In Homer’s marvelous epic of Odysseus have a few similarities and a little more differences than the famous movie “O’ Brother Where Art Thou”. As well as the sirens, bodies of water, and many more similarities throughout the scenes. In Homer’s epic and the movie “O’ p. The similar scenes occur as Odysseus and his crew were present in both of the admirable epics.
Every Film Adaptation is Not Necessarily Faithful Throughout history, philosophers wrote thoughtful poems and sophisticated plays; plays sought to challenge the intellectual minds of those who would read them. Inevitably, as time progressed, people found ways to stage the plays for entertainment. When staging the play, whether it would be literal actors reciting lines on a stage or a movie with the reenactment of the play, the director always faces the problem of fidelity of the adaptation and how true their adaptation has to be to the original source. Fidelity in the terms of film refers to the authenticity and familiar similarities an adaptation has to its original source.
In Cyntoia’s Story: 16 yr old killer, the narrator is anonymous because the documentary follows a chronological order from the court case to prison. The documentary did not have a closing statement because the film is narrated by first-person. In the end of the documentary, William Bernet talks about his opinion of how it’s not fair to release Cyntoia from prison. In addition, Cyntoia learns a morality at the end of the film she said “As a young girl, I never knew the depth and strength of the power, and also, of my ability to utilize it to gain success in whatever I pursue in life”. In response she said that she had struggled with abandonment and trust issues and as well as my attitude towards relationship with men.
This sense of hostility springs forth from the misconstrued view of literature being the superior art form among the two, extending to the apparent artistic inferiority of cinematic adaptations, which seemingly “betrays” its source material. But the idea of cinema as a potent and dynamic art
The Odyssey has been such a great experience and it’s amazing that this book has been around for so long. I will be comparing the scene where Odysseus was on Calypso's island and also when he was on the island of the cyclops. I’m also going to contrast the scene where he visits the island of Circe and when he encounters the sirens. There are many differences and many similarities between the book and the movie. If you were to make a movie that contained every detail from the book, the movie would be at least a day long.
The concentration is on comparing and finding the changes that history made to this movie genre, especially considering the gender roles. Results will clearly explain the psyche of society in two different periods, which confirms that people reflect the movies as movies have an impact on people. The Introduction It is often said that the element of surprise makes the movie more interesting and leads the plot. There are many masters of storytelling
Hercules slays the Hydra to the delight of a cheering crowd. The beast has been pummeled to death by a landslide. This seen is familiar to many animated movie fans, but it is not true to the source material. The original myth has been altered to fit a western audience. Despite our western world being heavily influenced by the Greek and Roman society, we have changed the myths of their would to fit the morals of monogamy, heroism, and good vs evil.
Role of Spectacle in Roman Culture Spectacles governed the way of life in the Roman culture in many ways. The use of spectacles in the Roman culture was widespread, especially during the performance of blood sports, such as the gladiatorial battles. The spectacle was an essential element in the amphitheatre games, which featured wild animal hunts in the morning, executions at noon, and the gladiatorial games in the evening. In this paper, I will examine the role of spectacles in the Roman culture, where the theme of violence and death will be featured. Predominantly, spectacles were used for entertainment reasons, to punish miscreants, serving as an example to the citizens, promoting interaction between the people of Rome and the rulers, and providing food for the ancient society.
However, even though the film is heavily reliant on multiple components of traditional Greek mythology, it is no way a proper alignment to the themes presented in those myths. Rather, it relies on an increasingly Christian perspective of informing its narrative to the
Rome was frequently taken as an allegory for the greatness of Hollywood itself, its allure and tasteful development, with antiquated Rome in numerous movies serving as a favored subject for the amazing showcase of the innovative prevalence of Hollywood film. As Michael Wood composes, Hollywood 's histories of Rome are "an immense, numerous faceted allegory for Hollywood itself." And as Maria Wyke further remarks, that the projection of antiquated Rome on screen has worked not just as an instrument for the showcase or investigation of national personalities additionally, and regularly in inconsistency, as a component for the presentation of film itself – its specialized limits and its social worth ... Antiquated Rome has been always rehashed
In “Aesthetic of Astonishment” essay, Gunning argues how people first saw cinema, and how they are amazed with the moving picture for the first time, and were not only amazed by the technological aspect, but also the experience of how the introduction of movies have changed the way people perceive the reality in a completely different way. Gunning states that “The astonishment derives from a magical metamorphosis rather than a seamless reproduction of reality”(118). He uses the myth of how the sacred audience run out the theater in terror when they first saw the Lumiere Brother Arrival of the train. However, Gunning does not really care how hysterical their reaction is, even saying that he have doubts on what actually happened that day, as for him it the significance lied on the incidence--that is, the triggering of the audience’s reaction and its subsequence results, and not the actual reactions and their extent. It is this incident, due to the confusion of the audience’s cognition caused by new technology, that serves as a significant milestone in film history which triggered in the industry and the fascination with film, which to this day allows cinema to manipulate and
Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.
Storytelling has been a part of people's’ lives since the beginning of time. It started with just verbal communication, then it was translated into written word, and now there hundreds of ways to tell those same stories. Movies and books, for example, are two very different ways to tell stories to an audience. A story can be a book, but not a movie or vice versa. Many books are made into movies, but lose major elements in translation.
The Greeks took a huge step into entertainment. This step is still felt today. The whole reason we have olympics is because of the Greeks. There is way more to this story. The Greek theatre plays a huge role in our modern theatre.
The film Quo Vadis done by Enrico Guazzone was the earliest big successful movie in cinema history. Movies such as Cabiria, by Gio Pastrone, was also one of the biggest productions, taking two years of a lifetime to produce. Italy was home to the Futurists, and to these people, such as famous Filippo Marionetti, cinema was an ideal art form, being a subject of artistic changes and work like for example special effects, editing, manipulation of speed. The years following WW1, the Italian cinema fought against the rise of foreign competition which led to the unification of the Italian cinema organisations as a strategy for a bigger film production and market, but unfortunately, this unification wasn’t
