Wait a second!
More handpicked essays just for you.
Views on women in othello
Views on women in othello
Theme of honesty in othello
Don’t take our word for it - see why 10 million students trust us with their essay needs.
More handpicked essays just for you.
Views on women in othello
Views on women in othello
Theme of honesty in othello
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The sympathy felt for a character often remains through character revelation. In spite of the change in personality and morals the first impression of the character is not forgotten. Othello who commits violent acts throughout the play ends his life with honour, reminding us he was originally introduced as a respected man of high position. A person can be manipulated by others to act outside of their character, and their emotions can blind them from making good decisions. In the end a person’s true character is reflected upon the way they react to the results of their wrong doing.
William Shakespeare’s “Othello” was a great example to showcase sacrifices made by characters to accomplish revenge or obtain power. Shakespeare told the story of Othello, a tragic hero, who was manipulated by Iago, which motivated him to kill his own wife. From this story, Shakespeare’s main goal was to portray characters making sacrifices for their ambitions. From this play, Shakespeare puts forth the idea of sacrifice through pointing out the importance of reputation and how sacrifices must be made to silence the truth.
Othello: A Close Reading This is an analysis of the lines 260-279 of the third scene of the third act of Shakespeare’s Othello. In an attempt to fulfill the incessant need for comfortable dichotomies, societies tend to be divided into two groups: the ‘in-crowd’ and the ‘others’. These strict dualities, constructed upon the inherent need for adversaries, are often as arbitrary as they are false and based on nothing but fear.
In fact, it is these precise attributes that have allowed him to ascend to his current top-ranking role in the Venetian army and respected position in Venetian society, in spite of his ethnicity. Yet, as Othello is ready to assume the worst of himself at every turn, placing Iago in a in a state of utmost power over Othello, in a cruelly ironic twist it is also these precise attributes that are slowly warped and exaggerated to become his foremost deficiencies. Take, for instance, Othello’s sincere nature. As a soldier, Othello is conditioned to retain the utmost faith in his comrades’ truthfulness and expect the same in return. This trait is most clearly seen in Othello’s frequent referrals to Iago as “honest.”
He thinks women act unflawed to the community and do not take their housework seriously and implies women are promiscuous in bed as well. He says, “You are pictures of doors, bells in your parlors, wildcats in your kitchens, saints in your injuries, devils being offended, players in your huswifery, and huswives in your beds”(1027). Iago saying this to Desdemona echoes and reflects what he will say and imply to Othello to get him to think she is
Othello’s confidence for a loyal man to maintain honesty and morals are contradicted through Iago’s actions: “in a man that’s just / They are close dilations, working from the heart, / That passion cannot rule” (3.3.123). Iago, due to the understatement to his name, is not perceivable as hateful. Othello’s willingness to sense Iago’s distress, and to believe his accusations, is because of the lack of awareness Othello has for his vengeance. Iago is of such little power and relevance within societal ranking that if he were to have intentions to sabotage anyone, which he does, are not considered, thus making him easily trustworthy to those of greater dominance. Society’s view of an individual determines how others consider and surmise their persona, though these conclusions may be false.
Othello was one of Shakespeare’s most famous play that during the 17th century was repeatedly play due to the diversity of race and controversial emotions. Moreover, is great example of how Shakespeare was able to impersonate the strength and weakness of humans. Othello is nonetheless an excellent illustration of emotions build his character throughout the story. As the story begins we see Othello is a well respected diplomatic who seems strong and modest. During act III, Iago’s poisonous feelings start to manipulate Othello actions, but is not until act IV that it completely takes over him and in epilogue V is when Othello loses all his senses of reasoning that makes him do an outrageous deed at the end of Othello.
and he dare think hell prove to Desdemona/ a most dear husband” (II, I, 214-216). Iago appears to think of Othello as an incredible man, but he still wants to cause his ultimate downfall. By Shakespeare showing Iago’s other feelings towards Othello it causes the audience to believe Iago’s other
The following passage is significant to the play ‘Othello’ in retrospect to the plot progression, as it reiterates themes and introduces important facets to the plot development. Through Iago’s cunning manipulation and Shakespeare’s crafting of language, this passage is constructed as a pivotal point of the play, marking the transition of Othello’s personality and revealing his deepest insecurities that eventually lead to his downfall and tragic ending. Iago wields a lot of power over all the characters throughout the play, but in this passage in particular he is presented at his most powerful. The passage is riddled with subtle suggestions and insinuations by Iago to raise Othello’s suspicions of his wife’s fidelity, opening with the admonition to “beware, my lord, of jealousy!
In many stories, there are villains who seem to control how the characters act by manipulation. These kinds of villains use multiple techniques to get what they want and to execute their plans. The techniques are used to affect the characters in a negative way in favor of the villain. In Othello, the antagonist Iago, plays that role. Iago affects the characters’ lives in a negative way by his honest reputation, his ability to “read” people, and how he “proves” to be Loyal.
In the play Othello, William Shakespeare creates an elaborate tragedy with various in depth characters, enhancing the story with powerful characterization. Iago, the main antagonist of Othello, exemplifies Shakespeare’s use of characterization to create in depth and complex characters. Using his manipulative nature, intellectual mind, egotistical attitude, and dishonesty, Iago controls the other characters in order to achieve his goal, leading Othello to succumb to an overwhelming jealousy causing his downfall. In order for Iago to gain control of the characters in the play, he manipulates Othello, Roderigo, Cassio, and more to believe false information and turn on one another.
When we look at the name of the play, Othello (The Tragedy of Othello, the Moor of Venice), we can make the assumption that Othello is an outsider in the book. Before we start to read the play we already know that Othello will be an outsider and when we read the play we can understand why. We also fin in the play, Othello, which Iago refers to Cassio as an “honest fool”, but in that phrase honest have a different meaning. Honest in the play is used so many times that is ironic. Iago is seen as honest and we know that Iago is everything but honest.
The common aim of playwrights of any time or location is to capture and hold the attention of their audience; this is what Shakespeare has clearly done. The tragedy of Othello, the Moor of Venice, is one of Shakespeare 's most renowned plays. Through construction of intriguing characters, exploration of universal themes, use of comic relief and a well-written script featuring a compelling plot, Shakespeare ensured the tragedy of Othello would hold the interest of the audience; despite being over four centuries old. It possesses so many conditions that can be accentuated to hit nerves with both a Shakespearean and modern audience. The entire plot of Othello is very much like the attitudes and methods of our modern day society.
Kolin observes that Iago stands out among Shakespearean villains since he is the only one to survive his own monstrous acts (25). Unlike Richard III, apart from telling stories, Iago carries out a downright fraud through other means of manipulation, which makes him the most evil and intelligent character. To be exact, Iago is a puppeteer who sets up scenes to deceive the “credulous fools”—Othello, Cassio and Desdemona (4.1.45). Iago talks to Cassio about Bianca while telling Othello that the subject of their conversation is the Moor’s wife. He is so smart and careful that he even gestures Othello to come closer when Cassio is about to illustrate how Bianca entangles him.
Iago’s powerfully disruptive insinuations torment Othello to fall precipitously into his intricate trap, believing in the prospect of Cassio and Desdemona’s fictitious affair. Through the use of linguistic techniques such as elliptical speech, subservient vocative choices and a hesitant tone, Iago is able to construct artful innuendoes to deceive and manipulate Othello. Supplementary to linguistic techniques, dramatic techniques such as dramatic irony reinforces Iago’s role as a two-faced villain, who is making a pretence of being Othello’s loyal ensign. Eventually, Iago’s villainy nature sows a seed of doubt in Othello that germinates into the murder of Desdemona. Through the characterisation of Iago as a notorious villain, Shakespeare is able to hold Iago’s actions accountable for the play’s tragic downfall, establishing a sense of powerlessness amongst the