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Antihero And Morality

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According to Wilterdink, the contemporary antihero has become popular over the last two decades. Mittell (cited in Wilterdink,2015) acknowledges three primary techniques with an antihero archetype. Two of which are relative morality and charisma. Morality and charisma are effective in being antihero and attracting the audience in recent years. However, antiheroes are not always morally neutral, they can be devils sometimes. Devil refers to the characters that who can not distinguish between ‘’good’’ and ‘’bad’’, and scenes that are not morally appropriate. Morality plays a role in helping the audience to like but, without morality, even so, anti-heroes can also win sympathy and they can be loved. Some features that attract the character …show more content…

For instance, according to Donnelly, Dexter is not the anti-hero that forces the moral ideals. Dexter's character strengthens conservative moral ideals, which offer a clear distinction between ‘’good’’ and ‘’bad’’ violence to a culture that is struggling to rationalize key political and social actions. Dexter has attracted the viewer as an antihero that cares about morality and differentiate between ‘’good’’ and ‘’bad’’. Therefore, this feature can be effective that Dexter is sympathetic to the audiences. According to Murray ( cited in Wilterdink,2015), allegiance is related to the moral evaluation of characters by spectators and it means viewers can either morally identify with an anti-hero, or not. Viewers try to align themselves with a character and their ally is significant to us as an audience to interact with them to find attractive. Spectators are associated with moral values on the show, so they can empathize and sympathize with the …show more content…

According to Wilterdink, there are anti-heroes like Hannibal Lecter that are natural evil, not morally neutral. Hannibal Lecter is also a popular and sympathetic character because according to Mittell (cited in Wilterdink,2015), immoral scenes test the moral limit of the audiences and it makes the show more exciting. According to Wilterdink, for example, from the Game of Thrones series, the biggest goal of Jerome Flynn is to be rich and Cersei Lannister who is a female anti-hero often exposed to problems that are related to sexuality in the series. Even though there are many sexual scenes that are not morally appropriate, viewers like and sympathize with the characters in the Game of Thrones series. Therefore, we understand that and also Smith (cited in Wilterdink,2015) claims that since behavior is mediated through audiences’ own moral compassion, they can satisfy by looking at the characters who can make morally spiteful decisions. Interpreting the repressed emotions inside of the audiences, these characters can not only be loved but also they are sympathized with because they see the repressed emotions inside of the

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Marlene Xique 10/4/17 M8 The Anti-Hero Anti-hero, anti-hero is a character that lacks characterists of a hero. It is the opposite of a hero but not a villian. The character has characteristics such as being selfish, insecurity, rebellious, and is very independent. The character can aslo be the outsider who does not fit-in, and has problems with authority & with rules, which we learned in class.

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357 Words | 2 Pages

In the article, “Against Antiheroes”, Laura Bennett demonstrates the characterizations of an antihero, while providing information that allows the antihero to be depicted as prevalent. An antihero is defined as a person that does not possess heroic attributes, and may be seen as selfish, corrupt, or sullen. Antiheroes usually tend to acquire the sympathy of another individual, causing them to become relatable, as seen as Bennett writes, “‘Antihero’ implies that a character encourages a conflicted sympathy; Walt forfeited our sympathy long ago” (472). Bennett’s characterization of an antihero demonstrates a sense of an internal struggle on behalf of the audience and the hero. An antihero may appear to be haunted by a tragic past, encounters

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1574 Words | 7 Pages

Heroes in books and movies alike are celebrated for saving frail women from demonic fiends, saving planets from alien invasion, and are often seen as role models and figureheads who serve as society’s source of admiration. However, not all heroes exhibit these stereotypical traits; an example of this break from the trend includes the anti-hero, or a hero who is conspicuously lacking in heroic qualities. And although most people expect such a character to be cowardly or even unheroic altogether, contrary to popular belief, the anti-hero possesses a fundamental role in the progression of a story. In the novel Grendel by John Gardner, Gardner relates his own separation from society to the character of Grendel by establishing him as the antihero

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His use of examples of influential celebrities and textual evidence portrayed his ideology of villain actions in two different settings. He described a villain as one who hurts others through emotional manipulation by ridiculing one self’s image and reputation to gain relevance throughout the world. This is relatable to my point of view because of my personal cyber bullying story. Moreover, this led to another villain that steals materialistic objects to have a financial gain. Klosterman conveys his argument in a coherent way which allows me to connect with him in agreement with his definition of what a villain is.

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2275 Words | 10 Pages

Introduction Throughout our lives society shapes whom we are and how we act, through this we are forced to assume roles based on how others view and perceive us. Both through our close friends and family and the broader media and society, these stereotypes and attitudes from which we develop into can both be good and bad. It is through these expectations and social pressures that greatness can be developed in people, but is also though these expectations great evil and cruelty can be developed within people. Throughout Richard Flanagan’s The Narrow Road to the Deep North the reader is presented with two distinct and contrasting characters of ‘Dorrigo’ Evans and [First Name] Nakamura.

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882 Words | 4 Pages

Many stories in literature are not complete without an Antagonist. The Antagonist can be the embodiment of evil or just a roadblock for the main character to overcome. In the short story Sweat, written by Zora Neale Hurston, features an abusive husband, Sykes, as the Antagonist. Sykes dominates and abuses his hard-working wife, Delia. Whereas, Edgar Allen Poe, author of The Cask of Amontillado, uses an ambiguous relationship between Fortunato, a man full of ego and arrogance, who wrongs protagonist Montresor.

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2182 Words | 9 Pages

The episode showcases the moral ambiguity inherent in individuals’ choices and actions, ultimately questioning the absolute division between heroes and villains. Asma’s “On Monsters” further reinforces this idea by highlighting monsters’ diverse roles in different cultural contexts – some as protectors, others as agents of chaos. The shared theme of moral ambiguity reminds viewers and readers that the boundaries of good and evil are not always clear-cut, and it challenges them to embrace the complexities of character and

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The Crucible Characteristics Essay Characters have characteristics, sometimes their characteristics are good and sometimes they’re bad. For example in The Crucible, we learn about John Proctor. The film begins with girls dancing in the woods, doing witchcraft. Abigail Williams is in love with John Proctor and had an affair with him.

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1106 Words | 5 Pages

The brothers generally target Russian and Italian mobsters who have done harm to society. Motivated by religion, these two brothers use lethal force to serve “good” for society. An antihero makes their own behavior questionable in the eyes of society. A protagonist antihero, generally values some of the same traits as an antagonist. Their morals are typically flawed in regards to societal norms.

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516 Words | 3 Pages

Choose a complex and important character in a novel or a play of recognized literary merit who might on the basis of the character’s actions alone be considered evil or immoral. In a well-organized essay, explain both how and why the full presentation of the character in the work makes us react more sympathetically than we otherwise might. Avoid plot summary. I. Introduction: A. In Mary Shelly’s novel, Frankenstein, the reader is tasked with answering the central question of who is the truest evil.

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1009 Words | 5 Pages

In the most well known and the least read pieces of literature, narratives all have one key idea in common: the good guy and the bad guy. Whether the piece is about superheros, elves, or robots, the idea of these two opposing characters continues, the most common type of foil. A foil is two characters that contrast each other on many regards. The antagonist, or bad guy, often is a foil to the protagonist, or the good guy. In Sophocles’ Antigone, the antagonist, Creon is a foil to the protagonist, Antigone.

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1400 Words | 6 Pages

One of the most common types of stories that is told all throughout fiction, and sometimes non-fiction, is the battle between good and evil. Growing up, people began with reading stories about the prince saving the princess from monsters and villains, but as they grew older the fantasies died off, but the plot of good versus evil continued on. Its’ most common form is to view the story from the protagonist side, but what isn’t seen is how the antagonist develops. These types of stories don’t usually include the background as to why they became wicked, but instead focus more on the hero. The classic struggle of good versus evil is taken from a different perspective in John Gardner’s Grendel where the readers are able to become a part of the

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935 Words | 4 Pages

Our complexities in character are also reflected in our actions, whose moral ambiguity raises doubts about them being good or bad. It makes the character of an anti-hero more intriguing as it reflects how our own actions often cannot be categorized into black or white, but rather lie in a gray area. The example of Winston Smith’s betrayal shows exactly that. It is revealed through the narrative structure of three chapters which show how Winston’s character changes from a seemingly heroic figure who wants to change his and other’s misery to a man who betrays his partner to survive. Winston’s betrayal of Julia displays an action of ambiguous nature, as it is unclear if this was the only way his life could have been saved and even if, if that was the right thing to do.

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795 Words | 4 Pages

Thesis: As evil corrupts the morals of the characters, they exhibit a tendency to move away from reality. Showcasing animalistic and materialistic perceptions. How does clothing imagery affect a person's opinion on another person? There are many ways in which a person can use their appearance. Clothing can be seen as a representation of the disguised nature of people, rather than to express who they truly are.

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1230 Words | 5 Pages

“What, after all, am I? Am I an American or am I a Negro? Can I be both? Or is it my duty to cease to be a Negro as soon as possible and be an American?” W.E.B. Du Bois wrote this at the end of the 19th century, a time when a certain race was experiencing the worst conditions in America.

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