In the main paragraph, you notice that there is tension concerning the marine debris due to human beings: As you use force to try and plunge yourself deep down into the water, you notice a forceful pull that jerks you back. You can’t seem to figure out what it is. You try again, you fail. You take a glimpse towards your rear end, you notice your hind flipper entangled in some kind of open-meshed material…You notice
“The cry was pinched off as the blood-warm waters of the Caribbean Sea closed over his head”, only shortly into “The Most Dangerous Game” and Richard Connell already has us wanting more. In “The Most Dangerous Game”, Connell uses many literary devices to involve the reader further into the convolute labyrinth created as the story progresses. Such use of literary devices leaves the reader spellbound with the idiosyncrasy of Connells adventure. If the devices were absent we as the reader would be lost in the tedious and dry world that such literary devices had been outcast by the author. Literary devices are highly valuable in their use in items such as poetry, epics, and the everyday life of anybody and everybody.
1. Thesis “It’s Christopher Martin’s view that society should in fact provide higher education freely to all. He reviews some purported differences between higher education and other goods that are commonly held to merit free provision for all, arguing that these are only apparent differences.” (615, Martin) 2. Support for Thesis “Governments across the world are citing increased global competitiveness and a slow economy as reasons for reducing funding to higher education.”
By using helplessness in the story, Richard Connell creates suspenseful situations. At the beginning of the story, Rainsford falls off the yacht and is left in the ocean. Nobody hears his cries for help, as they are “pinched off short as the bloodwarm waters of the Caribbean sea closed over his head”(15). While reading this, the reader feels the hopeless situation as they watch Rainsford struggle. The desperation is doubtless; the readers are hoping the yacht will notice he is gone and will come after him, but knowing that it probably will not.
Stories about sea life and lands far away were “important art form[s] for seamen who took great pride in their ability to weave together an elaborate tale” and mariners would tell them to whomever would listen. Without these personal accounts, the U.S. would be in the dark about affairs going on around the world and our ever-changing world would leave mariners lost in
These scared, unprepared men also faced death due to the ocean that served as several of the men’s graves. The conditions these sailors met in water were awful , due to the high
Similarly, Salt To The Sea, my second story, manges to do such as well by illustrating the terrors of war. Set in the declining end of War World War 2, Salt To The Sea takes the perspectives of 4 individuals as they make their adventures throughout Eastern Europe to escape the wrath of Hitler and face refuge in a ship that could save their lives. In recent chapters, the story features the perspectives of mainly Alfred, Florian, and Joana as they aboard the ship that is escaping the Nazi Germany reign of Eastern Prussia while Emilia, on the other hand, is facing interaction. After boarding, however, the ship is consequently struck by Russian torpedoes which requires the passengers to frantically escape via lifeboats and rescue ships, a taxing situation that is open to questioning and speculation along with the motives of James Bride in The Color of Water. Because of the complexity of the two stories, I was able to question myself why James McBride wrote the story, Predict what will happen to the crew, and visualize the environment of Eastern Prussia and the
“That day changed me forever and now I fight for sharks’ rights. I have always been an active animal and environmental advocate” (paragraph 5.) The risk the young boy on the beach took affected the rest of his life positively and if he never took a chance such as that, he may never have become the type of person he is. When the narrator decided to take a risk, he had no idea what the outcome might’ve been. He affected the fisherman’s way of thinking.
Furthermore, the aspect of discovery can also be conveyed in a different ways. The fact that sometimes people, like myself, are being forced to find a new place which can result a negative and positive emotional impact, or future possibilities. In ‘The Little Refugee’, Bruce Whatley illustrates a small shabby boat jam-packed with worried people who are desperate to find new life and hope, whereas Hurley’s his discovery was being forced by his inner-life. Dull and grey-black smoky colours symbolize the overwhelming fear as seen through the body language of the people. And the dominance of the stormy clouds adds to the uncertainty, and the salience draws our eyes to the boat, helping us to easily relate to the terrifying encounters.
The Odyssey The Odyssey is an ancient story with many smaller stories within it. Although the entire story is a a good and fascinating one, there is one section of the story that is particularly interesting. When Odysseus and his men are trying to get home from Aiaia, they encounter the Scylla.
The men on the sea, have formed a brotherhood where they depend on each other to survive, and they find comfort in being together, “they were friends—friends in a more strangely iron-bound strength than may be ordinary”(3). The friendship that they form helps them to survive nature 's attack. Moving forward, Crane informed the readers that the four men, they knew that their destiny are controlled by some outside force. Even if they had the same thoughts, they didn’t share them which each other: "If I am going to lose my life to the sea--if I am going to lose my life to the sea--if I am going to lose my life to the sea— why, was I allowed to come this far and see sand and trees?” (11).
The setting is dark, enormous sea symbolizing nature. It is not an ordinary setting; rather very active in the lives of the characters and has contradictory qualities. It has seven sections and each section is told from the point of view of an anonymous correspondent. The first part introduces the four characters-the
However, in the eyes of the speaker they see the opposite. Because the ocean is such a strong, powerful force of nature, the speaker thinks that whether the ocean is ferocious or serene, it is still something worth worshipping or admiring. Perhaps the admiration comes from the ocean’s ability to change its reputation so quickly, yet be adored and treasured by people all over the world. After listening to the speaker’s portrayal of the ocean, it is noticeable that they are absolutely awestruck. The speaker talks about the ocean with such veneration, making it evident that the ocean, being a strong force of nature can eventually make others appreciate its mere
that lives in the sea.” The use of ellipsis conveys ambiguous knowledge that the father acquires therefore he merely provides a simple answer. Sea metaphorically indicates broad range or endless path that is amazingly prodigious which makes it elusive to specify objects in the sea. Anton Chekhov decides to use the word sea to suggest that the father’s knowledge is extremely broad and general, meaning that he must have not gained a degree of education. However, this further creates instant desperation of a boy who is eager to jeopardize his mouth to taste an oyster as he expresses, “Help us gentlemen!”
The ocean… The sound of the waves applauding and hugging the shore. The internal sounds of the body out in the world’s biggest swimming pool. The echo of my sister’s laughter. The salty smell so strong that one can taste it dancing on ones taste buds.
