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An Analysis Of Nature Vs. Nurture In Truman Capote's In Cold Blood

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Nature versus nurture is one of the most controversial debates in contemporary psychology. The debate concerning whether or not humans are born with the preset characteristics that will shape lives for years to come or whether actions are a result of the events and the environment that pave the way for our behavioral characteristics. Capote’s “In Cold Blood” gives the audience a detailed look into the upbringing of the character Perry Smith, creating a sympathetic outlook towards his past and attempting to bring a sense of understanding as to how a seemingly harmless young man could brutally murder four innocent people. In the case of Perry Smith, nurture was the cause of his actions in regards to the Clutter family murders. Perry’s actions …show more content…

Everyone is born with the capability to do evil, however, the events and environment in our lives shape our psyche to such an irrefutably extreme extent that they define our character and our conscience, redefining what we see as right and wrong. Perry is very sensitive by nature due to his family’s troubles and his father’s behavior. The pressure that Perry feels to impress Dick, who he makes into a faux father figure, combined with the weight of his past push him to the breaking point which happens to be the Clutter murders. Perry was bound by his experience, he could never fully escape the horrors of his childhood as they were the limits of his apprehension. Regardless of Perry’s traumatic childhood, justice must be equally upheld to everyone, despite the differences in the ways we were raised. While nurture may be the primary factor in deciding why Perry did what he did, his childhood does not excuse him from being prosecuted the the full extent of the law. The controversial debate of nature versus nurture may never be fully solved, however it is clear in the case of Perry Smith that his surroundings were the primary cause of his motivation to kill the Clutter family. Between his abusive family and the inmates at the Kansas State Penitentiary, the emotions convening inside of Perry fell too much to bear. Perry was a victim of his environment and projected the rejection he felt onto

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In Cold Blood Rhetorical Analysis Typically upon hearing about a murder, especially a brutal and unwarranted one, we find ourselves feeling a great sense of disgust for the murderer or murderers who committed these crimes; however, in Truman Capote’s novel In Cold Blood, the lives and experiences of the murderers, particularly Perry Smith, are displayed in a way the makes you feel pity for him as well as the victims. When comparing Capote’s Novel to a typical news article on a similar topic it is easy to see the that Capote's style varies from typical journalism. An article written by Frances Robles and Nikita Stewart titled “Dylan Roof’s Past Reveals Trouble at Home and School,” discusses the childhood and background of Dylann Roof, a twenty-one

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However, the two murderers never took the time to find out more about the Clutter family. Once they realized there was no fortune, Dick did not mind. Dick’s motive for remaining inside the Clutter home was he knew there was a young girl living in the house. His motive was to rape the young girl, Nancy. Nonetheless, the other murderer, Perry Smith, had no motive for killing the Clutter family after realizing there was no fortune.

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The author portrays Perry Smith as the protagonist of the novel stress that there is no defined line of good and bad, rather a percentage in what is heard versus what is acted upon. There are many views of Perry Smith but the first is the one that imprints in the mind of those who hear it. Perry Smith is a murderer. He, though manipulated by his twisted counterpart Dick, single handedly killed Herb, Bonnie, Nancy, and Kenyon Clutter, without any reason or gain. The only gift he received was a rope tied in a bow around his

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Normality in Capote’s Text ‘In Cold Blood’ Truman Capote, in his non-fiction journalistic narrative, gives readers the opportunity to reconsider the dichotomy of ‘normal’ and ‘abnormal’. Capote also suggests true normality differs from society’s concept of normality. The concept of normality is challenged throughout the entirety of ‘In Cold Blood’, first in the Clutter family, then in Dick and Perry and in sexuality throughout the text. The Clutters, a seemingly ‘normal’ family who have obtained a wealthy and successful life, are polite and hardworking, community-driven and respected.

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Capote portrays only one of these two seemingly distinct characters (Perry) in a way that the reader feels the need to relate to and even sympathize with him. One can be taken aback by such an attachment to a murderer. This is not surprising as the author uses his compassionate diction to manipulate the reader’s emotions with a use of pathos, the appeal to emotions. At one point Capote goes as far as to write that “Smith’s life had been no bed of roses,” (Capote 245) attempting to have the readers relate to Perry. On the other hand, Capote has Dick say this about himself: “Deal me out, baby, I’m a normal” (Capote 116).

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Everybody has desires that constantly weigh over their heads, pushing them to be diligent in all their endeavors, but what would you do if you knew that one day you would no longer have the opportunity to fulfill these desires? Everybody lives their lives so focused on the end goal that they are oblivious to the world around them, and the sad part is that in some cases the end goal is unattainable or never reached because the person dies. In In Cold Blood, Truman Capote utilizes symbolism and descriptive diction to tell his readers Perry’s wants and wishes. Throughout this subchapter the reader is able to learn more about how Perry feels in the moments after the Clutter family murder. The reader learns that Perry wishes he was loved by others

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In addressing respect for human dignity, the Belmont Report (1979) incorporates two ethical convictions: first, “individuals should be treated as autonomous agents, and second, that persons with diminished autonomy are entitled to protection.” (p. 5). Perry was a vulnerable population, incarcerated, and stripped of any autonomy. In addressing justice, an injustice occurred as there was no benefit to Perry in the “sense of ‘fairness in distribution” or “what is deserved’” (Belmont Report, 1979, p. 7).

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[He said] it [didn’t] bother Perry a bit” (Capote 255). Dick is honestly trying to make Perry look very guilty instead of him. Even though Perry killed all four of the Clutters, Capote was still against the death penalty for Perry. Capote was also biased throughout the story because of his “relationship” with Perry. An example of Capote’s bias is when he wrote that “Dewey, a believer in capital punishment, its purported deterrent effects, and its justice, witnessed the hangings” but he could not watch Perry’s hanging.

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Sociopaths, often described as having antisocial personality disorder, are not born with their traits but their experiences they go through make them the way they are. Perry Smith has many examples of how his upbringing has made him the way he is. Perry’s life was filled with violence and neglect. Perry had a seemingly happy life until his dad started to beat his mother and she turned to drunkenness and promiscuity. Finally perry’s parents split, which can also to lead to problems in children's lives, he travels with his mother and siblings to san Francisco where he constantly gets in trouble to which he blames it on having, “no rule or discipline, or anyone to show me right from wrong" (54).

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Although Perry is responsible for the murder of four innocent people, Perry’s actions do not reflect on who he is as a person because he is easily influenced, therefore; showing how easily people can be pressured into doing something they would not typically do. Dick, a violent, cold-hearted, manipulator, has molded Perry into the person he is today. As Perry is a follower, Dick has taken advantage of that by turning Perry into the cold-blooded killer he is today. Capote displays Dick’s manipulation of Perry through symbolism to make evident that while Perry did pull the trigger on four innocent people, although the fault does not entirely lay on him, as he was taken advantage of by Dick.

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Facts and Fiction: A Manipulation of Language in Truman Capote’s In Cold Blood English is a fascinating and riveting language. Subtle nuances and adjustments can easily change the understanding of a literary work—a technique many authors employ in order to evoke a desired response from their readers. This method is used especially in In Cold Blood by Truman Capote, a literary work which details a true event about the murders of four members of the Clutter family in the small community of Holcomb, Kansas, in 1959. Although Capote’s 1966 book was a bestseller nonfiction and had successfully garnered acclaim for its author, there is still a great deal of confusion about the distinction between the factual and fictional aspects in the book.

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