually a villanelle where it consist of six stanzas, each with three lines except for the sixth stanza which has four lines. The rhymes on the first until fifth stanzas are aba, aba, aba, aba, aba. While, abaa is the rhyme for the last quatrain stanza. Thomas died a few months after his father, it is believed that this poem was written by him especially for his father.
Laura 's powerful and baulked desire for the goblin 's fruit is described in a hellish way in this particular passage of the poem, allowing the reader to have a better understanding of
'Quitting the Bars ' takes on the particularly difficult form of the villanelle. This consists of nineteen lines, composed of five tercets and ending with a quatrain, and usually infers a feeling of compulsion and obsession - both common traits in those suffering from alcohol addiction. Meehan 's refrains allow for more variation than one would generally encounter in traditional villanelles, preferring to engage with the more modern form wherein the repetition is not exact. This is evident with respect to the third line of the first tercet: 'not sure if the self is cell or warder, ' and the third line of the third tercet: 'you wonder if they are wards or warder. ' Such deviations serve to break from the rigid form of the more famed villanelles,
In the poems, ‘Since You’ and ‘Yusman Ali, Charcoal Seller’, written by Dionne Brand and Ian McDonald respectively, both authors are able to effectively elicit from me feelings of sympathy for the characters portrayed in the poems. Through both writers’ use of eloquent figurative language, I am able to develop sympathetic feelings toward the characters presented in both poems. Firstly, Brand’s consistent use of figurative language throughout the poem sets the foundation for which I am able to feel sympathy for the character. Brand opens with, “Since you, I passed some nights in hell” This metaphorical line portrays the character as someone going through an intense form of emotional turmoil; hell is known as a place full of suffering and
