More handpicked essays just for you.
The implication of conformity on society and the individual
Social commentary on edward scissorhands
The implication of conformity on society and the individual
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Do you believe the creature in Gris Grimly 's Frankenstein is human? Yes, this creature was created with human parts and behaved like a human. The only thing is that this creature was created in a laboratory like a science experiment. This creature did some good and some bad and behaved like a human. After all I believe the creature is human.
The unknown is often associated with danger because of society. Tim Burton would argue that the abnormal could often be the uttermost significant in life. Through color contrast and physically abnormal characters, Burton displays in his films that society wrongly teaches people to fear the unknown. Burton uses color contrast to show the isolation and the unknown of the outcast characters in his films. For instance, in Edward Scissorhands, Edward was introduced when Peg found him sitting in a corner all alone.
If people cannot think of their bond to mankind, the actions of a few are at risk of harming many. Within the community, no one knows each other; they are all confined to their individual lives, with little to no concern for others. When in Rear Window the dog is killed, its owner chastises the people in the apartment
The nature of conformity and individualism in Fahrenheit 451 is different compared to each other. Conformity is how everyone is in the novel while individualism is only shown outside of society. The true nature of conformity is that everyone is created equally while individualism shows what a real person is. In the novel, Montag was a character that was affected by conformity and individualism since he was once conformed in society, but then soon became an individual himself. Conformity and Individualism are polar opposites and that everyone should be unique in their own way.
Social norms can cause individuals hysteria and make them feel left out which causes them to break apart from society. Both Edgar Allen Poe and Jon Krakauer use different instances of conflict and foreshadowing to achieve a similar idea of the negative aspects of society. Society can cause individuals to think differently and cause them to make decisions whether they are good or bad. Edgar Allen Poe and Jon Krakauer illustrate internal conflict in differing ways. In his short story, “The Fall of the House of Usher,” Edgar Allen Poe uses conflict to show how Rodrick isolation from society shows his effort to be himself despite living with illnesses.
Mary Shelley, in her book, Frankenstein, has a reoccurring theme of isolation, in which she isolates the main character, Victor Frankenstein, from the rest of society in order to create a creature. Likewise, the creature that is created is also isolated from the rest of society as he is rejected from his creator as to his appearance. The theme is present throughout the novel as it reinforces Victor’s downfall from a normal boy to a grown man intrigued with creating life as he slowly becomes a madman that everyone soon fears. Isolation causes a loss of humanity as it affects the mind and body. Isolation from society does not teach social interaction, causes regret about oneself, provides one with negative feelings, and causes regretful actions.
The moment Victor Frankenstein successfully infuses life into his creation he is overcome with horror and disgust. Without further examination he is certain to have created a monster, not a human being (Shelley 35-36). However, despite his grotesque appearance, Frankenstein’s creature was not born malicious. During the first stages of his existence, unbeknownst to Frankenstein himself, his acts are motivated by innocence and virtue, which even earns him the title “good spirit” (79). Frankenstein did not create a monster.
He disagrees with the society’s way of living and is arrested for it, but he takes a step forward to change it. The author takes on different varieties of tone throughout the story such as gloominess, despair, and joy, which clarify the idea that he disagrees with this society’s
education, however after his experiment, Frankenstein gained real knowledge (Sylvia 20). Failure is a part of maturing and gaining greater knowledge of a subject is a part of enlightening. Through failure Frankenstein realized that his job is not to create life, and that through seeking the secrets of life, he ultimately got himself killed (Frankenstein dies at the end of the book), “You seek for knowledge and wisdom, as I once did; and I ardently hope that the gratification of your wishes may not be a serpent to sting you, as mine has been” (Shelley 22). This goes to show how enlightenment cannot be just experience or just education, there needs to be a proper balance between them.
Duality is shown in Mary Shelly’s Frankenstein, a gothic tale of a scientist whom looks to advance the life-giving qualities of mother nature. Through this novel, Shelley proves that good and evil in human nature is not always simple to define, and that everyone has both of these qualities within them. The duality of human nature is shown through the characters of Victor Frankenstein and his monster, who are both heroes in the novel while simultaneously displaying anti-hero qualities. Shelley forces the reader to sympathize with them both but also creates gruesome ideas of the two. Frankenstein’s creature places himself in a submissive position when he begs his creator to have mercy on him and asking the creator to “create a female for [him] with whom [he] can live in the interchange of those sympathies necessary for [his] being.”
Conformity is something that humans have been doing for a long time. Such conformity has lead to negative outcomes. This idea is explored through “Harrison Bergeron” by Kurt Vonnegut and “The Unknown Citizen” by W.H. Auden. In these two texts conformity eliminates individuality and causes the society to be weakened.
What does director Tim Burton’s Edward Scissorhands and Mary Shelley’s Frankenstein (1994), directed by Kenneth Branagh, have in common— a mutual underlying story; but their differences are what makes their tales all the more special. Edward Scissorhands is a retelling of Frankenstein, but with a slight twist. In Edward’s case instead of lacking companionship like Frankenstein’s monster, he lacks hands; and is received rather well by the surrounding community. Ironically, in both tales the characters share the same desire to be love; this ignites the question – why do humans want to be love? Are we only important as we are loved?
Victor Frankenstein is selfish. The novel portrays Victor as a selfish character who is only concerned about his own well-being. Frankenstein wanted to manipulate the power of life. He abandons his creation because of the creature’s appearance and also withholds information or lies about his creation. Due to Victor 's selfishness, readers feel sorry for his creation.
In Mary Shelley’s novel, Frankenstein, Frankenstein’s Monster experiences a sense of self-actualization after coming to terms with his “monster” identity. In chapter 13, after Frankenstein’s Monster learns about human history and social norms, he conducted a self-analysis of his current self. He stated, “I possessed no money, no friends, no kind of property. I was, besides, endued with a figure hideously deformed and loathsome”. Moreover, when he “looked around, he saw and heard of none like [himself].
The creature, Victor Frankenstein’s creation, had to suffer and tolerate life without care, love, or identity. The creature was never given a name because Victor didn’t want his monster to become more human-like. It can reinforce that the creature is property, and not a human being that is loved and cared for. Names are important for everyone because it is the easiest way to have self-identity. The creature never received a Christian name throughout the story.
