In “Its Portion Distortion That Makes America Fat” by Brownlee, she claims that fast food companies and the portions they provide are the real reason that America has seen such a big increase in obesity. I agree that fast food companies are to blame for the rise in obesity and they should begin to take more responsibility for the affect they have had on America. In the not too distant past, fast food portions were smaller and could actually be seen as a suitable meal as they provided enough calories for one person. This all began to change when a man named Elliot Bloom began to study Taco Bell’s sales and discovered that their main consumers consisted of “young, single males who could ate at such restaurants as often as 20 times a month.”
The Founding Fathers intensely debated the size, scope, and structure of our government at the Constitutional Convention. The Founding Fathers discussion had a recurring theme of power. The theme of power at the Constitutional Convention affected the resulting structure of government. The system of government the Founding Fathers created is still working as intended to address the theme of power. In A Brilliant Solution by Carol Berkin the theme of power addresses the size, scope, and structure of our government.
Rhetorical Précis In her rhetorical essay “From Fly-Girls to Bitches and Hos” (1999), Wesleyan University graduate and feminist Joan Morgan claims that if a man cannot love himself, than he is incapable of loving women in a healthy matter, and it is up to women of color and the African American community to change these threads. Morgan supports her claim using ethos by questioning artists such as B.I.G and their aggressive lyrics, with logos by providing statistics from the U.S Census Bureau in regards to the decrease of the number of black two parent household, and also with pathos by providing a personal example of her family friend. Morgan is hoping to improve the music industry by examining hip hop and rap lyrics in order to raise awareness instead of censoring the industry. Morgan's tone is disdainful, concerned and disappointed in order to establish credibility with her audience, which consist of women of color, feminist, and hip hop artist.
In Karen Russell 's short story, “St. Lucy 's Home for Girls Raised by Wolves”, she takes the character Claudette on a journey from a barbaric, careless wolf to a independent, determined girl. Claudette is the narrator of this short story. She and her pack start off in the woods, where they lived all their lives, the nuns in the home use the handbook to take them from the woods and teach them to be civilized humans. Claudette goes through this journey, trying her best, for if she cannot become human, she will have nowhere to go. The nuns split the girls learning process into 5 stages, each one filled with new things.
t Lucy’s Home for Girls is a safe haven for werewolf girls to learn how to change into better humans through a curriculum taught by the home’s nuns. Claudette, a student at St Lucy's Home For Girls, follows the nun’s curriculum closely, but sometimes she strays from it. This short story written by Karen Russell follows three werewolf girls as they learn about and adapt to their new way of living as humans, all of them heading in separate directions. In the beginning of Claudette’s journey, everything is new and different. She shortly learns that hard work is crucial to adapt to her new way of life and that from that point onward the stakes will be high.
Alison Bechdel’s “Fun Home: A Family Tragicomic” is an enthralling memoir about a young girl’s peculiar childhood, which involved her family’s funeral business, infatuating trips, family turmoil, solitude, and her befuddling relationship with her masterful artificer of a father; in which similarities ranged from obsessive compulsive disorders and literature to sexuality. The most profound being homosexuality. Bechdel utilized duo-specific, speech bubbles, as well as, subject-to-subject paneling to illustrate the complex father-daughter relationship where Alison and Bruce Bechdel perpetually attempted to compensate for each other’s eccentric gender behaviors. Initially, both Bechdals yearned for different genders, imposing expected behaviors upon the other.
The coming of age of a person could be at the age of twelve, or twenty, or forty – it all depends on each person’s ability to reach a certain level of maturity – not necessarily meaning when one is independent, but rather when one seems sensible and reliable. In terms of maturity, humans have different levels of development some mature faster, while others develop quite gradually. Most of the time, the experiences that one goes through determines the speed of the rate of the maturity of that person because past experiences affect the way that we make decisions that benefit ourselves, and the people around us. Louise Erdrich’s The Round House is a coming-of-age story about Joe Coutts, a thirteen-year-old Native American, who is thrust into adulthood
Alison and Bruce’s individual analysis shows contrast between the daughter and her queer father that carries significance that shines light on their complicated relationship before he got hit by a truck. As a young girl, Alison didn’t understand why her father did the things he did. Often, she would sit back and watch her father as he worked hard on the interior design of their home. On occasion, her father would make her and her brothers help him move items around.
The market is saturated with memoirs written in prose. Alison Bechdel, however, puts a spin on the dysfunctional family memoir in her graphic novel Fun Home: A Family Tragicomic. By using the graphic novel narrative form, Bechdel tells the tale of her family tragedy through words and graphic images. Fun Home tells the story of young Alison’s life of dysfunction with a father who is a closeted gay man, a family that lives in isolation and her own struggle with anxiety and OCD. The chapter “The Canary-Colored Caravan of Death” focuses on her father’s death by suicide, and her own isolation and mental struggles.
Maus and Fun Home both use the medium of comics to tell very personal and delicate stories. Art Spiegelman uses Maus to tell the moving and emotional story of his father’s survival of the Holocaust; Alison Bechdel uses Fun Home to tell the story of her father’s death and the exploration of her identity. Although both texts are different in many ways, the both use the comic medium to portray an outsider experience. While Spiegelman uses the medium to construct an animal hierarchy and Bechdel uses the medium to combine multiple moments in her life into one story, both authors use pictorial detail to shed light on the outsider experience they are each trying to portray.
In “Birthday Party,” Katharine Brush’s purpose for writing the short story was to reveal how something that is good can go so wrong. She also demonstrates how some things are not what they seem. Especially in the situation that she wrote. Her purpose from the beginning to end is demonstrated by the use of literary devices. Brush begins by describing the scenario, she states, “They sat on the banquette opposite us.”
Doll’s House by Henrik Ibsen was highly criticized for undeniably demonstrating woman’s issues in the 19th century. While the play doesn’t change setting much at all, Ibsen clearly focuses in on the characterization of three insightful characters: Mrs. Linde, Nora, and Helmer. Mrs. Linde is a minor character; however, that doesn’t alter her effect on the play. She provides the mold for the perfect, idealized wife. Nora, the main character, develops rapidly in the play, and her character is a stark contrast to Mrs. Linde.
A man is more likely to maintain their composure over a woman in a crisis because they are more capable and secure. Or are they? A widely held belief that is anchored to fit the oversimplified image of what a group of people or one individual person or object is- or should be- is called a stereotype. In the story The Dinner Party by Mona Gardner, a controversial conversation arose between a young girl and a highly-respected colonel in the 1940s, in India. The guests at the elegant dinner party, were comprised of many government officials and their wives.
The Dinner Party Gender doesn’t define who you are and how you act. Men think they are invincible and it sometimes leads them on to say bold things. In “The Dinner Party”, by Mona Gardner the story takes place in India around the time period of 1940’s . During this time, society pushes the perspective of women in a negative way. Among the many guests there was a young girl and a high ranking colonel.
Henrik Ibsen’s A Doll’s House is a play set in 19th century Norway, when women’s rights were restricted and social appearance was more important than equality and true identity. In A Doll’s House, Nora represents 19th century women entrapped by society to fulfill wifely and motherly obligations, unable to articulate or express their own feelings and desires. Ibsen uses Nora’s characterization, developed through her interactions with others as well as her personal deliberations and independent actions, language and structure in order to portray Nora’s movement from dependence to independence, gaining sovereignty from the control of her selfish husband, deceitful marriage and the strict social guidelines of morality in 19th century Norway. Initially, Nora appears to be a dependent, naïve, and childlike character; yet, as the play unfolds, she appears to be a strong, independent woman who is willing to make sacrifices for those she cares about as well as herself.
