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Morality dorian gray critical essay
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No matter how hard Dorian tries to act innocent, his sins cannot easily be erased since he acts pure for selfish reasons, such as clearing his conscience. Additionally, Wilde uses mist to symbolize Dorian’s uncertainty about beauty. As Dorian enters the opium den, “the mist thickened, he felt afraid” (205). In Plato’s theory, Dorian does not completely understand the beauty of something, since he glances it from at a surface level and therefore, remains far from the truth and results in confusion and uncertainty, such as the mist. Moreover, Wilde suggests how before Basil’s murder, Dorian did not appear completely innocent but society could still consider him pure and white if he prayed for God’s forgiveness.
The heroes/heroine now go through crossing the first threshold of Campbell’s monomyth in which they leave their mundane situation and enter into the unknown. Dorian Gray crosses the first threshold when he finally realizes Basil’s paintings of him will be forever young, and his beauty and youth will remain eternal in a frame. Lord Henry’s words “sink in” and he understands that he, himself will grow old and his painting will not. This infuriates Dorian. In fact, it angers him so much the anger turns to jealousy and he becomes jealous of “everything whose beauty does not die” (Wilde 83).
The researcher decides Oscar Wilde’s The Picture of Dorian Gray and Fitzgerald’s The Beautiful and Damned to be the objects of the study on inferiority and superiority complex causing hedonistic lifestyle in main character. The first reason, both of literary works cover the changing of each life of the main character, society and ultimately the individual. Second, they both share the same social background of the main character in The Picture of Dorian Gray, Dorian, displays a well-respected young man. He doesn’t recognize his own beauty until he sees it reflected in Basil’s portrait, and, once he does, it’s all too late. While Anthony in The Beautiful and Damned is illustrates reaching pleasure as the lifestyle and it becomes a habit.
His idolization of Dorian causes him to let Dorian dominate him. Small as it is, it shows Dorian for the first time what his beauty can do to people. The fact that people are willing to believe and do anything for him because of his beauty. This realization causes a lot of problems later on in the storyline. Lord Henry Wotton is another influencer on Dorian Gray.
Dorian Gray is a handsome, narcissistic young man enthralled by Lord Henry 's new enjoyment. He satisfies in every pleasure of moral and immoral life ultimately heads to death. Henry tells
As soon as Dorian enters in Chapter 2 of The Picture of Dorian Gray, Oscar Wildes’ one and only novel, its is evident that there will be a battle between who will have the most influence on his pure, untouched soul. Basil Hallward, a painter and worshipper of art is an optimist and sees only the good in even the wickedest of people, such as Lord Henry. Lord Henry is a charming, self-indulgent aristocrat that shapes and molds Dorian to lead a life devoted to pleasure. Both Basil and Lord Henry represent two important opposing forces in the novel, good and evil. The greatest struggle in The Picture of Dorian Gray is inside Dorian; he himself embodies both pure good and pure evil.
His words and painting influenced Dorian’s life immensely and this made him so determined to want to retain his youth after taking a look at his
From the beginning of the novel we get to see a model of poor and unconventional morality, Lord Henry Wotton, a man who is moved by an ethic current called “New Hedonism” which taking into account society’s ethics (specially the ones from the Victorian Era) is quite immoral. The New Hedonism basically consists in looking for the individual’s best comfort, pleasure and happiness (based on beauty), leaving aside the other’s comfort and what should be morally done. This character with poor morality is who guides the book’s main character Dorian Gray along his adventure. However, it is vital to take into account the fact that Dorian Gray is never forced to follow New Hedonism and that Wilde never influences or invites the reader to follow New Hedonist
At this point, Dorian begins to acquire the indication to switch souls with the painting, in order to Boyett 2 maintain an innocent complex. The beginning of the soul switch did not cause any harm, his minute cruelty led to small lines on his portrait’s face, while not allowing any signs on his own self. Realizing the soul switching was successful,
The Picture of Dorian Gray, one of Oscar Wilde’s masterpieces, portrays one of the most important values and principles for him: aestheticism. As a criticism to the life lived during the Victorian era in England, Wilde exposed a world of beauty a freedom in contradiction to the lack of tolerance a limitation of that era; of course inspired due to Wilde’s personal life. All the restrictions of the Victorian England lead him to a sort of anarchism against what he found to be incoherent rules, and he expressed all this to his art. His literature is a strong, political and social criticism. He gave a different point of view to controversial topics such as life, morality, values, art, sexuality, marriage, and many others, and epigrams, for what he is very well known, where the main source to the exposure of his interpretations of this topic.
Relatively all authors are very fond of creating an underlying message to criticize society. Authors do this through social commentary. The book “The Picture of Dorian Gray” is no exception. The author, Oscar Wilde, criticizes the upper class through the consistent underlying idea that people are often deceived by one's beauty and are unable to understand the poison that fills the world is corrupting it. From the beginning of this book, the social commentary towards the upper class begins with the structure of the novel.
Basil has come to ask Dorian about all the horrible rumors surrounding him, and hopes they turn out false. Basil also asks about the portrait and why Dorian hides it, so Dorian decides to show him his “to see your soul. But only God can do that—you shall see it yourself to-night!”. Dorian then takes Basil to see his picture, which at first cannot be recognized by Basil, but soon he realizes the true horror of the situation, “an exclamation of horror broke out from the painter’s lips as he saw in the dim light the hideous face on the canvas grinning at him” (Wilde 113). Dorians soul has become rotten to the core with selfishness and pleasure, mainly because of Lord Henry’s poisonous words.
As years pass the picture ages like a real person would age, but it not only grows older, but uglier because of his actions. The picture is the mirror of Dorian 's soul, as he commits terrible actions the picture becomes
ZHANG Shiyuan_HRM Human Recourse Management fascinates for me for the dynamism and challenge that it provides. A vital cog in the machinery of any business to maximize employee productivity, it is an interdisciplinary field relevant to the knowledge in policies and industries, business environment, organizational culture, essential skills in negotiation and leadership. I am hugely interested in grasping HRM knowledge for further integration with strategy consulting and management, which will be essential for establishing my career path. My first degree in International Communication Studies, which places great emphasis on analytical and highly interdisciplinary approach, has cultivated me with the literacy of communication, a significant quality needed for a practitioner in media and culture.
The theme of appearance extends further in Dorian’s life. Dorian’s outer beauty allows him to get away with almost anything, due to the fact that people equals his outer beauty to him being a good person. In reality, Wilde makes it very clear that Dorian Gray is not a good person. The theme of appearance is illustrated through underlying criticism within Wilde’s use of motifs and symbols. A main motif used by Wilde is the painting done by Basil Hallward.
