Lucille Parkinson McCarthy, author of the article, “A Stranger in Strange Lands: A College Student Writing Across the Curriculum”, conducted an experiment that followed one student over a twenty-one month period, through three separate college classes to record his behavioral changes in response to each of the class’s differences in their writing expectations. The purpose was to provide both student and professor a better understanding of the difficulties a student faces while adjusting to the different social and academic settings of each class. McCarthy chose to enter her study without any sort of hypothesis, therefore allowing herself an opportunity to better understand how each writing assignment related to the class specifically and “what
The first time Connie notices AF is at a restaurant. Connie notices AF staring at her with a wide grin. Some time later AF goes to Connie’s house to take her for a ride. Connie, however, does not want to go for a ride with him. AF tries to be friendly to Connie and shows her the car that he drives.
Once when I was about five, I was alone in my room coloring in my Hot Wheels coloring book. Then as I was picking up the Yellow Crayon, at the corner of my eye, I see a small little shadow just creep my cabinet in front of me. I quickly got up and ran towards my parent’s room with my coloring book, and I looked behind me and I saw that shadow running after me. As I was running, I stumbled over my own foot and fell.
A repetitive notion made in the story, as June is used as a meter to compare Connie too; which naturally, no one would like: “June did this, June did that, she saved money and helped clean the house and cooked and Connie couldn 't do a thing, her mind was all filled with trashy daydreams” (308). Ellie 's character, even as quite as he remains, presents a conflict with Arnold. First when he over steps his boundary with Arnold and asked "You want me to pull out the phone?" (318), then being told by Arnold to "Shut your mouth and keep it shut" (318), only to ask about the phone again. To which Arnold responds with more conflict: "you 're deaf, get a hearing aid, right?
Carol Joyce Oates’ “Where Are You Going Where Have You Been?” presents how falling into temptation leads to giving up control and innocence. Though her mother is unapproving of her actions, Connie spends her time seeking attention from male strangers. Home alone, Connie is approached by a compelling creature who convinces her to leave her life and join him on his unknown journey. Through disapproving her family, having multiple appearances, listening to music, and her desperation to receive attention from boys, Connie gives up control of herself losing the purity of adolescents and contributing to her detrimental fate. It is imperative that one should not be controlled because of a desire to impress others.
The short story “Where Are You Going, Where Have You Been?” was written by the author Joyce Carol Oates in 1966. Oates describes her idea for the story after briefly reading an article about the real-life murderer, Charles Schmid, who lured and murdered three teenage girls (Kirszner & Mandell 523). She uses this idea to create the character, Arnold Friend, and his victim, Connie. Connie is a typical teenage girl portrayed as naïve and self-centered. The short story appears realistic, given that the conflict in the story is based off of real events.
Where Are You Going Where Have You Been? By Joyce Carol Oates Psychoanalytic Criticism Question How are id, ego and superego represented in “Where Are You Going? Where Have You Been?” By Joyce Carol Oates?
Smooth Talk is slightly based on Joyce Carol Oates’ story titled “Where Are You Going, Where Have You Been?” but isn’t as straightforward and frankly gruesome. The story focuses on the 1960’s suburbia from a teenagers perspective. “Where Are You Going, Where Have You Been?” focuses on topics relevant in the 1960’s including the Sexual Revolution. Oates’ focuses on major issues and topics such as feminism, sexual freedom, and adolescent sexuality.
Home is where the heart is, but what if home is no longer safe? Joyce Carol Oates explores this concept in her 1966 short story, “Where Are You Going, Where Have You Been”. On surface level, this story appears to discuss a rebellious young girl named Connie and her confrontation with Arnold Friend, a stalker. The ending leaves the reader to assume that Arnold Friend plans to sexually assault the young girl.
The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates is about a teenage girl named Connie who is in the mist of her adolescent rebellion. She wants to prove her maturity to others and herself. In the story, Oates describes that Connie always lets her mind flow freely in between her daydream. She even creates and keeps dreaming about her ideal male figure in her mind to make her happy and satisfied. Oates allows the reader to step into Connie’s “dream world” through the appearance of Arnold Friend.
Connie’s first encounter with Friend was at a diner when he stated to Connie, “Gonna get you, baby”(pg.1142). Because Connie was use to this type of attention, she did not view it as strange that an older man was calling her in such away. However, if Connie had seen Friend as dangerous instead of just another man, her kidnapping might have been prevented. Later in the story when Friend showed up as Connie’s house, she walked outside and talked to him instead of questioning how he knew where she lived or calling the police. Oates described Connie's interaction with Friend by stating,“Connie liked the way he was dressed, which was the way all of them dressed: tight faded jeans stuffed into black, scuffed boots, a belt that pulled his waist in and showed how lean he was, and a white pullover shirt that was a little soiled and showed the hard muscles of his arms and shoulders”(pg.1145).
In her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.
When I was 12 years old, my mom took my friends and I to the Haunted Hayride. Unfortunately, I had no idea what I was getting myself into. We got onto the hayride and there was a massive horse with a boy riding it who was headless and mean following us for about 2 minutes. For being in Middle School, I was pretty freaked out when we got off the trailer to walk through a corn maze , when then came a guy wearing a mask with a chainsaw chasing us out!!!! It was an exciting and horrid night for my friends and I.
Analyzing Development: “Where is Here?” by Joyce Carol Oates Gothic literature holds an allure that readers and audiences often draw into; its combination of wickedness, mystery, death, and even romance stirs a sensation, a charm no other genre has. Through this charm, Edgar Allan Poe, the "founding voice of American gothic tradition," was able to pioneer interest into many future writers in the American writing industry. Specifically, modern writer Joyce Carol Oates implicated traditional gothic elements from Poe. Using dialogue, diction, and the interaction between characters, Oates carefully establishes the foundations and elements of spookiness into her gothic story—“Where is Here?”
In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.
