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The Quiet Man Film Analysis

1877 Words8 Pages

Throughout the career of writer and director Jim Sheridan, there has been a significant change to not only Irish-made films but those directed by Irish individuals as well. Sheridan has attempted to maintain a realistic balance of both local and global expectations of “Irish Films.” Mr. Sheridan has helped move Ireland away from the many stereotypes found in films about or even set in the country. One of the lasting films in Ireland was director John Ford’s The Quiet Man. The Quiet Man plays on stereotypes in order to progress the story which isn’t necessarily bad as it can appeal to a wider and more international audience. The success of filmmakers is told through the setting, themes, characters and how the reception of the film was take …show more content…

A fantastic example of one of Sheridan’s successful films, was In America, released to the public in 2002. Since its release the film has received a 7.8/10 on the International Movie Database (IMDB) and grossed approximately $15.5 million in the United States (US) alone. If the film wasn’t able to maintain the balance of local and global expectations it would be hard to say that it would have done better. Another factor working in favor of Sheridan is the image/reputation that he has created over the years. User reviews on IMDB speak to this stating “Jim Sheridan has always been a tremendous filmmaker and with “In America” he has become a wonderful storyteller,” (David Ferguson). Additional works of Sheridan include one of his earlier films “In the Name of the Father,” released in 1993. Sheridan’s film used a theme that was a bit localized but still appealed to a wide audiences, the film focused on the “Troubles” of Northern Ireland but it didn’t seem to change the audiences view on the piece. On IMDb the film currently has a rating of 8.1/10, and the film made approximately $25 million in the US alone, making the cumulative gross about $40.7 million. Well made Irish films appeal to US audiences as many americans can relate to the concepts found in the films. Not only has Sheridan established a functioning balance for his viewer, he has redefined Irish film as it once

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