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Something that could get just about any gunsmith in trouble is taking a firearm apart that they cannot put back together. When this happens, extra time must be afforded to research and learn how to fix the mistakes. Time is money and this delay will surely cost, but hopefully there isn’t the cost of replacement parts. In this weeks assigned article Chick Blood attempts to give us as gunsmiths a “heads up” about the Ruger scout rifle. For those that are unfamiliar with the Scout Rifle this article teaches some tips and tricks to be able to properly break down the rifles action and how it differs from other Model 77 style guns.
Rhetorical Analysis: I Know Why the Caged Bird Sings In her memoir, I Know Why the Caged Bird Sings Maya Angelo commemorates and admires strong independent black women and strives to become a well-educated woman herself. Through the use of visual imagery, Angelou describes Mrs. Flowers as a refined black woman to convey to the audience a feeling of pride and recognition for all sophisticated black women and a sense of empathy for Maya. Maya compares Mrs. Flowers to the “women in English novels” who had the luxury to sit “in front of roaring fireplaces” and drink “tea incessantly from silver trays” (93). The visual description of the “fireplace” and “tea” demonstrates to the reader the value that white women have in this society.
Pigott incorporates, “A body is not something to be tamed or moulded (80),” to exhibit her meaning, which is that one’s body can only be controlled to a certain extent, but one should embrace their body; whatever one may look like is unique to themselves. Pigott includes this after her opinion of how Africa’s image of a perfect body is accurate because she is telling the reader that the African society, particularly women, eats freely and they embrace their fat which has turned into the ideal image of a women. This emphasizes how distant the views are in Africa relative to the Pigott’s home to the reader. The third example of a rhetorical device is the use of a hyperbole. “They had no hips (80),” is stated to show the reader how rapidly her views of an ideal woman are changing to adapt to those of a Gambian woman.
After reading “Why Looks Are the Last Bastion of Discrimination” by Deborah L. Rhode and “The Makeup Tax” by Olga Khazan, both readings focus on the concerns of appearance discrimination. Appearance discrimination can be validated, yet it cannot. For instance, it is valid to appearance discriminate an individual when an employer is interviewing him or her because it is the first quality employers examine. An employer is often likely to not hire an individual if he or she comes into the interview wearing informal attire, in contrast to an individual showing up to the interview with formal clothing. Nonetheless, it is not okay to validate appearance discrimination when it comes to an individual’s weight.
Ideas of what beauty should be are a simple influence by the media. These ideals can be a simple commercial that projects the image of beauty as thin, certain skin type, and hair length. A lasting impression is made on all who view these images. Fiji was once unbiased as to weight and outward appearance of others. The women would greet each other without remarks or negative tone toward one another.
Ethnic stereotypes operate in the same ways for men and women. In the reading “ Being WEIRD: How Culture Shapes the Mind,” Ethan Watters mentions how culture shapes the way of thinking and perception. “The most interesting thing about cultures…they mold out most fundamental conscious and unconscious thinking and perception. ”(Watters 496). This shows how culture is not just about the materialistic things, but how it influence’s ones thinking and judgment in general.
This constant fixation on physical perfection has created unreasonable beauty standards for women, ones we cannot possibly achieve on our own. Such standards permeate all forms of popular media, particularly fashion magazines and advertisements. Women are bombarded with the notion that we must be thin in order to be desirable. These images project an
Every individual cares about how they appear to others; their shape and in this informal, narrative essay titled Chicken-Hips, Canadian journalist and producer Catherine Pigott tells her story on her trip to Gambia and her body appearance. In this compelling essay the thesis is implicit and the implied thesis is about how women are judged differently on their appearance in different parts of the world, as various cultures and individuals have a different perception on what ideal beauty is. In this essay Pigott writes about her trip to Africa specifically Gambia and how upon arriving there she was judged to be too slim for a woman. She goes on to write about how she would be judged differently back home by mentioning “in my county we deny ourselves
With the use of these symbols, the author showed how the unfair treatment of women at the time, made it difficult for women to secede and break free from their husbands in the 20th century. Mrs. Hale and Mrs. Peters found Mrs. Wright’s cage and pondered about whether or not she had a bird. Mrs. Hale said, “Maybe she did. She used to sing really pretty well herself.” The singing bird resembles Minnie Foster, caught in Mrs. Wrights cage, surrounded by an atmosphere that represents her miserable life, caged up by her husband, the one who has leverage over her joy, restricting her from blooming.
“In the past, eating disorders were generally considered to be confined to young white females from middle-to-upper class families living in Western societies” (Caradas 112). Both studies exploit the false stereotypes associated with eating disorders and culture. Both parties believe that non Western cultures are being influenced by the “slim is beautiful” idea. Each view points out the false misconception that non Western cultures traditional ideas of being thick is related to health is protecting them from eating disorders. Studies prove all ethnicities have shown concern towards body shape and eating attitudes in recent years around the
Reading Response: “Some Could Suckle over Their Shoulder In historian Jennifer L. Morgan’s article, “Some Could Suckle over Their Shoulder” complies journal entries from various European explorers dating from the sixteenth to eighteenth century, and argues that the authors of these journal “ represented African women’s bodies and sexual behavior to distinguish Africans women from European women”(25). European explorers commonly described the Native American and African women encountered as savage, beastly, and monstrous. The European dairy entries also make note of preconceived notation of the African women sexual behaviors noting that they are strange (shameful), animalistic, and hypersexual.
The speaker was shocked and immediately offended as it was clear that her roommate had already assumed who she was and what her life must of been like just by the looks of Chimamanda ethnicity. Her roomate supposed that she was not capable of doing simple things such as using a stove or speaking english, and also asked to listen to what she called, her “tribal music.” As Chimamanda said…”She had felt sorry for me even before she saw me.” Her roommate 's intentions were not to offend Adichie, but she did wrong by marginalizing Chimamanda under the little knowledge she knew about Africa. “My roomate had a single story of Africa: A single story of catastrophe.
Antoinette lacks an identity, not only in the hands of her husband who reduces her personality and changes her name, but also in the eyes of everybody else. She is a puppet, something that belongs to the hands that are holding it; she is what the people think she is and belongs to nowhere. She is trapped in her “own Sargasso Sea”, trapped between two worlds, Europe and Jamaica, but without belonging to any of them. She cannot form her personal identity, but on the contrary “Rhys suggests that so intimate a thing as personal and human identity might be determined by the politics of imperialism” (Chakravorty Spiva, 250), therefore, although Antoinette wishes to become English, it is something she cannot control because there are so many prejudices attached to her Creole condition.
The corset became the height of fashion, symbolizing a woman’s domestic. That hourglass ideology continues into the 1950’s, Marilyn Monroe who flaunted a small waist and wide hips. Fifty years later, curves are out of fashion, instead, men and women alike are expected flaunt a skinny and fit body, with a small hip-to-waist ratio. With so many different ideal body types, why do people all over the continent want to fit just one stereotype? Why do men and women are fixating on their flaws?
Growing up with an african family was interesting to say the least, my mother and father always cooking, Liberian films, music, and stories. I loved the stories of my culture no matter how ridiculous they were. With stories ranging from snake holy water, to police refusing to work unless you bribed them, and my mother 's long running physic scam, I was always intrigued. My mother and i being the fabulous people that we are were watching, a fashion week live stream, when she yelled chofee ku, which if you don’t know means robber. And she was right, what we saw was horrifying.