Recommended: How historians think bebop changed jazz
Jazz has shaped the world we know today. Jazz would have never been as popular without the help of the famous musicians: Jelly Roll Morton, Joe King Oliver, Sidney Bechet, Louis Armstrong, and Duke Ellington. These people helped spread the new genre through radio, railroads, and the records that they played. Where did this all start? The jazz age began in New Orleans where a certain King was born.
Go-go music is a specific type of music that was first started in Washington D.C. go-go music was developed around the mid-1960s to the late 1970s. However, if you are from the DMV area we all know the God father of go-go music was Chuck Brown and the Soul Searchers. Go-go music is unique because it has a variety of different sounds. Old school hip-hop, funk, and blues are all factors that play into creating go-go music. A live music scene called Chocolate city in the early 1970s had competitive music.
From 1937 to '44, Gillespie performed with important swing bands, including those of Benny Carter and Charlie Barnet. He also began working with musical greats such as Ella Fitzgerald, Earl Hines, Jimmy Dorsey and Charlie Parker around this time. Working as a bandleader, often with Parker on saxophone, Gillespie developed the musical genre known as "bebop. "A reaction to swing, clear for off-key harmonies and polyrhythms. "The music of Charlie Parker and me laid a foundation for all the music that is being played now," Gillespie said years later.
Swing was a very popular kind of music in the United States during the 1930s and throughout the war. Hundreds of swing bands traveled the country, performing for millions of fans looking for a good time with good music. One band that was unique and took the hearts of many, was the International Sweethearts of Rhythm. The most important factors that contributed to the success of the band were that they were racially integrated women, very committed, and it was during world war II. One of the greatest factors of their success was that the band was composed of multicultural females.
Jazz is most often thought to have been started in the 1920s as this explosive movement, but that is in fact not the case. Starting in the late nineteenth and early twentieth century many African American musicians have started to explore their taste in improvising, and where better to do that than New Orleans (Anderson). Before the 1920s these jazz musicians have already been going around sharing the unique sound, but up until then, jazz had remained majorly in New Orleans. Interestingly during this period, a common jazz band would consist of a cornet, a clarinet, a trombone, and a rhythm section when at this period of time the clarinet is not commonly associated with being a jazz instrument, it moved into being the saxophone rather. A big
Jazz was associated with ‘American Flappers’, a woman who portrayed herself as one who wore short dresses, make up and smoked in public. Source 5 shows an explanation of how a flapper saw her life. To summarise the source, flappers had ‘nerve’. They didn’t need a man to provide money for them because they had their own. Also, more women were working by the 1920s, with an employment increase of 25%.
People would come together to hear this music and dance their hearts away. Swing music was important in the aspect of bringing people together based on race and also for people to just “hang
Kadie Hume Mrs.Conley English 10 March 14, 2023 Charles Manson & the Manson family cult You know Charles Manson as a serial killer or to have led a cult, but did you know he never actually killed anyone himself? Yes, that's true, he made others do his dirty work for him, even though in the end he still got caught. If you didn't already know, Charles Manson is known as an American criminal and cult leader who led his followers to carry out and commit several murders in the late 1960’s, resulting in life in prison for 4 decades until he passed away in 2017. Charles Milles Maddox was born November 12th, 1934 in Cincinnati, Ohio to his mother Kathleen Maddox who was a 15 year old troubled runaway teen from Morehead, KY.
Miles Davis, one of jazz’s most influential musicians with career that expanded six decades. Davis was known for his always changing style, from bebop to rock. He had been part of the bebop, cool jazz, hardbop, modal, rock-fusion movements, and shortly before his death working with hip-hop fusion. Throughout his entire career, Miles Davis preferred the audience recognize him for what he was doing then, not what he had done in the past. Over his sixty-year career he had earned several nicknames: The Sorcerer, the Prince of Darkness, and the man who walked on eggshells.
Theme: Friendship Song: “You’ve Got a Friend in Me” – Randy Newman “You've got a friend in me. You got troubles then I got them too. We stick together, we can see it through cause you've got a friend in me.” Justification: This song relates to the relationship George and Lennie had because even though Lennie was always getting in trouble, George was beside him no matter what. Also, when they got to the ranch, Slim said to them that is not common to see such good friends like George and Lennie, who travel together and look out for each other.
Initially, bebop jazz was characterized by significantly more complex chord progressions and melodies with a strong focus on the rhythm section. Although the irregular and unpredictable lengths of solos and increased sophistication made the music less suitable for dancing, it was nonetheless entertaining. Jazz had gained higher respect from a widestream audience, as it was no longer just dance music. Bebop lasted well into the 1950s, and the next stylistic revolution came during the revolutionary decade of the 1960s: fusion. Jazz fusion came into fruition when musicians combined aspects of jazz harmony and improvisation with styles such as funk, rock, rhythm and blues, and Latin jazz.
Beboppers ‘spoke’ at whirlwind speed, almost as if to say ‘you can’t catch me’ to their white counterparts. Although some elements of the music carried on from the Swing Era, such as the 32 bar song form and the 12 bar blues foundations, the harmonic and rhythmic complexity was stretching the boundaries further and further from the mainstream popular swing style. Heavy use of flattened ninths, sharpened elevenths and other altered intervals in solos and the speed at which they were used as well as the phrasing of these notes gave the music an off balance quality. Dizzy Gillespie’s tendency towards desceding whole or halfstep patterns such as in “Con Alma” and “A Night in Tunisia”, Charlie Parker’s favoured ii-V substitutions in the famous bridge to “Ko Ko” and “Confirmation” and the mastery of dissonance by Thelonious Monk shows the boppers preoccupation with developing their sound, making statements through their music. (Gioia
Jazz, in nature contains many characteristics of black people because its origin was from an African music. When we talk about jazz as a black music, the black here refer to African-American. African music is characterized by collective performance as a musical element. Several people played together and danced and enjoyed music. That's why rhythm play was more important than melody in Jazz eventually in Hancock’s music.
Jazz advanced into new kind of jazz and blues developed into an alternate sort of blues. Chicago Blues took into account musical sorts to approach. Without Chicago handles, punk, disco, demise metal, pop, funk, hip-bounce, and more would not exist.f technolo-gy and instruments gave new musical thoughts to the performers of the time. Chicago Blues will live on through more current age specialists and gatherings, for example, the Jonas Brothers, Brittney Spears, Lady Gaga, and that 's just the
