In the nonfiction novel, “Midnight in the Garden of Good and Evil,” American author, John Berendt, gives his account of a 1981 murder case that took place in Savannah, Georgia. Even though during the 1980s, United States as a whole is heading towards prosperity as the Cold War ends in 1981, he repeatedly touches back on the undercurrent southern racism. Berendt draws a vivid picture of Southern Gothic weirdness to convey, using real life occurrences and characters, the idea of what kind of people exist in the community to readers of all places. The writer uses rhetorical devices such as description, foreshadowing, and dysphemism to successfully depict the occurrences in suspenseful yet humorous tone.
Through his candid and authentic account of his growing up in Southie, MacDonald draws the reader in and conveys his credibleness as a source of an unbiased narrative. MacDonald takes an unequivocal approach to telling his story in which he does not paint himself, his neighbors, or his family as either sinners or saints. While he does compose reverent portraits of the people of Southie, he also exposes their involvement in the unsavory side of Southie. MacDonald conveys his admiration for his neighbors and family in Southie while disclosing their involvement in the race riots, drug epidemic, mass violence, and Whitey Bulger’s Irish mob. A poignant example such duality in MacDonald’s retelling is his profile of his
Her article discusses that even in the early 20th century the British Columbia penitentiary advised that white prisoners should associate as little as possible with Indians and Half-breeds (Minister of Justice, 2895:113, as cited in Chartrand, 2019). She traces back to the colonial era and explains that Indigenous people were punished and imprisoned for resisting the rules. She argues that we need to address the issues within the Canadian penitentiary system there is a need for decolonization. Decolonization allows for the restoration of colonized groups whose power was stolen. Decolonization in the prison system is an important step to reducing systemic racism and can produce fairer outcomes for Indigenous people (Korchak, 2017).
“Execution” by Edward Hirsch is about an adult recollecting his thoughts about his high school football career and especially how his coach inspired him because his authoritative role model was battling cancer. The speaker talks about the coach’s goal for “perfect execution” and the infinite strategies the coach would draw up in order to reach his goal. The speaker concludes with their team’s loss against “the downstate team” and how they were ironically defeated by “perfect execution.” A superficial reader might assume that the poem was about the disappointing results that came from his team working hard to reach a goal, but the author’s use of impersonal tone and irony in the fact that their team’s loss is caused by “perfect execution” shows how a strong force can be conquered even when putting your best foot forward when accepting a challenge. Have you ever been a part of a team that seemed invincible and you lost?
The strengths of this article, looks at the systemic abuse of executed Black ladies from the soonest times of American history. The steadiest consider Black female executions all through U.S. history is criminal equity experts ' executions of Black ladies to a great extent for testing gendered and bigot misuse. Provincial and prior to the war bondage regulated the abuse of slave ladies, who regularly struck back against severe fierceness by murdering White bosses. White lynch crowds viably expanded the legitimate murdering of Black ladies in postbellum society and brought down Black female execution rates. Decreased to a peonage state in the politically-sanctioned racial segregation of Jim Crow, Black ladies ' violations of resistance against White mercilessness paralleled those of slave ladies’ decades prior.
The criminal justice system is utilized as a means to maintain oppression of Black people even after slavery was abolished. Through minor offenses and possession of even small amounts of drugs, Black people are often subjected to long periods of incarceration. This serves as a way to enforce labor without slavery. The documentary aims to highlight the fact that the legacy of slavery and racial oppression continues to exist in the United States through the criminal justice system. According to Owusu-Bempah and Wortley's "Race, Crime, and Criminal Justice in Canada," “Aboriginal and black Canadians, are grossly overrepresented in Canada’s correctional institutions.
The majority of adults today remember exactly where they were and what they were doing on September 11th, 2001. Billy Collins is a contemporary, American poet who was asked to write an occasional poem for the first anniversary of 9/11, by congress. Afraid that declining this invitation would damage his career, he accepted this great honor, in order to pay tribute to the victims from the fall of the Twin Towers. Collins awake early on morning and started to write the poem. He titled the elegy, “The Names,” which voices the honest truth for the victims of the attacks on World Trade Center in New York on September 11th, 2001.
In the 21st century, during a period of racial injustice, political activist for African Americans, Ta-Nehisi Coates, presented “Letter to My Son” in which he outlines how America’s racist history has created a government system that oppresses and destroys the black community. In an attempt to support his claim, Coates compares Black bodies to vital aspects of slavery in an effort to remind the reader of ongoing, persistent, continuous exploitation of Black bodies. In fact, the misuse and abuse of African American bodies occurred so frequently, that it managed to become woven into the fabric of American heritage. Coates’s underlying purpose is to explain the innate cruelty the United States and its legacy of abusing bodies, especially black ones.
Thus, The African-American, who is humiliated and degraded in the racial community becomes a man who is losing contact with external world while the external world is nothing but a world that cannot possibly interact with the African-American's own world. But while Hughes’s poetry reflects his pride and acceptance of his black origins, McKay’s works reflect his rejection of his blackness. Furthermore, the two poets employed their poetry in order to provide a solution for the African-American’s problem of estrangement and identity crisis. McKay’s and Hughes’ depiction of the problem of the mulattoes as well as their estrangement in the American society stems from the background and the early life of the two poets. A close reading
Poetry Analysis Once the poem “History Lesson” was written numerous poetry foundations celebrated it for many reasons. “History Lesson” not only makes an impact on literature today it has also impacted people also. This poem inspires people and moves them to the point to where they can find a personal connection to the poem itself and to the writer. Not only does it hold emotional value for those who were victimized and those whose family were victimized by the laws of segregation, but the poem is also celebrated for its complexity. The poem uses many techniques to appeal to the reader.
The Mayhem Poets Review To successfully entertain college students is a glorious feat. It is hard to capture their attention with technology and social events distracting them. However, on January 28, The Mayhem Poets were able to amuse their crowd at Schwab Auditorium. Scott Raven, Mason Granger, and Mikumari Caiyhe (M.C.) connected to their audience through spoken word, song, poems, and acting.
McKay begins the poem by stating that the Black population is under attack by “mad and hungry dogs” that “mock at our accurséd lot”, but asserts that although they are “hunted and penned” like “hogs”, they
David Dabydeen’s Turner, is a postcolonial response to the authors of colonial atrocities. Dabydeen attempts to convey within his poem a society haunted by the injustices of the past which have been denied recognition and redemption from the prosecutors and historians themselves. Drawing on theoretical concepts of postcolonialism, hauntology and mid-mourning, Dabydeen’s Turner, attempts to highlight the agony and powerlessness of those who were, currently, and will soon be subject to, to overcome the curse of past injustices. Focusing on the physical and psychological marks the colonial project placed and continues to place on the body and psyche of the drowned slave, the narrative of agency being gained through death is problematize. As summarized by Steph Craps, David Dabydeen’s Turner, is essentially a poem which brings to the attention to the reader the immortal presence of past injustices.
Rina Morooka Mr Valera Language Arts Compare and Contrast essay on “The poet’s obligation”, “When I have fears that I may cease to be”, and “In my craft of sullen art” The three poems, “The poet’s obligation” by Neruda, “when I have fears that I may cease to be” by Keats, and “In my craft of sullen art” by Thomas, all share the similarity that they describe poets’ relationships with their poems. However, the three speakers in the three poems shared different views on their poetry; the speaker in Neruda’s poem believes that his poems which were born out of him stored creativity to people who lead busy and tiring life, and are in need of creativity, while the speaker in Keats’ poem believes that his poems are like tools to write down what
This way of taking somebodies life occurred often in the South. Being in the Deep South was extremely dangerous and frightening for anyone with black colored skin, whites had such hatred and aggression. McKay’s poem reflects on American culture during the time by showing how people had
