Brandon McCormick Ms. Headley English 2013 8 December 2014 Allusions to Paradise Lost in Frankenstein In the nineteenth century gothic novel Frankenstein, Mary Shelley uses numerous allusions within her novel that can easily be interpreted by the reader. These allusions make it easier for readers to understand the characters and compare their circumstances throughout the story. The most significant and most used was from John Milton’s epic Paradise Lost. It is known that, “…Paradise Lost stands alone in the eighteenth and nineteenth centuries atop the literary hierarchy, and Milton’s epic is clearly rooted in the history of Puritanism and in the bourgeois ideal of the individual, the ‘concept of the person as a relatively autonomous self-contained …show more content…
Satan is similar to the Monster in a way that he is also alone. Satan is also made in the appearance of God like Adam is. Though the Creature is not made in any image of his creator, he still states, “Many times I considered Satan as the fitter emblem of my condition, for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me” (Shelley 124). The Monster is able to relate to Lucifer’s relationship with his creator. They are both disturbed and angry for the way they end up becoming. This is the main cause that both seek retaliation on their …show more content…
Though Victor does nothing wrong to Frankenstein, he too is cast down in a way to his own internal “Hell.” He has to force himself into isolation from any human contact due to people being afraid of him. The Monster tries numerous times to befriend humans, just as Satan tries to befriend Adam and Eve. God attempts to isolate Satan from human contact because he initially wants to cause harm to mankind. Satan and the Monster soon escape their cages and come in contact with humans. This causes trouble to mankind in both of the stories. The Monster tries to comply with humans in a virtuous way for a second time, but once again receives hatred in response. Satan’s contact with humans begins with Eve, who he persuades to turn to sin. The Monster and Satan both seek revenge on their creators. The Creature begins with killing the people that are most dear to Victor. Satan does the same thing in a similar way by bringing death to God’s own children. Lucifer causes trouble and even mortality to Adam and Eve’s perfect life. Once he introduces sin to them, all of God’s children thereafter are doomed. It is from these actions, that it is easily said that the Monster and Satan are damned for eternity. Victor Frankenstein can be compared with Eve from Paradise Lost. Victor and Eve both have a strong ambition for searching for an expansion of knowledge. They are also both tempted to expand their knowledge by an
Furthermore, when Frankenstein meets his monster while journeying, the ghoul states that despite the hatred between them, “’I ought to be thy Adam’” (73). This is a biblical allusion to the story of the world creation, and the story of Adam and Eve. Adam was the direct product of God. He was tempted to taste the knowledge fruits, but eventually averted his will. He also attempted to persuade Eve not to taste these fruits.
In Frankenstein by Mary Shelley, Victor is fascinated by the creation and decay of life and is relentless to create him one, but turns out to be a horrifying nightmare by bringing a monster into the world. One's desire can be so great that it blinds people from the things in life they truly care about, but would not know till it is gone. Victor Frankenstein goes from an arrogant man who only thinks about his only desires to a guilt ridden man who wants to protect others after his mistake killed innocent people. Victor Frankenstein is an arrogant man who only thinks about his only desires and does not care about what people says. Since he is spoiled by his family by giving him gifts like Elizabeth “as his- his to protect, love, and cherish” (30).
The gothic fiction novel Frankenstein by Mary Shelley centralizes on humanity and the qualifications that make someone human. The content of the novel Frankenstein depicts a monster displaying human traits that his creator Victor does not possess: empathy, a need for companionship, and a will to learn and fit in. Throughout the novel Shelley emphasizes empathy as a critical humanistic trait. The monster displays his ability to empathize with people even though they are strangers. On the other hand Victor, fails to show empathy throughout the novel even when it relates to his own family and friends.
Throughout the novel Victor and the Monster come across many relatable situations that they are forced to overcome. Victor Frankenstein had a very happy childhood, and he describes his parents as being “possessed by the very creature of kindness and indulgence”. Although Victor had a very happy childhood, these characteristics do not seem like the foundation of good moral character. Similarly Victor’s monster was not raised with the foundation of a good moral character. When the monster was first created he possessed more strength than he knew what to do with.
Throughout the story Mary Shelley presents the idea of knowledge and how much of it Victor Frankenstein has. This enormous supply of intelligence will have a consequence on the product of his scientific actions. Frankenstein has been engrossed
As he does not even have a name as a marker of identity, he longs for parental recognition from Victor in order to end the confusion about who he is, and the more he understands the fear and hatred he unintentionally provokes in others, including Victor, the more hopeless his view of the world and his future becomes, which leads him to try and gain that recognition through violence. The murder of William, as Knoepflmacher argues, marks also the irreversible loss of “the ‘benevolent’ or feminine component” of the creature’s identity, which makes him “indistinguishable from Victor Frankenstein, similarly alienated from his feminine self” due to the loss of his mother and later on, his wife. The identities of the two are, indeed, intertwined and become fragmented in relation to Milton’s Paradise Lost, to which the novel constantly alludes. The creature reads Milton’s work and although he at first sees himself in Adam, he soon finds himself forced to identify with Satan. Chris Baldick argues that not only the creature but Victor himself starts to feel more like Satan than God – with whom he should identify in this instance – as the story progresses in the sense that “he too bears a hell within him”.
We all like to think that evil is not born within us, but rather nurtured into us; while this may be true for some, others have evil born directly into them. When man toys with the powers reserved for only God, God strikes back with a wicked evil to show man the power that they truly lack. Mary Shelley’s Frankenstein contains a prime example of a being born of unnatural causes and thus having these evil urges that they cannot control. Frankenstein’s monster is a highly intelligent being, and hence he is very manipulative.
Mary Shelley shows the endless amount of revenge and that it is driven by pure hatred and rage. The monster was not created to be vengeful, he was kind hearted but when he was poorly treated by Victor and then by the Delacey family, he turned cold. In her novel Frankenstein, Mary Shelley displays the immorality and destructive effects that revenge can have through Frankenstein and his pursuit of the creature. Immediately after the monster had awoken, hatred thickened and would drive the plot to be all about revenge. The creature illustrates this hatred as he says to Victor, “Everything is related in them which bears reference to my accursed origin; the whole detail of that series of disgusting circumstances which produced it is set in view;
Dangerous Minds- Rough Draft Knowledge has the capability to be used for both good and evil. In Mary Shelley’s Frankenstein, there is a consistent message throughout the novel showing the dangerous and destructive power that knowledge can have. Two key characters, Victor Frankenstein and his monster, are shaped through their obsessions with knowledge and the power and responsibility that it brings. Ultimately, Victor’s downfall is a result of his uncontrollable thirst for knowledge, and is brought about through the monster which is the embodiment of his obsession. Victor is a brilliant scientist who figures out a way to create life from death using galvanism, or electricity.
ENG-3U0 November 20 2015 Frankenstein: The Pursuit of Knowledge Throughout the course of their individual journeys, Victor Frankenstein’s extreme passion for gaining knowledge about creating life, Robert Walton’s curiosity to discover land beyond the North Pole and the monster’s eagerness to obtain knowledge about humans was the principal cause of each of their suffering. As such, In Mary Shelley’s Frankenstein, the pursuit of knowledge is a dangerous path which leads to suffering. Victor Frankenstein develops a keen interest in discovering knowledge about living beings which ultimately results in his personal suffering as well as others suffering. To begin with, Victor embarks on an assignment through combining body parts and following various
Victor also compares the monster to Satan. Logically, if the creation of Frankenstein/ the mortal enemy of Frankenstein is the equivalent to the creation of God/ Satan, then Frankenstein is considered to be “playing god.” Victor is also referred to many times in the text as the “creator”. What is contrasting about their biblical counterparts is that the monster (the equivalent to Satan) is capable of good and Victor (the equivalent to God) is capable of sin. This meaning behind the allusion is most clearly seen in chapter 15
Mary Shelley’s novel Frankenstein, shows how a character who is portrayed as a tragic hero, in the beginning, can become the monster in the end. Victor and the Monster in Mary Shelley’s captivating novel showed how rival enemies share striking similarities. The similarities between the two tragic characters are driven by their dreary isolation from the secluded world. A large difference is that they were both raised in two completely different environments but understood the meaning of isolation. Physical differences are more noticeable rather than their personalities.
The monster tells Victor of his feelings when he states, “You can blast my other passions, but revenge remains…I may die, but first you, my tyrant and tormentor, shall curse the sun that gazes on your misery.” (153) After months and months of the monster trying to connect with the world, he eventually realizes that the efforts are worthless and vows to do to his creator what his creator did to him. To make Victor isolated would give him the same curse the monster has suffered through for its entire new life. Later, the creature asks himself, “Why, in that instant, did I not extinguish the spark of existence which you had so wantonly bestowed?” The creature easily could kill Victor if that was his desire but its real desire was to make Victor suffer as the monster did.
(Shelley 87) Just like Adam, the creature was created in his masters image. Adam from God and the Creature from the dark and ugly nature of man. The creature thus symbolises the horrid nature of man when brought to closer examination. Reiterating this the creature later exclaims to Frankenstein in a blind rage“accursed creator![...]God, in pity, made man beautiful and alluring, after his own image; but my form is a filthy type of yours, more horrid even from the very resemblance" (Shelley 118).
The devil in the story is the subconscious and innate desires of humanity because he reveals that, “Evil is the nature of mankind. Evil must be your only happiness. Welcome again, my children, to the communion of your race” (Hawthorne 8). Once a person comes to the realization of his or her own personal