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Beowulf's Figurative Language

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The Anglo-Saxons were people who were from Germanic tribes who migrated to Europe. They achieved dominance in England around 500 A.D.
The origin of Anglo-Saxon comes from modern Latin “Anglo-Saxones” and medieval Latin “Angli Saxones” .
The accepted modern use of the term "Anglo-Saxon" is when someone is apart of the Germanic tribes.
The Anglo-Saxons were pagans and then later converted to Christianity.
The Bayeux tapestry, a cloth that is 230 feet long and 20 inches tall, is a major achievement by the Norman Romanesque because it’s so exquisite and is a work of art.
The Hiberno-Saxon art is is a combination of Celtic and Anglo-Saxon styles to decorate objects.
Heptarchy is the name used to identify the seven Anglo-Saxon kingdoms in the early …show more content…

Task 4
Kennings
Tree swinger- Monkey
Motor Mouth- Fast talker

Beowulf was finally translated into Modern English in 1837.
I think the translation was fun. I think the implications are that it’s figurative language.
The letters that were excluded from the Anglo-Saxon runic alphabet are F - U - - A - R - K. the surprising misunderstanding the occurred with the letter “thorn.” is that it’s the letter “g.”
The “eth” sound functions in Beowulf are represented as “th.”
The element of Old English that is still in use in many words today is Anglo Saxon.
The Anglo-Saxons borrow most of their letters from the Roman alphabet.
Alliteration is a word group either with the same consonant sound or sound group.
“Caesura” is a pause or break in the middle of a verse. I think it’s used a lot because it helps separate words that are combined.
Scop-bard-poet
Wyrd- see weird
Wegild- money paid to the relatives of a murder victim in compensation for loss and to prevent a bloody argument.

Task 5

Version 1
Sharon Turner was an English historian. It was translated in 1805. Turned from Old English to Modern English. Modern English is easier to understand.
Version

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The Anglo Saxon era was justified with a very long term of push and pull of power among its early beginnings during 449 CE. Initially being a Germanic led country, the literature of the Dark Ages was very versed in song and migrated with the nomadic tribes that first accommodated within the area of the English Channel. During the preceding four centuries, the area was held as a province of the Roman empire, and never held a single leader with the external conflicts that were occurring between power nations and northern tribes during the time period. During Rome’s possession of Britain, their region remained an important colonial outpost.

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Wergild, the killing of one’s own brother (or fellow tribe member) was considered the most heinous crime to the Anglo Saxons. Committing wergild would lead to a lifetime of shame and often required a sort of vengeance. Several characters in Beowulf are exiled, shamed, or otherwise punished for killing. Beowulf’s father, Edgetho, was banished from his kingdom after he murdered another man. Hrtohgar described Edgetho’s exile: “Edgetho had begun a bitter feud, killing Hathlaf, a Wulfing warrior: your father’s countrymen were afraid of war, if he returned to his home, and they turned him away.”

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Beowulf: A New Translation for Oral Delivery, translated by Dick Ringler, utilized the dark and the ominous to foreshadow or to portray the impending savagery of mankind. Darkness could be defined either by the absence of light or by the lack of intellectual enlightenment. The monstrous creatures are shrouded within the darkness or associate with the ominous. Throughout Beowulf the theme of violence and darkness are intertwined, which is manifest by correlating the darkness with the unknown through Grendel. The unknown generate fear among the mass through their inability to control and understand the existence of inhuman beings.

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Out of all German tribes Saxons stood out not only as highly aggressive and warlike, but very also as much committed to pagan cults. The borderline between Saxons and Franks was very vague, “except in a few places, where large forests or mountain ridges intervened and made the bounds certain, the line between ourselves and the Saxons passed almost in its whole extent through an open country” (Einhard, 2013); murders, robbery and arson was a daily routine. In order to stop that Charlemagne waged the first war against Saxons in 772. During this period, Charlemagne successfully brought Christianity to Saxons and got them “destroyed as a culture, and they would never again rebel.” (Knox, 1999).

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The literary device that seems ubiquitous in this poem is alliteration. The first one found in lines 633-634, “ still brave, still strong/ And with his shield at his side, and a mail shirt on his breast.” The “S” sound is repeated. Another example of alliteration shown is on lines 717-718.

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Charles Scott Moncrieff’s translation of Beowulf is more linguistically similar to the original text than interpretive of that text which indicates a formal equivalence philosophy. Moncrieff’s translation uses literal translations of the original language, and mirrors the structure and layout of the original text. The first line of Moncrieff’s translation, “Then came from the moor / under misty slopes,” appears to be an exact translation of the original first line. Also illustrated in the first line is the similarity of form. Moncrieff’s translation preserves the medial caesura of the original with backslashes.

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