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Theme Of Ethos Pathos And Logos In Othello

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The sympathy felt for a character often remains through character revelation. In spite of the change in personality and morals the first impression of the character is not forgotten. Othello who commits violent acts throughout the play ends his life with honour, reminding us he was originally introduced as a respected man of high position. A person can be manipulated by others to act outside of their character, and their emotions can blind them from making good decisions. In the end a person’s true character is reflected upon the way they react to the results of their wrong doing. It is possible to feel pathos for Othello in spite of his actions as his mistakes are a result of manipulation and do not demonstrate his true temperament, concluding
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William Shakespeare’s “Othello” was a great example to showcase sacrifices made by characters to accomplish revenge or obtain power. Shakespeare told the story of Othello, a tragic hero, who was manipulated by Iago, which motivated him to kill his own wife. From this story, Shakespeare’s main goal was to portray characters making sacrifices for their ambitions. From this play, Shakespeare puts forth the idea of sacrifice through pointing out the importance of reputation and how sacrifices must be made to silence the truth.

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Act 2 Scene 1 The start of act 2 is where Shakespeare reveals what Iago is truly like. He was the most important character in this scene as it is centered mostly on his actions and thoughts. This scene reveals Iago’s plan to destroy Othello and Desdemona’s relationship as a revenge for giving Cassio the position of being a lieutenant. It also talks about how women was viewed during that time and shows the difference in the way the character speaks depending on their social status.

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The acceptance of one’s true self is the embracement of truth, and the motivation for self improvement. In The Tempest by William Shakespeare, the challenges that character’s face are springboards to further potential growth. Prospero, the protagonist, is an important character in this play, because he grows from his past mistakes; he is unlike other characters, such as Alonso, who changes out of guilt rather than self-reflection. In this paper, I will focus on how Prospero frees himself from further anguish by connecting symbolism with aspects of his character growth.

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His plays are full of love, anger, passion, betrayal, and so much more. It is no surprise that Shakespeare’s play, Othello, would please any

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The tragedy of Othello written by William Shakespeare presents the main character Othello as a respectable, honorable, and dignified man. However, because of his insecurities and good nature he is easily taken advantage of and manipulated by his alleged friends. Shakespeare is known for his exceptional ability to compose plays full of deceit, revenge, and jealousy. Jealousy is an underlying theme throughout the tragedy and has been represented by many of the main characters, such as Iago, Roderigo, and Othello. The topic of jealousy will ultimately lead to the demise of many characters throughout the tragedy.

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Reputation and honor creates for the most riveting theme in Shakespeare’s Othello. Evidently, no character speaks of themselves as an honorable person; instead they boast and use their reputation to unveil their superiority. Foremost, it defines a character and how they are perceived in society. Allows for the influencing or manipulation of others at the same time, concealing any wrongful acts. Eventually, in the long run it even determines the ending results.

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Just as in Sophocles' timeless Antigone, in Othello, hubris proves again to be a great man's hamartia. Similar to King Creon's tragic fall, Othello's blind killing of his soulmate, Desdemona, displays that pride can only lead in one's implosion. No ending is as quintessentially Shakespearian as watching a once loyal subordinate become disparaged to the point of blind fury by his formal idol. The fatal concoction of hubris and the desire to excel can land in disaster, and the ends rarely justify the means.

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His nature tends outward. He is quite free from introspection, and is not given to reflection. Emotion excites his imagination, but it confuses and dulls his intellect.” “Othello’s nature is all of one piece. His trust, where he trusts, is absolute.

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Alisha, You’ve described a detailed narrative of Othello’s intimate relationships with various characters in the play. From your comprehensive character analysis, you noted that your initial opinion of Othello changed as the play progressed from a respectable character to a surprisingly gullible character. In the end, you concluded that you may have prematurely judged Othello as a character. However, for me, my opinion of Othello remained the same throughout the play.

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As a tragic hero, Othello must have a high position to fall from, but his high position must not keep him from being likeable. He must be noble in position and personality. The audience must be able to recognize his humanity, feel sympathy for him, in order to experience the catharsis a tragedy offers.  When Othello is forced to defend himself before the duke and senators against Brabantio ’s accusation that he used witchcraft to seduce Desdemona, his noble personality is clearly established.

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Although nobility is an inherent characteristic of human nature, an individual’s virtue can be distorted through their social environment which may lead to adverse ramifications and this is displayed in Shakespeare’s play, Othello, where he represents Othello as a man whose complete integrity is marred, mainly by Iago, and he does so by engaging us to witness his composed nature, which is even more prominent in times of adversity giving us insights into his character. However, as the play progresses, Othello slowly

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Othello’s character undergoes a significant change due to a series of events at the hands of Iago, the play’s antagonist to enhance the fact that even a valiant heroes can become corrupt. In the beginning of the play, Othello adores

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Usually Othello is a calm and composed man. Obliviousness is more evident in Othello rather than tragic flaw. He simply makes the mistake of believing what Iago says, rather than doing some investigation for himself. At first Othello was a renowned leader who loved his wife dearly. But because of his jealous ways, he was gullible to believe Iago’s corrupted tales of Desdemona and Cassio.

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I have always felt that I have never read a more terrible exposure of human weakness - of universal human weakness - than the last great speech of Othello. After quoting Othello 's valedictory utterance, Eliot went further to say: What Othello seems to me to be doing in making this speech is cheering himself up. He is endeavouring to escape reality, he has ceased to think about Desdemona, and is thinking about himself ... Othello succeeds in turning himself into a pathetic figure, by adopting an aesthetic rather than a moral attitude, dramatising himself against his environment.

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He gets so angry that he smothers Desdemona, he soon realizes that this was a mistake. This is a very weak point for Othello, because he has let the world get between he and his love. He was not strong enough to carry the both of them

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