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Fun home a family tragicomic analysis
Fun home a family tragicomic analysis
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One will eventually come across the day where they are able to figure out who they truly are as a person. A discovery like this will lead to new chapters of life and start new beginnings. Although finding one 's identity can be difficult to understand and accept, it is crucial in life to discover oneself. In the novel Speak by Laurie Halse Anderson, a teenage girl, who had to overcome and deal with an awful tragedy, takes readers on the long journey she walked before finding meaning and value in who she is as a person.
Janie’s story was used as an example of a story of self-discovery of identity. Janie went on a journey to find true love and during her journey, she had many challenges, like her relationship with Logan and Joe, that ultimately allowed her to discover herself. She discovered that she has the strength and resilience to assert her own identity. Ultimately she found true love in the form of Tea Cake but her journey to finding Tea Cake is what led her to find her identity. The idea that personal growth and empowerment often result from overcoming challenges and obstacles on the path to achieving one's dreams is a universal concept that holds true everywhere.
Fun Home is a graphic novel containing both comedy and tragedy portraying the childhood of the author, Alison Bechdel. Each panel and detail in her book was carefully drawn out and created with precision. Every emotion expressed, color used, and word said was drawn in for a reason Bechdel had in mind. Making everything in her graphic novel intertwine with one another, colors match with characters and emotions mixed in with the setting. If any part were to be altered or removed, several panels would not convey the same sentiment, therefore affecting a whole chapter and consequently, the tragicomedy itself.
It’s also her last year of high school and HSC year to add to everything else. Marchetta has created an individual representation in Josephine Alibrandi, finding her way, engaging the audience through the author’s construction of plot and teenage issues. Marchetta raises family and questions traditional ideas of what an ideal home life is. The book presents us many versions of family relationships; while are healthy (although still passionate that of Josie and Christina) the novel grasps fractured relationships.
Alison Bechdel composed Fun Home from personal memories to depict the effects of an absence of ethical codes and values during the early stages of life. In her novel, Alison portrays her parents by outlining their personalities with criticizing descriptions, next reproducing their actions through her personal reactions- exaggerating the experience to express the process in which Alison developed a personal set of values and ethical codes. Alison Bechdel appears to describe her family’s ethical code as an idea that leans further toward the side of no code than toward the side of a one. An ethical code is an agreement with a second individual that is constructed by trust, honesty, equality, and individual rights. However, the type of ethical
An individual’s discoveries and their process of discovering can vary according to social context and values. This is evident through different experiences of discovery within Jane Harrison’s ‘Rainbows End’ and Gwen Harwood’s ‘Father & Child.’ Harrison and Harwood present Gladys and Dolly from Rainbows End and the child and father from Father and Child to discover individual growth in themselves with the use of characterisation and various other language techniques. Both texts reflect on a feminine and a father and child context.
The author conveyed this message through her memoir using her childhood experiences and her life now as a grown adult. Her childhood
Alison Bechdel’s graphic memoir, Fun Home, is more than a detailing of her early life. Rather, it is an exploration of her home life, her family relations, and of being queer in a heteronormative setting, which, in retrospect, is further complicated and sometimes overshadowed by her father’s own queerness. The use of queer time and space, concepts articulated by Judith Halberstam in A Queer Time and Place: Transgender Bodies, Subcultural Lives, are used to vastly different ends by Alison and her father. While Alison grows into a queer setting and allows it to take root in her life, Bruce Bechdel is gradually undone by the choices he makes in relation to his secret queerness. In Fun Home, queer time and space prove to be as constructive or destructive as their occupants make it, especially in relation to Alison and Bruce.
While reading the story, you can tell in the narrators’ tone that she feels rejected and excluded. She is not happy and I’m sure, just like her family, she wonders “why her?” She is rejected and never accepted for who she really is. She is different. She’s not like anyone else
Alison Bechdel’s memoir, Fun Home, is a compelling narrative in which Bechdel takes the reader through her life and gives insight into her relationship and the complex lifestyle her closeted homosexual father, Bruce Bechdel. However, her serious topic is told through the narrative of comics, images that literally put the readers into the moments of her life with her. Even though, the graphic images provide visual insight, Bechdel makes a conscious decision to include a multitude of literary allusions because, as Bechdel describes, “I employ these allusions to James and Fitzgerald not only as descriptive devices, but because my parent’s are most real to me in fictional terms.” (Bechdel, Page 67) Her continued use of literary allusions can be
Throughout history, women of all varieties have been repeatedly tyrannized by their male counterparts, unable to advocate for themselves and misguided to believe that they are to figuratively linger under the thumb of their partner. This notion is one largely illustrated in the film at hand; Gone Girl. Amy is a woman who, throughout her life, abided by her friends, family and even the world to be the person they forged her to be. Growing up, Amy was known to the world as “Amazing Amy”; a character in a book based on Amy that was written by her parents that illustrated the illustrious life of a young woman. The sole difference was; “Amazing Amy” was purely a list of shortcomings Amy has faced in her childhood.
When you’re young, you’re carefree and happy, sometimes you lose that personality trait but sometimes you keep it. In this instance a girl would love to be happy but she is so busy with living and surviving on her own that she forgets to have fun once in awhile. This although did not stop her curiosity, this trait unexpectedly brings the excitement of danger into her bland and simple life. Evelyn was a teen who’s experienced her fair share of tragedy.
Her personal experience is socially and theoretically constructed and emotions play an essential role in the process of identity formation. Her identity is not fixed, which is portrayed by inquisitiveness that her own mother and Aunt thought she was possessed, enhanced and made this story an enriching experience. The family is the first agent of socialization, as the story illustrates, even the most basic of human activities are learned and through socialization people
This because she is a capricious protagonist who can be perceived as utterly, unstable and unreliable. In one passage she cries and feels pity for herself, and in the following she expresses maternal compassion and care for others. Alice’s constant changes in size are puzzling for her. She seems to struggle in order to comprehend her identity, but the various oscillations in size and in life phases cause considerable confusion on her. The concept of identity can be also associated to an adolescent’s socio-emotional development.
In a sense, the play is a tragedy of the traditional society. It is a tragedy for the society represented by Torvald because that society had been confidently dealing with women in that manner which it regarded as correct and just. Now that a woman has suddenly given it a blow at almost its bases — the religion, traditional values, education, the institution of marriage, and so on — the society is facing a crisis, or a tragedy. If all the women, who are of course treated no better than this, do the same, the whole of the social system would collapse. And the impact would be basically the tragic destruction of the man's basis of happiness.