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Baz Luhrmann's Film-Making Style

903 Words4 Pages

Baz Luhrmann is known world wide for his eccentric and flamboyant film-making style. Luhrmann’s signature bright colours, fast-paced camera-cuts and zooms, and bold costumes are all key characteristics of his films and assist Luhrmann in putting forward the themes and motifs he regards as essential in each of his works. However, Luhrmann still receives much criticism for not staying true to the original source material of the stories he introduces to the big screen. One fails to realize the fact that, “Luhrmann’s films are not so much adaptations as re-imaginings” (Vogue Magazine) and through analysis of his various techniques, as well as his overall cinematic language in his films, “Strictly Ballroom” (1992), “Romeo + Juliet” (1996) and “The Great Gatsby”, one can see this clearly, through Luhrmann’s evolution as a director.
Luhrmann makes his films his own from the start, the opening scenes of all three of these films implement post-modern techniques which instantly informs the audience that they are entering into Luhrmann’s …show more content…

The reason for these notable changes to the original settings is because Luhrmann chooses to appeal to a modern day audience rather than regurgitate the same old setting that would have appealed to the people at the time the source material was written. Similarly, Luhrmann satirises the dance world in “Strictly Ballroom” and chooses to stray away from naturalism, preferring rather to go for over the top use of make-up, wild costumes and unorthodox use of camera cuts and zooms in order to put forth the themes he finds essential, staying true once again to his personal philosophy of cinema, a reel (artificial) rather than real (natural) approach to film

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Summary Of The Get Down By Baz Luhrmann

881 Words | 4 Pages

The Bronx in the late 1970’s was a scene of corruption, crime, and disco music. A counterculture surrounded by hip-hop music, dance, art, and lifestyle emerged as a response. In the 2016 Netflix drama, The Get Down, created by Baz Luhrmann and a team of collaborators, the story of Ezekiel’s youth in the South Bronx unfolds with an adult Ezekiel, or Zeke, guiding the journey. Merriam-Webster’s dictionary defines a character as having “a set of qualities that make a place or thing different from other places or things.” The South Bronx in the late 1970’s was a distinct setting with distinguishable characteristics that played a major role in bringing about Ezekiel’s journey as well as continually impacting his choices.

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Midnight In Paris And The Great Gatsby Comparison

901 Words | 4 Pages

The most effective of the film that represents the novel “The Great Gatsby” by F. Scott Fitzgerald is the film “The Great Gatsby” directed by Baz Luhrmann (2013). In comparison, the “Midnight in Paris” directed by Woody Allen (2011), which did not have any effectiveness due to little reference to the actual novel. In Midnight in Paris, they did not reference the novel as much as they should have but the movie did great. Baz Luhrmann did more with the movie as like the book where characters mostly matched personalities.

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German Expressionism In Film Detour

1638 Words | 7 Pages

Film noir is a cinematic style that began in the early 1940s that focused on the crime and corruption that occurs in everyday life. Film noir was influenced by two major film movements, German Expressionism and French poetic realism (Schrader 8). While German Expressionism influenced lighting techniques, realism affected narrative and cinematography. The Great Depression and World War II shaped film noir’s cynical tone that fate is uncontrollable. A classic example of film noir is the 1945 film Detour, directed by Edgar G. Ulmer.

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Perception In The Great Gatsby

1070 Words | 5 Pages

Baz Luhrmann, Director of The Great Gatsby, demonstrates how the pursuit of an ideal may be promising, however, it can also easily lead to destruction, due to the course of action taken for achievement. This is significant since Gatsby was driven to the point of using dirty money in order to obtain wealth, which leads to Gatsby’s shaming, and ultimately, the death of others and of he himself. Luhrmann expresses emotion and awareness by using

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Examples Of Extravagance In The Great Gatsby

786 Words | 4 Pages

Depictions of Extravagance The “Roaring Twenties” was a time of great prosperity in America. F. Scott Fitzgerald captures the booming spirit of America in his book The Great Gatsby through his grandiose description of Gatsby’s parties. Baz Luhrmann draws from both The Great Gatsby and Hieronymus Busch’s “The Garden of Earthly Delights” to portray his own cinematic interpretation of this time period. Philippa Hawker analyzes Baz Luhrmann’s Gatsby parties and depicts their lavishness in her article “The subtle art of staging Gatsby's lavish parties.”

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Tim Burton's Cinematic Techniques

135 Words | 1 Pages

Tim Burton’s cinematic technique of color, is to establish the tone of the scene. For example, in Charlie and the Chocolate Factory, the first impression we are given of Charlie is that he is insignificant and small compared to the other greedy children. Charlie’s modest, plain-colored clothes is pitiful compared to the other children wearing bright, colorful clothing. The color palette of Charlie and his grandfather clearly indicate that they are not as wealthy as the other families, and Charlie’s humble home even demonstrates this as well. The exterior appears to dark and bland compared to the other children’s finely decorated houses, however inside, a fireplace gives off a warm color tone, a sense of comfort and warmth.

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Analysis Of Tim Burton's Film Style

1071 Words | 5 Pages

Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.

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992 Words | 4 Pages

Going to the universities’ library earlier this month to rent three films, - 500 days of Summer, Annie Hall and High Fidelity- was the first step to my critical writing and analysing process. I spent some time at home, to watch these three completely different movies. Although there is one theme that captures the common motif in these three movies, the theme Romance. The standard model suggests that a film wherein the plot revolves around the love feelings and love between two protagonists can be defined as a romance film. It is a well-known fact that love makes people do strange things, Shakespeare himself even said: “Love makes blind”.

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Tim Burton Cinematic Style Essay

679 Words | 3 Pages

Like a gothic mastermind, Tim Burton incorporates dark, grotesque, child-like themes in his cinematic style. A director’s cinematic style is how their film is recognized and the techniques in their films to give their work value. Tim Burton is known for his unique cinematic style that has made his films one of a kind. Tim Burton’s style is made so unique through his use of sound tracking, lighting, and costuming for his films such as Charlie and the Chocolate Factory and Edward Scissorhands. Tim Burton applies sounds such as background music and sound effects to add reality and emphasis to the film and to create a certain, precise moods.

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Movie And Book Comparison Of The Great Gatsby

968 Words | 4 Pages

The 1925 novel, The Great Gatsby, by F. Scott Fitzgerald is considered to be an American classic and is one of the most widely-read books in modern America. There have been several film versions of the novel, most recently a 2013 version that was directed by Baz Luhrmann. Although, both the book and the film effectively portrayed the energy of the 1920s, the characters in the book and the film were not so well-aligned. In particular, the characters in the novel are complex, well-rounded people, whereas the movie tends to paint many of the key characters as simplistic archetypes. Unlike Daisy’s nuanced character in the novel, Luhrmann portrays her as the helpless victim of the film.

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Analysis Of Baz Luhrmann's Contribution To The Art Of Film

836 Words | 4 Pages

Baz Luhrmanns contribution to the art of film, brings about a flamboyant and revitalizing side to the industry. Through the use of cinematic language, his story telling techniques and belief in the theatrical cinema come to life. Baz Luhrmann has a very distinctive directing approach with particular techniques that define his style. He presents his films as if he were telling a story, which he invites you into. His stories are simple and he tends to give away the ending at the beginning of the film, which intrigues you to find out more about what had taken place.

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American Comedy Films Analysis

2217 Words | 9 Pages

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Baz Luhrmann Film Analysis

706 Words | 3 Pages

Baz Luhrmann’s films are known their ability to make a watcher feel as if they are part of the show. Between his use of camera angles, shots and the use of a narrator, it’s no wonder he is able to keep viewers on the edge of their seat. But how does Baz Luhrmann pull off this spectacular feat of his? This is probably explained best by referring to Baz Luhrmann’s films and how he himself has evolved as a director.

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Baz Luhrmann's Red Curtain Trilogy Film Analysis

976 Words | 4 Pages

Baz Luhrmann is widely acknowledged for his Red Curtain Trilogy which are films aimed at heightening an artificial nature and for engaging the audience. Through an examination of the films Romeo + Juliet, Moulin Rouge and The Great Gatsby, the evolution and adaptation of his techniques become evident. Luhrmann’s belief in a ‘theatrical cinema’ can be observed to varying degrees through the three films and his choice to employ cinematic techniques such as self-reflexivity, pastiche and hyperbolic hyperbole. The cinematic technique of self-reflexivity allows a film to draw attention to itself as ‘not about naturalism’ and asks the audience to suspend their disbelief and believe in the fictional construct of the film.

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Romeo And Juliet And The Great Gatsby Comparison

1039 Words | 5 Pages

In both the films Romeo and Juliet and The Great Gatsby Baz Luhrmann uses the same specific style of storytelling to ensure his audience remains captivated throughout the entire movie. Through the editing choices, lighting, camera work, music choices and actor choices he shows how his style grips the audience. Luhrmann has a definite way of telling stories. In both Romeo and Juliet and The Great Gatsby he uses a prologue to narrate the story. Both are used to provide the audience with initial information they need to understand the rest of the story.

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