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Impacts of music on society
Impacts of music on society
Impacts of music on society
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When investigating the origins of country music, there are multiple different country music stars that could be recognized for their recording success, and innovation, which contributed to the progress of country music as one of the most popular genres in the 20th century. The pioneers for country music consisted of both men, women, and multiple different ensembles providing to country music’s success. Without the help of the founders of country music, this genre might not be as successful as it is today. One of the first country music stars is a man by the name of Jimmie Rodgers. In the later half of his career Jimmie was incredibly successful, with recording over 100 different pieces of music, he was labeled by many as “The father of Country
Hillbilly music was the main genre of music for rural white American’s during the 1920’s. During our class discussion of hillbilly music, I immediately related the genre as the birth of country music today. Hillbilly music was an artistic expression by the people of the rural south. This concept is very similar to the country music that is produced today by musicians from the south who write their music based on what it is like to live in the country. During the time period of the 1920’s, Hillbilly music was only produced and sang by white Americans.
Musical Journey Till The Kent State Massacre Music serves as a platform for commentary on important social issues. Social events are an inspiration for creativity, and often, this creativity gathers momentum to tackle these societal concerns. The mutual relationship between music and social issues is seen evidently throughout the history. The Vietnam War serves as a great example to showcase the interdependency between the society and music.
In these chapters of Flowers in the Dustbin, James Miller emphasizes the origins of multiple styles of rock and roll, and highlights musicians that aided in bringing about this earth shattering new sound. Artists other than Elvis Presley, like Little Richard, ‘Fats’ Domino, Pat Boone, and a disc jockey by the name of Alan Freed all contributed to what we know and love as rock and roll. Rock and roll broke racial barriers, bringing a predominantly black style of music to the white youth culture of the time. Black artist Little Richard spoke to a younger audience through his music, because he himself was one of the youngest emerging rock and roll artists of the time. During the 1950s, the origins of rock and roll are rooted in black music of the time, it broke social and racial
“Here at noon, jazz blared from jukeboxes and dark holes issued forth the cool odors of beer, wine and flesh into the sunlight” (Griffin 48). When Griffin makes his way south and documents his journeys, jazz is steadily rising in popularity. The music is blared throughout these clubs- separating the blacks and whites, as blacks played a majority of these tunes for people of all races. The invention of jazz by early African Americans, when they were suffering from racism and its effects, is deeply rooted in the sounds of the artists’ music. The majority of listeners nationwide could sense a uniqueness about jazz, no matter the color of one’s skin.
Vivian Nguyen Melani Martinez ENG 101A 29 November 2017 Zac Brown Band What is the first thing that comes to mind when people think or listen to country music? The stereotype belonging to country music involves the the thoughts of trucks, rednecks, beer and heartbreak. The ideological cultural force of country music in the United States has been studied to analyze the ideologies found when the whiteness throughout the lyrics of country music was represented. According to Angela Rhea Stroud, “It is also argued that country music makes claim about who is truly American; claims saturated ideologies of race, gender, and class.”
There were reasons other than supply and demand that caused the silencing of America’s vernacular music until 1920. The two dominant record labels, the Victor Talking Machine Company and Columbia Records, both controlled the patent for the industry-standard lateral-cut 78-rpm disc and marketed their product as one of cultural uplift. The third largest record label of the era, Edison Records, also focused on their less popular vertical machine’s place in the cultural hierarchy, that they missed an incredible opportunity to fill a void in the marketplace. It wasn’t until 1919, when several small record labels both challenged the validity of the patents held by Victor and Columbia and identified a void in the marketplace that America’s vernacular
“A Black Fan of Country Music Finally Tells All”, by Lena Williams in which she confesses her love for country music after being embarrassed of showing it due to criticism, reminds me of how similar my experiences were to her essay. Although I don’t like country music nor was my music taste a hidden secret, I did however find myself in a position that Williams was in- defensive mode. When I discovered rock music one afternoon after watching countless cat videos on YouTube, I thought to myself “where has this song been all my life”. Like pop and hip-hop music, I imagined that liking rock music would only be a phase. Now after seven years I can say with certainty that my love for the music genre isn’t going anywhere.
In the 1970’s, Willie Nelson created the Outlaw movement and that opened up yet again another division of country music. What made the outlaw subgenre different was the usage of local flavor being combined with rock and roll and their roots. Kris Kristoffrson, Johnny Cash, and Hank Williams Jr., fit into the outlaw category with their music they recorded during this decade. In the 1980s, New country, or “countrypolitan,” was created, mixing western swing and bluegrass together. In 1982, The Bluebird Cafe opened and it became the spot for new talent to be seen and discovered.
The genre of blues exploded into the blues craze during the 1920’s. During this time, white record producers saw the untapped goldmine that was blues music performed by people of color. Ma Rainey was one of them, and to some, one of the first, giving her the title, ‘The Mother of Blues’. The 1920’s was not only an era of continuing homophobia from the past (although that would change, briefly, into a mild form of acceptance until the more conservative 1930’s), but also of harsh racism. And yet, one singer, Ma Rainey’s, broke these restrictions.
This new genre of music came from a combination between African American Blues and Gospel. As many African Americans migrated around America, during the Great Migration, the rhythm of their music attracted the young teens, but due to segregation, these songs never got much air time and many middle class White Americans thought the music was tasteless. Due to the lack of air time, many White Americans remade the songs but that caused many people to stop tuning in and listening to that particular station because it just didn’t sound like the same song they enjoyed. Many people set out to find a White American that could capture that African American tune. A memphis producer named Sam Phillips finally found the answer to those problems through Elvis Presley.
In a time of great upheaval, country music provided a much-needed sense of stability and familiarity.” (Kerlinger). Country music was able to help and connect people during a complicated and new time where people were figuring out what they were going to do in life, and still has a similar impact
All over the world, people express their culture and their way of life in the form of music. In the early nineteen-hundreds America was beginning to form their own genre of music, which would come to be known as country music. When we think of country music, we often think of hillbillies, cowboys, a pair of boots and blue jeans, but it's much more than that. Country music is more than just songs; it's become a way of life in America. Country music was formed out of the genre of Appalachian folk music in the southern United States.
He said the music endured over the centuries “because it filled the needs of the people, who, after all, created it for themselves.” But as waves of Americans moved to the cities, they tended to abandon this music along with their rural roots, embracing instead the “cooler” city sounds of ragtime, bluegrass, and jazz. It was “rediscovered” when new recording technology inspired anthropologists and music historians to take
Country lovers It might seem as yet another innocent love story, but do not let the title fool you. Nadine Gordimer creates a story after the “and they lived happily ever after” showing that that might not always be the case. As the story sets off, Gordimer presents us a friendship between Thebedi and Paulus, which blossoms into a little more than that. The development of the relationship is throughout several of years until they reach adolescence.