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Alfred Hitchcock's The Lodger

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In conclusion, Alfred Hitchcock was a British film director who start his career as a card designer, over time he ventured in other areas of film production as an assistant. Finally he was given the chance to direct his first film, he impress the producers so he was assign other projects. In his biography The Lodger, approximately the third film he directed, is considered the template of his career because it express his unique style on filmmaking, which would be also reflected in all of his subsequent films. One of the most important and recognized themes that is recurrent in his films is the idea of the wrong man accused of a crime. As time passed and new technology develop, synchronize dialogue became an achievement in cinema. Hitchcock
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Hitchcock utilizes sound, camera work, MacGuffins, and plot twists to tell the storylines of the movies. Hitchcock understood the importance of camera work and sound because he began his career making silent films.12 It is why he uses many close up shots so the audience can pay attention to specific details and the emotions on the character’s face. He does not rely on dialogue to tell the story. He uses sound to help convey the message of a scene.

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Sitting bull Sitting bull was born in 1831. Sitting bull was a Teton Indian chief. Sitting bull joined his first war at age fourteen and earned a reputation for bravery in battle. In 1868 the Sioux accepted peace with the United States government, but when black hills in the late 1870 's a group of white prospectors invaded Sioux lands.

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Although du Maurier’s story and Hitchcock’s film portray the same major conflict and theme. The other story elements are very different. In this paragraph, two comparisons between the story and movie will be made. The first similarity between the two is the fact that the birds are out to attack the humans.

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Bates Motel is a fictional TV show that is based off of an old film by the name of Psycho. In the series Bates Motel there is a character by the name of Norman Bates. Norman Bates is an 18 year old, shy boy who has a lot of psychological issues, and a very close bond with his mother. Norman first resides somewhere in Arizona with his mother and father. He ends up murdering his father in defense of his mother.

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The Museum of Modern Art hosted a screening as part of a 50-film collection of Hitchcock's film work. Alfred Hitchcock exceeded my expectations with his film The Birds in regards to Mise en scene. One big element that I noticed while watching the film was when Daniels went to go visit Ms. Hayworth at her home I noticed that she had on a red sweater. As the two ladies talked another big style of Mise en scene was that Ms. Hayworth was standing next to a red mailbox. This was very significant to me because I see red as a dangerous color in the film making industry.

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Alfred Hitchcock is remembered as the "master of suspense", most notably in one of his cinemas, "Psycho". Hitchcock used a variety of sensory details, to shock moreover frighten his audience. Three sensory details that he used, is when we notice a cop following Marion, we see that Norman is stalking Marion, and when a shadowy figure shows up while Marion is taking a shower. The first sensory detail that creates suspense is when we see the cop following Marion. We believe that the cop recognizes something is up furthermore, is going to assert Marion for stealing the money.

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One Who Flew Over the Cuckoo's Nest: Psychoanalytic Theory In the novel 'One Who Flew Over the Cuckoo's Nest; by Ken Kesley. Freud's psychoanalytic theory is continuously shown throughout the book with the struggle of the id, ego, and superego. According to Freud, each person's ego conflicts to create balance between the id and superego. Freud emphasizes the importance of the unconscious mind by stating that we lock away information through the process of repression.

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Even though Hitchcock used these techniques in completely different ways, the end result for both was a timeless, suspenseful

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Director Alfred Hitchcock already starts to take a huge turn, a turn that was very fresh for the 1950’s. He introduces Scottie as a well of police detective but he is not the ideal man, he is not “brave enough” because he is scared of heights. The absence of masculinity

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Hitchcock exemplifies the fact of “femme-fatal” ensuing the compromising and dangerous situations,

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Regarding Soviet montage is evident in The Lodger, when Daisy laughs and a cut show the audience the expression of the lodger, his reaction to this laugh. In Blackmail, is clearly exposed a Soviet montage influence, after Alice stabs Mr. Crewe, the camera focuses on her face, then on the jester laughing and again in Alice´s face, later she rips the painting and looks straight at the camera. In The Lady Vanishes, this influence is shown at the opening scene with the movement of the camera through the landscape and the view of the entire village, later it enters through the window and appears Miss Froy talking to the receptionist, then is a cut where the other guests are seen and then the camera is back to Miss Froy. German expressionism is

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For those of you who recognize this character’s name I hope it gives you some shivers. For those who have no idea who he is I will explain. He is a character in a movie directed by one of the most creative and spectacular movie directors Alfred Hitchcock. Who made horror movies the way they should be made and all of his affect you psychologically. It all began in 1960 when Hitchcock made the horror movie classic “Psycho” starring Anthony Perkins and Janet Leigh.

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Hitchcock’s Journal: Biographical Criticism of Hitchcock in His Films Vertigo (1958) and The Birds (1963) Alfred Hitchcock was born in Leytonstone, England during the Edwardian Era. His parents, William and Emma Hitchcock, instilled the ideas of guilt and punishment into him from an early age. They were devout Catholics and sent their son to a strict religious boarding school.

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These were explored by the use of the motifs of birds, eyes, hands and mirrors (Filmsite.org, n.d.). Hitchcock skilfully guides the audiences through a tale

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In the film Rear Window, the director, Alfred Hitchcock uses a variety of techniques to create suspense and leave viewers on the edge of their seats throughout the film. Hitchcock uses a good assortment of tempo to create thoughts in the viewer's mind. He slows down the pace to create anticipation, and speeds it up to show a change in intensity. In the ending scene of Rear Window, Alfred Hitchcock uses changes in pace and tempo, lighting, and a short term deadline to constitute an immense atmosphere of suspense in the viewer's mind.

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