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The three movies – Platoon, Full Metal Jacket, and The Green Berets – are all movies based on the same historical event – the Vietnam war and US’s involvement in it. Yet, they all presented us with different and narrative point of view and authority figures in order to paint their individual values. The movies’ most obvious differences lie within the choice of their narrative point of view. The Green Beret, the earliest one, was directed by John Wayne and he also starred in the leading role. Wayne’s authority and influence in the 1960s was similar to the influence of Tom Hanks in the 21st Century.
Film noir is a cinematic style that began in the early 1940s that focused on the crime and corruption that occurs in everyday life. Film noir was influenced by two major film movements, German Expressionism and French poetic realism (Schrader 8). While German Expressionism influenced lighting techniques, realism affected narrative and cinematography. The Great Depression and World War II shaped film noir’s cynical tone that fate is uncontrollable. A classic example of film noir is the 1945 film Detour, directed by Edgar G. Ulmer.
Even though they were produced in two completely different time periods, Blade Runner and Double Indemnity share a substantial amount of similarities. Each film’s use of cinematic elements points towards them following a film noir style of filming. Though Blade Runner’s sci-fi genre does push it towards a more modernized version of film noir, commonly known as neo-noir, it still shares many similarities with Blade Runner. Low key lighting, shadows, smoke, compact spaces, and pathetic fallacy are all classic film noir qualities seen throughout the films. Both films also focus their plots upon the main character's attraction to a “femme fatale”:
The outcome of the movie, The Hunt for Red October, was that the US Navy on the USS Dallas and the Soviet Navy on the Red October were able to successfully destroy the enemy submarine, the V. K. Konovalov. Without the CIA analyst and former Marine, Jack Ryan’s convincing that the Red Octobers captain was trying to defect, the Soviet Union would have launched missiles on the United States east coast. The teamwork of the Navy’s caused the enemy submarine to be dismantled. The movie portrayed battles between two Soviet Union submarines, the Red October, the V. K. Konovalov, and a United States submarine, the USS Dallas.
These are both key features alongside the fabulous cinematography by Bradford Young with his amazing visual style and low key lighting that really helps tell the story further with the dark claustrophobic entrance of the hallway to the dark but well
The use of background light was an important focus in this picture, there was less attention to lighting the actors faces but in almost every frame there is well placed background light often combined with a moving light source. Repetition was also evident within the visual composition of the frame, the actors were rarely positioned within the center of the frame but always to the left or the right with a light source covering them from behind. Ridley Scott perfectly matches colorful high key light with low key lights creating impeccable contrast, this lighting used could be described as a modern Citizen Kane style. Although this is overall a very dark and low light film, the motif of shadows and darkness allows the beauty of light to truly be
Shaun of the Dead, a unique film among its horror siblings Zombies, a genre that has taken the over the world, it’s difficult to turn around the corner and not hear someone or something reference it. While the vast amount of gore present may turn a lot of people off, there are alternatives available. Among them is the 2004 British romantic zombie comedy movie Shaun of the Dead, directed by Edgar Wright. It tells the story of Shaun, a man attempting to obtain a handle on his life, get back with the love of his life Liz, deal with his unemployed, incompetent friend Ed and his parents; all of this in the middle of a zombie uprising. The flick on itself makes for a good time for long-time zombie fans with its homages to George Romero’s Dawn of the Dead while attracting newbies onto the genre with its comedic elements
Even where they appear as entirely nonpolitical, movies tend to inevitably have political messages. However, the notably evident aspect in numerous films is their tendencies to integrate liberal ideas. Using the film, Independence Day directed by Roland Emmerich, the current essay examines the themes related to conditions under which liberal ideals can influence elite policy-makers in achieving rational foreign policy decision-making. Several relevant themes are likely to emerge in films pointing towards the liberal tendencies or otherwise among elite policy-makers that contribute in promoting greater international experience. Even though in an indirect manner, it is common for American films to exhibit liberal ideals that are likely to provide
The Patriot Sadness, hope, war and freedom The movie’s name is “The Patriot”. Mel Gibson plays the role of Benjamin Martin who is an American farmer in the 1800th century. Benjamin has the lead role in this movie. There are a lot of characters in the movie such as his son Gabriel (Heath Ledger) and his six other siblings.
Shutter Island, a psychological thriller, directed by Martin Scorsese incorporates techniques throughout to reveal the truth in Shutter Island. The film, based on a missing patient investigation, turns out as a cover up psychological experiment designed to bring Edward (Teddy) Daniels back to sanity concludes to be the truth. This essay discusses that by analysing certain scenes, including the opening scene, Teddy and Chuck addresses Dr Cawley, and whislt Teddy and Chuck interview the patients. These three scenes assist to expose Shutter Island through film techniques such as camera angle and mise en scene.
The film “Argo”, directed by Ben Affleck, re-enacted the events of the Canadian Caper during the Iranian Hostage Crisis (1979-1981) in Tehran, Iran. Not all 53 hostages were captured as six American diplomats escaped and were taken into the care of Ken Taylor, the Canadian Prime Minister at the time, in the Canadian embassy. Taylor and the Canadian government created a plan to help the diplomats escape, however, they needed an intelligence force to back them up, which they didn’t have. The C.I.A was contacted to help Canada get the diplomats back to Canada safely with fake Canadian passports. The C.I.A created the fake movie called “Argo” as well as a fake studio and script.
The Godfather (1972) is said to be one of the greatest films ever made. When this movie was released in 1972, it was nominated for Ten Academy Awards and it won three: Best Picture, Best Actor and Best Adapted Screenplay. The film was adapted from the book with the same name written by award winning author of mafia fiction, Mario Puzo. This film takes place in a span of ten years following the life of Don Corleone, the head of the Corleone Crime Family. It was a film that changed the history of cinema, introducing a very talented filmmaker and several acting legends in the telling of a story of a Sicilian Crime Family.
Throughout the course of one’s life, there is a constant search for some form of happiness. We may not always realize we are on the quest for it, but it’s part of human nature. In “Silver Linings Playbook” we see this happen throughout with Pat and Tiffany, who are both searching for happiness. The film is relatable to us all in that many times we go looking for happiness only to come up empty-handed.
ARTS1501 Abigail Natnat March 30, 2016 N01100811 Film Essay Assignment The first sequence is the last scene from Apocalypse Now (1979) which was directed by Francis Ford Coppola. This scene is popularly known as “The Horror” and is a hybrid of classical paradigm and formalist style. It is a classical paradigm because the sequence is actually going about with a story which means that some of the parts are continually edited revealed to be in one setting which is the jungle where Captain Willard takes on with his assigned mission to deal with Colonel Kurtz. On the other hand, the scene is also a formalist style which particularly touches on each of the montage types.
Adversity in “The Intouchables” “My true disability is not having to be in a wheel chair. It’s having to be without her.” (The Intouchables). Lines like that are just a piece of the great undertaking directors Olivier Nakache and Eric Toledano took when they decided to be part of The Intouchables.
