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How are women portrayed through literature
Women portrayed in literature
How are women portrayed through literature
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In the story, the main food item is gravy, which is used as a trigger for the narrator to reminisce about their childhood. This connection is made because the narrator’s mother made especially good gravy. The fact that the mother made better gravy than anyone else is a use of pathos,
Audrey Petty uses “Late Night Chitlins with Momma” to express her own close bond with her mother and how it shaped her identity; this is expressed through the narrative style, the diction and syntax, the use of food as a metaphor, and the short story’s structure. Narratively this piece does an incredible job of making the reader feel personally invested in the story. The way Audrey Petty does this is through a multitude of techniques. The point of view is a first person omnipotent, allowing for a closer read to the narrator themselves; the narrative flow is akin to being told the story verbally instead of the traditional 3rd person omnipotence.
Meals in literature often represent something bigger, bringing communities together in a form of communion. However, this is not the case; in The Poisonwood Bible by Barbara Kingsolver, the meals are ironic they help to show discord and strife among the characters of the book. She uses meals to foreshadow future events, reveal the flaws of the characters, and as the book progresses, allows for the reader to see character development. In novel, Kingsolver twists the normal connotation of a meal and makes it ironic in order to demonstrate the discord and strife that is commonplace throughout the book that shows the lack of community between the Prices and those they interact with for most of the book.
“French Fries” by Jane Martin is a monologue that utilizes vivid imagery, both natural and environmental. The main character, Anna-Mae, talks about her love for a popular fast-food chain (McDonald’s), however, while reading, I found the monologue to be more than just a passion for the nationwide restaurant chain. While it is true that the monologue initially appears to only be talking about McDonald’s, upon analyzing further there’s a clear deeper meaning within the speech. Jane Martin’s writing, as well as the envisioned delivery of the monologue by Anna-Mae’s character, uses vivid imagery and metaphors to capture a deeper meaning than the words themselves convey. When introducing the brand to readers and listeners, Anna Mae uses the word “rainbow” in discussing the famous double-arched logo McDonald’s is known for.
The kitchen scene is unique and usually makes the biggest impression on the audience due to its uncanny and inventive audience experience. In this act the girl becomes a desired ingredient for the three cannibalistic cooks and after much comedic violence
In the short story " The Birthday Party" by Katharine Brush, the author writes about a married couple in the 1940s having a dinner at a restaurant to celebrate the husband’s birthday. The wife surprises her husband with small cake, but rather than showing appreciation for his wife’s gesture, he scolds her for embarrassing him. Brush writes the story in a second-person narrative to have the reader experience the scenario, utilizes caricatures to describe the couple’s appearance, and symbolism to express the wife’s intention. The author's implies that not all marriages are as happy as they appear to be. Brush has the reader imagine him/herself at the restaurant viewing the couple sitting across the restaurants.
In the "Night Waitress by Lynda Hull, the narrator has a lot of concern about her life that she expresses by describing her night at work and the people she encounters while she is there at work. She explores feelings about her appearance, her desires, and her loneliness. The speaker daydreams her way through another monotonous working shift, which reflects on her lower-caste and a disgrace to her employment. Hull analyzes the waitress' performance as disheartening which leads to her desire in a relationship and a materialistic world in which she gets delighted.
The short and brief sentences give no description and only state the food she is prepared. The passage would be descriptive if the occurrence is more appalling. Passage two is much shorter in length than passage 1 due to the lack of explanation. The sentence structure of passage two reveals the underlying attitude of resentment, gratefulness, and
These, whether obvious or subtle, are intended to make the reader “feel” sympathetic with the rhetor’s cause. The opening paragraph of the article describes the “long, deep scars [that] often line their (the workers) forearms…”, (Kingsbury 1) a disturbing image. In this case, the pathos claim is appropriately used to “hook” the reader into the ‘meatandpotatoes’ of the article that informs the reader of the reality of the conditions restaurant workers are working in. The main audience of The Boston Globe is mainly highly educated older adults, deduced from statistics that show most readers are homeowners, are ages 45+, and 87% have postgraduate degrees. (Boston Globe 3)
In “Birthday Party,” Katharine Brush’s purpose for writing the short story was to reveal how something that is good can go so wrong. She also demonstrates how some things are not what they seem. Especially in the situation that she wrote. Her purpose from the beginning to end is demonstrated by the use of literary devices. Brush begins by describing the scenario, she states, “They sat on the banquette opposite us.”
Ehrenreich mentions “The regulation poster in the single unisex rest room admonishes us to wash our hands thoroughly,” in her essay; However, there is almost no one following the instruction because “there is always some vital substance missing—soap, paper towels, toilet paper”. Although workers may want to follow the instructions, it is impossible for them to do so because they “never found all three at once ”. The effect of describing the deficient rest room is to highlight the fact that the owner of the restaurant is so stingy to the workers that the owner refuses to provide enough substance. Thus, the readers can better understand the terrible environment that the workers live in. In short, with mention the dreadful environment of the kitchen and the rest room, the audiences are able to know that lower workers work in a grubby environment and how they have been treated by the upper class.
Sometimes the things we do for others don’t always go as planned. That was the case for the innocent wife in “Birthday Party” by Katharine Brush, as what was thought to be a nice gesture by the wife, was viewed as a crime by her husband. This small event can be an indicator of a crumbling relationship, and through literary devices such as diction and shifts to portray this deeper meaning. The harsh adjectives used throughout this piece paint a story much darker than simple botched celebration.
In the short story “Birthday Party” by Katharine Brush, may literary devices are used to achieve a purpose. Brush uses devices such as imagery, diction, oxymoron, and repetition to convey a birthday surprise gone wrong. In addition to the birthday surprise, Brush also uses these devices to convey feelings. First, the short story begins with a third person point of view.
The speaker laughs at the oppression, and do the opposite things that the white people expect him to do, which illustrates his inner growing strength and power despite the fact that he is constantly put down by other. Furthermore, the speaker’s tone becomes aggressive in the third stanza which serves as the caution to warn people that the black power is thriving by saying that “Nobody’ll dare Say to me, ‘Eat in the kitchen,’ then” at lines 11 to 14. The lines indeed are somewhat violent, but clearly deliver the intention of the speakers, and emphasizes the importance of the message. At the last two stanzas, the tone again becomes prideful.
It uses the narrative device of exaggeration to expose some of the negative elements of consumer society, making both funny and bitterly satiric. It provides an early glimpse of the witty characteristic of Atwood’s writing style proclaiming a theme that will be a central concern in all her later work-feminism. The Edible Woman is an exposure of an economically sound woman taking time to be aware of her marginalization as the ‘second sex’. Marian, the protagonist, digs deep into the social conditions of the ‘archetype’ followed by ultimately researching at the ‘individuation’.
