Ghidorah, the Three-Headed Monster (Ishiro Honda, 1964) 1964 was the year that Toho decided to shift the kaiju genre 's focus from adults to children, stripping the films from much of their depth and largely turning them into wrestling matches among actors with monster suits. This particularly film though, remains one of the best entries in the category, particularly due to its cast that featured Takashi Shimura, who played in Akira Kurosawa 's "Ikiru" and Eiji Okada, from Hiroshi Teshigahara 's "Woman in the Dunes". This time the plot involves Princess Selina, who is saved from an assassination attempt by police detective Shindo. The Princess also prophecies disasters to come, which after a while become true, as a meteorite that had previously crashed on Earth, is revealed to be an egg that hatches into King Ghidorah.
Juxtaposition The movie I watched was Edward Scissorhands, Directed by Tim Burton, Produced by Denise Di Novi and Tim Burton, Screenplay by Caroline Thompson Starring Johnny Depp and Winona Ryder. The movie starts with an old woman telling her granddaughter a story about a boy named Edward who has scissors for hands. His childhood was sad because he was made by a creator that died when he was very young therefore he grew up alone When he gets older, an older woman finds him and welcomes him to her home where her family of four happily reside. Later on he starts developing feeling for her daughter who is approximately his age even though she was afraid of him in the beginning.
Individualism is consistently a difficult challenge to achieve. In the movie Edward Scissorhand, by Tim Burton, the author demonstrates society’s impact on personalities, aiming to normalize everyone. First, Kim shows her gradual affection for Edward through the plot, however, repeatedly feels pressured to love Jim and second, Edward’s physical and mental outlook is changed by his new neighbours in society to fit in better. In communities, society pressures each civilian to follow an expected norm.
In Tim Burton’s fantasy entitled Edward Scissorhands, he suggests that the pursuit of conformity and the inability to accommodate differences in them can result in the loss of personal identity and loss of bonds. He conveys this idea through low-key lighting, framing/angles, and non-diegetic sounds. Burton’s purpose is to criticize social norms to make people reflect on their actions and encourage acceptance. He adopts a thoughtful tone for young adults struggling to find who they are in order to provide them with a more genuine feeling.
The unknown is often associated with danger because of society. Tim Burton would argue that the abnormal could often be the uttermost significant in life. Through color contrast and physically abnormal characters, Burton displays in his films that society wrongly teaches people to fear the unknown. Burton uses color contrast to show the isolation and the unknown of the outcast characters in his films. For instance, in Edward Scissorhands, Edward was introduced when Peg found him sitting in a corner all alone.
Throughout the development of one’s life, it is imperative that individuals are exposed to new experiences so that they may learn and adapt through the act of self reflection. In the film Edward Scissorhands, directed by Tim Burton, it is evident that Edward Scissorhands lacks the experience of human contact and acceptance throughout childhood. This is displayed when he attempts to combat and overcome his isolation by exploring new emotions and by bringing forth his differences to the conformed town. Edward ultimately comes to terms with his diversity which becomes influential to others as his differences allow others to find their own individuality. When Edward Scissorhands is first introduced to the neighbourhood there is a visible distinction
Many people believe that Tim Burton is the most unique director of our time. By using cinematic techniques he points out the isolated character in the movie and shows how different they are than everyone else. Although it is consistent that these protagonist characters never fit in, what does vary is their desire to do so and many people argue that this reflects Burton himself. In Charlie and the Chocolate Factory and Edward Scissor Hands directed by Tim Burton, the use of a wishful protagonist and exaggerated characters conveys that no one should change who you are to meet society's expectations.
The societal issue reflected in Tim Burton’s ‘Edward Scissorhands’ concerns conformity to what society deems normal. Expectations of conformity to society remains an influential factor to individuals and is highly reminiscent of concepts from slightly older gothic eras such as in the 19th and 20th centuries where these values were strongly upheld. People who do not conform to commonly held expectations and beliefs often isolate themselves and sometimes are rejected from the community. This concept was represented throughout Tim Burton’s ‘Edward Scissorhands’ through the narrative of the movie, consisting of Edward trying to adjust and assimilate into an unfamiliar society and way of life with the help of the saleswoman who found him in the
Throughout his life in making films, Tim Burton has shown his unique talent and vision. He proceeds taking advantage of the cinematic techniques; lighting, sound, and camera movements creating a certain mood/tone. These three techniques are used numerous of times for the duration of each film. Although, many various emotions are constructed, there are feelings that anyone may connect to. Tim Burton is a successful filmmaker and has inspired many with the use of his cinematic techniques.
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.
Psychoanalysis of Frankenstein and His Creation When doing a literary analysis using the psychoanalytic type A criticism, the reader must solely look to the work itself and exclude externalities. One may interpret, “Dr. Frankenstein and the monster as embodying Sigmund Freud’s theory of id and ego” (Telgen). The basis of this theory is the idea that a character’s personality can be divided into three parts. The id which is the basic desire for what each person wants. The superego, which is the opposite of id, it houses our sense of guilt.
Psychoanalysis of Frankenstein and His Creation When doing a literary analysis using the psychoanalytic type A criticism, the reader must solely look to the work itself and exclude externalities. One may interpret, “Dr. Frankenstein and the monster as embodying Sigmund Freud’s theory of id and ego” (Telgen). The theory is based upon the idea that a character’s personality can be divided into three parts. The id which is the basic desire for what each person wants. The superego which is the opposite of id, it houses our sense of guilt.
Tim Burton is one of the best directors to date. His ability to intertwine creepiness themes and tones into plots and the characters and still maintain the necessities to watch an enjoyable is unimaginable. Edward Scissorhands and Charlie and the Chocolate Factory are both adequately produced movie that show Tim Burton’s prodigal filmmaking abilities. The thematic elements are vivid and applicable to the scene to put actors and even the audience under suspense and eager to know their
Tim Burton uses camera movements, camera angles, and sound in Big Fish, Edward Scissorhands, and Charlie and the Chocolate Factory to create the right mood for the audience to feel. Creating the right mood allows the audience to connect to the movie and to be intrigued by the movie. In Edward Scissorhands, Burton uses camera movements to create a sad mood. In a flashback, the camera moves with the inventor, who made Edward, as he takes Edward's hands out of a box and walks over to Edward before he dies, without getting to put Edward's real hands on.
Tim Burton uses many different cinematic techniques to achieve very specific effects in his movies. The most important cinematic techniques that he uses to create his unique style are Non-Diegetic sound, lighting, eye level, and zoom. These techniques that can be seen in the films Charlie and the Chocolate Factory, Edward Scissorhands, and Corpse Bride, create the effects of sadness, dark moments, express the feeling of other without telling. He uses Non-Diegetic sound when he puts a song, he uses sad songs, happy songs, and more to show the feeling of the character, to give us like a hint of something that is going to happen, if it’s going to be bad or sad. He uses lighting to make the moment or scene sad or mysterious.
