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History Of The Bauhaus

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Bauhaus is indisputably one of the reasons design is the way it is today. This German school which was open from 1919 to 1933 has created a movement and style which has an important impact on contemporary design. This school was founded by Walter Gropius and was known for its new and innovative approach to design in Germany in the early 20th century.Bauhaus base their principles on the fact that design should look good and respond to the needs of the people and the industry along with meeting the social requirements such as functions, price and aesthetics. It was all about functional and purposeful design. The masters of the Bauhaus were Walter Gropius, Johannes Itten, Wassily Kandinsky, Paul Klee and also Lazlo Moholy Nagy who all had the …show more content…

Economic, ecological and affordability elements were always taken into consideration for the making of a good design. Referring to Walter Gropius' Manifesto (1919) “The ultimate goal of all art is the building! The ornamentation of the building was once the main purpose of the visual arts, and they were considered indispensable parts of the great building. Today, they exist in complacent isolation, from which they can only be salvaged by the purposeful and cooperative endeavours of all artisans. Architects, painters and sculptors must learn a new way of seeing and understanding the composite character of the building, both as a totality and in terms of its parts. Their work will then re-imbue itself with the spirit of architecture, which it lost in salon art.', the main purpose of the Bauhaus was to discard the unnecessary and keep its principles against the art nouveau, decoration and …show more content…

The material used for construction was a concern since it had to be chosen carefully to suit its function and aesthetics..The Wassily Chair was designed based on simplicity, multiplicity, economical use of space, material, time and money.It is still sold today and can even be described as modern since it looks as modern as anythign in production in the 21st century. This is evidence that principles and methods of the Bauhaus are relevant to contemporary designers.
The Cesca chair (image 2) was also made by Marcel Breuer in 1928 and was a combination of craftsmanship and industrial methods always considering choice of material in this case wood and its construction, its comfort and of course its design giving an emphasis on smooth lines made of metal tubes and elegant

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