Hollywood is unfair and pernicious in its portrayal of Asians, the research shows time and again. Stereotypical and often contradictory characteristics are imposed on Asians. There are clear indications that such media characterizations are reinforcing misperceptions that are manifesting in real life as everything from covert discrimination to unabashed racism.
Stereotypes have very real consequences for Asians living in the West in terms of day-to-day interaction, current events and governmental legislation. Upwardly mobile Asians find themselves hitting glass ceilings and earning far less than their white counterparts due to preconceived notions about their temperament, lack of trustworthiness, innovation and poor leadership abilities.
Racism
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No distinctions are made between Asian Americans who are acculturated US citizens with deep roots in the country and Asian nationals who may not have any loyalty to the US. The media insinuation is that Asians (including US citizens) do not belong to and cannot be from the US or the West.
Asian males are yet to be cast in a leading Hollywood role, unless it is inseparable from their status as a foreigner with martial arts skills. Asians are cast as extras in nonspeaking roles, as foreign tourists walking about with cameras. Asian Americans are personated as having thick accents and speaking in broken English. They are rarely portrayed as assimilated citizens, but as inherently foreign and non-American.
At best, Asian-American youth are portrayed as struggling with cultural identity issues, such as in the Lane Kim character of the television series, The Gilmore
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Ethno-specific occupations stereotypically assigned to Asians include the doctor, lab assistant or restaurant worker, the Japanese businessman (usually appearing in a group at a corporate board meeting) and occasionally, the Chinese news anchorwoman. Stereotypes for older Asians include the owner of a laundry service or grocery store.
With the exception of rogue criminals who refuse to play by the rules, Asians are cast as unassertive conformists, sidekicks and assistants, but never as leaders or trendsetters. They are also often cast as being successful and prosperous due to their industriousness, or as neurotic overachievers with stunted emotional development (such as the Asian American classmate in the canceled TV sitcom, Pearl).