Wait a second!
More handpicked essays just for you.
Film analysis topics
Analytical interpretation of film
Wit film analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
More handpicked essays just for you.
Film analysis topics
Analytical interpretation of film
Wit film analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Film analysis topics
Jack Davis uses an authentic voice through the implementation of genuineness that’s evident through his lack of biasness. Jack Davis doesn’t degrade the characters of those such as Neville and Neal, instead exhibiting attitudes in response to the context of the story. The characters that Davis had created has motives in response to their displayed behaviours. The characters of Sergeant and Constable are considered to confirming to the set stereotypes against the aboriginals that’s evident in ‘Natives are best left to keep to themselves’ (Act 1, Scene 2), although the Sergeant may appear as condescending and racist at times, one needed to empathise with his prerogative as to an extent, he can be seen as simply following the orders set by AO Neville. The depth and complexity added to each characters are also manifested through Sister Eileen and Matron Neal.
The names and content are white, however the text style itself utilises sharp points and straight lines which gives away hint to the audience about the genre and flow of the movie.
Today, in the era of big data, machinery, and STEM (science, technology, engineering and mathematics), it is common to hear that liberal arts degrees and humanities majors are, well, comparatively worthless. Edward Conard, the author of the essay "We don't need more humanities majors", stands by this idea and argues that individuals with degrees in the STEM fields contribute far more to the economy and society than those who major and get degrees in the humanities/liberal arts field. This is actually not the case. Humanities help us understand people through their histories, cultures, and language with majors having an emphasis on languages, literature, music, art, and philosophy. Without humanities, we would not have been able to progress
What makes The General significant is its use of diffusion and backlight. Bert Haines (1896-1991) shot the film on panchromatic film in sepia tone. Giving the film a pleasing dynamic image. Throughout the film, Haines capitalizes on the recent technological innovations in the 20’s with lighting instruments. Lighting the exterior of most shots balances the interior so that there are no harsh shadows on any of the faces.
Figures from all walks of life have paid tribute to rock ‘n’ roll pioneer Chuck Berry after the announcement that he had died at a home in Missouri. Berry’s hits were covered by the Rolling Stones, the Beatles, the Beach Boys and many more, and members of all those bands posted messages on Twitter expressing their sadness. Chuck Berry 's life and career in pictures View gallery Rolling Stones frontman Mick Jagger wrote: “I am so sad to hear of Chuck Berry’s passing. I want to thank him for all the inspirational music he gave to us.
Tim Burton, a well-known film director has created a diverse amount of movies with a dark twist to further enhance its storyline. Tim Burton’s films use many stylistic devices to portray its unique stories, but his exceptional use of shots and framing, music and lighting are what avail him to achieve the effects of mood and tone, causing viewers to stay glued to the screen. To start, color is the most beneficial and powerful element that a director can manipulate to develop a story or a motion-picture. Whether it is the costumes, props, sets or even if the entire setting or shot is tinted in the editing process, the lighting plays or attributes to how viewers see and interpret those colors. A few examples include the following films, Charlie and the Chocolate Factory and Edward Scissorhands.
Color imagery is often prominent in Hang’s description. Between settings, there are significant shifts in color imagery. In Paradise of the Blind, setting and the colors with which it is associated reflect Hang’s emotional state and create shift
The textures throughout the piece are mostly transparent, with the exception to the building of the climax where it gets thicker and could be considered polyphonic. The number of voices sounded is a wide variety from bass up to high treble. The timbre is tied to how dramatic that section of the piece is, but it subtly shifts throughout the piece. While the tone and color of the piece is melancholy and dark, the end is hopeful and not quite happy, but more accepting of what happened previously, leaving the listener completely content.
The mood of the movie at this point shifts from dark and solemn to alive and talkative. The active dialogue and intonation used by the actors made the storyline interesting. For example, the news reporters exemplified the very image of a news reporter back in the day: curious, chatty, and amusing. Their somewhat boisterous nature is countered by unconventional lighting, as the audience hears their conversation but sees mostly shadows or just glimpses of their faces.
Bradford Young thinks of using color in the film “in the same way painters used paint.” He aspires to capture dark-skinned people with accuracy and sensitivity, just as a painter would use colors to realize realism as much as possible. He uses rich colors to characterize the fabrics of African Americans, an exquisite kind of lighting to add a blue undertone to the Black skins and natural lighting and the intensity that comes from shadows. He thinks of mixing tones together as a way to approach black.
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.
In my eyes, throughout the story and film; the plot events, settings, characters, and the resolution, show the greatest signs of contrast, as
The narration in the movie can be described as circular narrative as the ending and beginning when merged complete the timeline of the movie(1). This narrative structure is rather unconventional and reminds the audience at multiple instances that this is not real life and they are watching a movie. One of these instances include Mia (Uma Thurman) drawing a rectangle on screen while talking to Vincent (John Travolta) in car in front of Jack Rabbit Slim’s. The film includes multiple clues which link its narration style to Post Modernism. To understand this linkage, firstly Post Modernism should be described.
The first shows lighter, brighter shades like grass and leaves. During the war green color is presented by more “gloomy” hues like military uniform or a rocket in the night sky that Doss saw in his nightmare. The film often shows characters’ faces in close up; these frames constitute a majority of the movie. Camera focuses on characters’ faces and moves slightly following their heads’ motions. This approach makes viewers focus on people’s expressed emotions and interactions rather than their environment.
His sad life he must live is inside an empty mansion which is shot in low lighting signifying the lonely reality of his home. Lighting gives you an idea of what is real and what is only a fantasy. Burton uses angles to show the level of power of characters. A good example is in the movie Edward Scissorhands during the scene where Edward is making an ice sculpture Kim is shot in a high angle. This signifies that she is truly happy and on top of the world.