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Symbolism in the streetcar named desire
Characterisation in the play A streetcar Named Desire
Symbolism in the streetcar named desire
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Blanche is projecting the self-image of a person who believes that they are above others. She acts as though she is of a royal family and demands the respect of everyone around her. She loses her family's home to the government and blames it on her sister who left in order to search for her own lifestyle. From the beginning of her visit, Blanche gets an off feeling about Stanley. When she arrives, he starts to stare at her with a sense of caution then soon begins inspecting the paperwork that she brought with her in order to validate her story.
Her Otherness and incongruity in the lower-middle class New Orleans neighbourhood are apparent from the moment she enters. At the beginning of the play, the inhabitants of Elysian Fields enjoy themselves in some earthly, bawdy activities. Eunice and the coloured woman are chatting “on the steps of the building” (3), making ribald jokes about Stanley’s “package” (4). Mitch and Stanley are going to the bowling club while Stella rushes to join them (4-5). Then Blanche, “daintily dressed in a white suit with a fluffy bodice, …, white gloves and hat” (5), the very image of a Southern gentlewoman, steps into the scene.
This is best expressed in scene five, where Steve and Eunice fight and then quickly reconcile. This demonstrates that Stella and Stanley’s violent love is the norm in New Orleans. Eunice and Steve’s sexual attachment is much healthier than Blanche’s attraction for the newspaper boy. Blanche acts in this destructive manner due to her background. She is one of the “epic fornicators” of her family, who indulged in forbidden acts because they could not find a healthy outlet for their desires.
It is what is haunting Blanche’s life, it is what has made her mentally unstable. Throughout the play, she has been hiding her past from people so she looks like
Stella’s sister, Blanche, sees through the illusion and can see how toxic the marriage really is. Stanley and Blanche come from distinctly different backgrounds, Stanley is from the working class while Blanche comes from wealth. Williams uses these two contrasting points of views on marriage, to show the issues of possessiveness, class, and sexism. When it comes to Stanley’s marriage to Stella, one of the most notable characteristics is how possessive Stanley is. An example of this is when Stanley found out that Blanche and therefore Stella, lost their estate.
301617- A Streetcar Named Desire Lying as well as deception is a common theme in A Streetcar Named Desire for the characters. There is Blanche, whom, because of her deception and lying which has played a bigger role on the other characters than she goes and realizes. Blanche stated in scene two of A Streetcar
Blanche acts as if her life is not falling apart and carries herself as the same girl from Belle Reve. She carries herself as the most sophisticated, classy, pure and innocent than everyone else, however later within the play the readers witness Blanche’s true nature. A promiscuous, manipulative, former aristocrat with a poorly hidden drinking problem. “She springs up and crosses to it, and removes a whiskey bottle. She pours a half tumbler of whiskey and tosses it down.
She refused to leave him when Blanche insisted and didn’t believe Blanche when it came to her being raped. Blanche, Stella, and Stanley all have the same want to be desired. The ways they act and treat each other back that up. Blanche feels the need to be desired by everyone around her, Stanley by Stella and others, and Stella by Stanley. Their lives revolve around desire.
Both Blanche's family and Belle Reve represent her dream to indulge in a sophisticated, high class, and luxurious life. When all of Blanche’s family dies and Stella leaves, Blanche loses the first piece of her “beautiful dream.” She no longer has the money to support herself, since her educational career provides insufficient funds. After the tragic loss of her husband, Blanche loses Belle Reve and loses her job, symbolizing that her “beautiful dream” has been fully crushed and the only remnants of her dream are the lies she feeds herself. This fall of social class leads Blanche to carry a tone of classism.
These rumors were a threat to what she has created in order to help her with the chaos in her life. Although she tried to build a new life with Stella, Stanley never gave in to her act and was constantly suspicious of her actions. Stanley's constant investigations and interrogations on Blanche’s old life. This is a representation of reality is starting to creep in of Blanche's newly created life. From the beginning Stanley has doubted Blanche, this is seen as he went through Blanche's things with Stella, questioning her belongings, “has she got this stuff out of teacher's pay?”(2.33).
This is made clear through Stanley’s insecurities about inferiority to women and his prolonged struggle to defeat Blanche. Again, this is evident with Blanche and even Stella. Stella is perceived as a static character with no real individuality, and Blanche, who is seemingly more independent, is characterized mostly by her sexuality. Tennessee Williams demonstrates society’s need for the superiority of men to women through the interactions of Stanley and Blanche in the play, their struggles, and their ultimate
In the play, Blanche loses her family 's estate, and goes to stay with her sister Stella. Stella lives with her husband Stanley. From the start of the play, the audience begins to notice Blanche and Stanley’s contrasted personalities. Williams uses symbolism to allow his characters to represent something stronger than themselves. Past and present are intertwined in A Streetcar Named Desire through Blanche and Stanley; Blanche represents the past: the Old South, aristocracy, and former sensitivity, while Stanley represents the present: the New South, the industrial class, and modern straightforwardness.
William’s play A Streetcar Named Desire presents a variety of perspectives on relationships, especially addressing the idea that bonds which aren’t bound by trust, loyalty and lust in an even balance will inevitably fail. Tennessee Williams uses the interaction between his characters, predominantly Blanche, Mitch, Stella and Stanley; to express a variety of ideas regarding relationships. These connections can be witnessed in scenes 2, 3, 6 and 11, through the use of stage directions, dialogue and expressionism to display different perspectives of character interaction. Trust acts as the foundation to any relationship, establishing a strong link between individuals and without it, the connection will eventually disintegrate.
In A Streetcar Named Desire, the author Tennessee Williams exaggerates and dramatizes fantasy’s incapability to overcome reality through an observation of the boundary between Blanches exterior and interior conveying the theme that illusion and fantasy are often better than reality. Blanche, who hides her version of the past, alters her present and her relationship with her suitor Mitch and her sister, Stella. Blanche was surrounded by death in her past, her relatives and husband have passed away, leaving her with no legacy left to continue. The money has exhausted; the values are falling apart and she is alienated and unable to survive in the harsh reality of modern society. Throughout the novel Williams juxtaposed Blanche’s delusions with
To Blanche, Stanley originally comes off as appealing however once he rapes her, he becomes monstrous in her eyes. On the contrary, Blanche is not exactly humane as well. Blanche is the extreme version of how a female was represented in the mid-1900s, but takes crazy too far. As opposed to helping Blanche deal with the world, her fantasizing is more destructive then helpful. Stanley’s violent rape of Blanche is a wake up call from her fantasy life, the final straw in her mental decline, leading to her
