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Body Thinking Analysis

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Chapter nine is titled Body Thinking which is about the knowledge the body possesses naturally through understanding. The first main point claims proprioception is a the “sense of muscle movement, posture, balance and touch” (R. Root-Bernstein & M. Root-Bernstein, 2001, p.161). Propioception is used to make one aware of where they are in terms of space and how the body feels in physical activities. Another main point states kinesthetic thinking is the “body’s motor images or remembered movements” (R. Root-Bernstein & M. Root-Bernstein, 2001, p.164). Ideas bust from kinesthetic form such as dance movement flowing from the body into the dance floor. The third main point suggests the “mind and body are the one and we must learn how to facilitate …show more content…

For instance, I was raised in a culture that embraces celebrations through parties. In most parties there is upbeat music that makes the guest dance. I have danced for as long as I can remember. When I dance I feel the rhythm of the music in my heartbeat. Then the flow of the music transfers throughout my body. Through my elementary school dancing experience I became aware of my personal space, force in movement, and choreographed timing. I interpret the body thinking of other around me through their posture and movement. For example, in the university library many individuals sit leaning their back forwards to type, write, or read. As time progresses they arch more forwards and slow down their movements which indicates they feel tired. Personally I believe it is due to their posture because the spin and hip bone have unusual pressure. In high school I was part of the girls basketball club. We practiced once or twice a week. For one week I could not attend and on my return improved. In all honesty I watched basketball games that week and became more aware of how to efficiently use the techniques. In the end, body thinking is a natural tool I use in my life.
Reference
Robert and Michèle Root-Bernstein (2001). Sparks of Genius: The Thirteen Tools of the World’s Most Creative People. New York, NY: Houghton Mufflin

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