Bauhaus Essays

Bauhaus is indisputably one of the reasons design is the way it is today. This German school which was open from 1919 to 1933 has created a movement and style which has an important impact on contemporary design. This school was founded by Walter Gropius and was known for its new and innovative approach to design in Germany in the early 20th century.Bauhaus base their principles on the fact that design should look good and respond to the needs of the people and the industry along with meeting the

art and design school, The Bauhaus, was one of the most influential modernist art schools, one of whose approach to teaching and understanding art’s relationship to technology and society had a major impact in United States and Europe, long after it closed. The motivation behind the creation of the Bauhaus lay in anxieties about the soullessness of manufacturing in the 19th century, and in fears about art’s loss of purpose in society. Emerged in the mid 1920, the Bauhaus was shaped by the late 19th

“A new architecture, the great building – these were the goals of Bauhaus education as formulated by Gropius in the Manifesto” (Droste, 2002, p.40). Geometric shapes and functional style the Bauhaus heralded the modern age of architecture and design. Founded in 1919 by Walter Gropius and directed afterwards by Hannes Meyer and Ludwig Mies Van de Rohe, the Bauhaus is today considered to be the most important schools of art, design, and architecture of the 20th century. Dessau in Germany, a two hour

The Bauhaus movement, founded by Walter Gropius in 1919, which birthed the Bauhaus building was an influential movement in the Modernism era. The key characteristics of the Bauhaus movement were anti-historicism, clean and geometric shapes and forms and simplistic design. (Bauhaus, 2016) Walter Gropius had a great vision for the Bauhaus movement and aimed to make design and art a social concern during the post-war turmoil. The movement was a contemporary movement and sought out to be rid of the previous

The Bauhaus of Weimar, Germany was opened with the hope that it would represent the future of the fine arts and the development of new art media. Although it only existed from 1919 until 1933, Bauhaus was one of the most influential art schools, not only because of the art produced, but also because of the staff who taught and ran the school. One of the most influential artists and staff members was László Moholy-Nagy. With his forward-thinking mindset towards the integration of technology and industrial

The Bauhaus opened in April of 1919, in Weimar Germany, founded by Walter Gropius with the intentions of merging fine and applied arts. Gropius was inspired by nineteenth-century Arts and Crafts and Arbeitsrat movements, he disintegrated the traditional separation between applied and fine arts. The first staff members, along with Gropius, were Lyonel Feininger and Johannes Itten, whom brought a Expressionist precepts to the curriculum. Itten was an established Expressionist painter and printmaker

From Bauhaus to Our House by Tom Wolfe Tom Wolfe’s scathing short From Bauhaus to Our House obliterates modernist architecture in 111 pages of sarcasm, wit, and an unyielding frustration with everything modern. In the blink of an eye, American architecture transformed into a collection of glass, steel, and concrete boxes. The International style had the U.S. in it’s anti bourgeois grip, and was not letting go anytime soon. Wolfe, with his personal preference to ornate structures, detested modern

The Bauhaus was one of the most prestigious colleges of fine arts, founded in 1919 by Walter Gropius. Through history, this school has always been considered as a controversial factor in design and architecture, and played a crucial role in this field. The proposed study is designed to address the styles, elements, and influences within the Bauhaus modernism, known for its influence by institutionalizing for the first time a new movement acclaimed as innovative and controversial for its beliefs and

MOVEMENTS I. The Avant-Garde movement and other Modern art movements “the rise of a purely abstract, nonrepresentational art in the early twentieth century had, by all accounts, a powerful and formative influence on the development of modern architecture.” In the late 18th century and beginning of the 19th modern architecture was claimed to mainly involve the use of “simple, floating volumes and clear-cut geometries” (Curtis, 12). They looked to nature and tradition as a source of inspiration while

fact that its founder was an architect, the Bauhaus during the first years of its existence did not have an architecture department. Nonetheless, it was founded with the idea of creating a "total" work of art in which all arts, including architecture, would eventually be brought together. The Bauhaus style later became one of the most influential currents in modern design, Modernist architecture and art, design and architectural education. The Bauhaus had a profound influence upon subsequent developments

Walter Gropius (Fig.1) was a German architect and the founder of Bauhaus; a German art school operated from 1919 to 1933 in Weimar. The institute was famous for the approach to design under the idea of creating a ‘total work of art’ in which all artistic medias, including architecture, fine art, industrial design, graphic design, typography and interior design would be combined. This style later became one of the most influential ideals in modern design. Gropius decided to leave Germany in 1934

The “machine age” is a phrase associated with American industrial design in the 1930's. The artists, architects and designers of that time believed they would end the great depression in the states through their industrial design creations. Similar to the European designers who believed they could achieve a higher standard of living through a lifestyle dedicated to the modernism movement. The aim of this essay is to establish the similarities and the differences between American streamlining and

The Meaning of Abstraction: Paul Klee and his Nature of Creation Before reading into the Bauhaus, I used to think the term abstraction in art took the meaning of freedom from representational qualities. I thought this meant that art could be anything – I did not think that there was a literal meaning behind every movement and paint stroke that went along into its work. One could argue that this is true, and that there is no science behind this kind of art. Abstract art is simple, and in one’s opinion

political standing and, more crucially, its lost reputation. Change was needed in all sectors of the society. It was in that very year that an art movement, that influenced commercial art internationally, emerged in none other than Germany itself. The Bauhaus School was founded under Walter Gropius (1883-1969), with an aim to add creativity and essence into industrialization and daily lives of the common population (Meggs, Purvis and Meggs 328). While initially the movement held on to the traditional ways

In this rationale I will be discussing the Bauhaus movement during its Weimar and Dessau periods and how political, social and economic factors aspects have affected this design school as a whole. I will also be comparing and analysing the characteristics and two examples (mention example) of each period to display my understanding by applying my knowledge to my redesigns. Here are a few key concepts that will be mentioned in this rationale: Bauhaus was an institution in Germany where artistic

The Bauhaus is an Art and Architecture school founded in Germany in 1919. It is considered as the most influential art school in design history and the leading ideology in modernism that was a philosophical movement arose as result of rapid urbanization and industrialization in the early 20th century (Lewis, 2000, p.38). The name Bauhaus derived from the German word ‘bauen’ – to build and ‘haus’ which means the house (Mack, 1963, p.1). As the industrialization has been a dominating factor to the

modern architect; he designed many modern structures from high schools to factories and even his own home. His style was very clean cut which made his designs very dynamic. Gropius's career launched in the postwar period. Gropius's was master of the Bauhaus in 1919. Gropius transformed the school into the world famous design school we know today. It was experimental and the main focus was hypothetical. When Hitler came to power, Gropius knew he had to get out of Germany. When Gropius was able to leave

1. Wiener Werkstätte was a sort of arts-and-crafts movement in the very beginning of the 20th century in Vienna bringing together artisans, artists and designers specializing in handmade metalwork, glassware, jewelry, ceramics, textile design and furnishings, whose main goal became to restore the values of handcraftsmanship in the industrial society. The Weiner Werkstätte masters took their inspiration mostly in Classical style employing simple rectilinear forms, clean lines and geometric patterns

In this essay I will be discussing the similarities and differences between Frank Lloyd wright’s architecture and Mies Van Der Rohe architecture and which aspects of there buildings are similar and different to each other, also I will be talking about the two architects and how they developed and how they decide or be inspired to create the buildings. These two architects are both known for there outstanding and unique architecture. The two main points that will cover in my essay is the comparison

ORGANIC ARCHITECTURE: EXAMINING WRIGHT’S PRINCIPLE OF DESIGN THROUGH FALLINGWATER AND THE GUGGENHEIM MUSEUM I. INTRODUCTION The architecture of the United States at the turn of the century – 1895 to 1905 – was at best, a collection of eclectic styles, with hardly one relating in anyway or sense to the ideal of the nation in which it was built. This was an era which regarded architecture as an application of fashion and styles, unrelated to structure or construction techniques. Yet it was also a